The J. Eugene Grigsby Jr. Papers consist primarily of 35mm slides showing Grigsby's life and work as a Black artist and educator in the United States. Topics documented include Grigsby's research into African, African-American, and Indigenous art and artists; his career as an art instructor at the high school and college levels; his service as advisor to Arizona State University's Give a Damn Art Teachers (GDAT); his involvement in the artistic community at the local, state, and national levels; his participation in numerous community and gallery art events; and his family and friends.
Identification:
MSS-430
Language:
Material in English
Repository:
Arizona State University Library
University Archives
P.O. Box 871006
Tempe, AZ 85287-1006
Phone: (480) 965-4932
E-Mail: archives@asu.edu Questions? Ask An Archivist!
Biographical Note
Educator and multimedia artist Jefferson Eugene Grigsby Jr. was born to Jefferson Eugene Grigsby (1891-1975) and Purry Lyon (Dixon) Grigsby (1892-1977) in Greensboro, North Carolina on October 17, 1918. He was the oldest of four children, including Miriam Leone (Grigsby) Bates (1926-2017), Donald Dixon (1928-2007), and Marvin Orlando (1930-). Grigsby discovered his love of painting at the age of nine after his family moved to Winston-Salem, North Carolina. His artistic style became progressively more abstract over the course of his career.
Grigsby earned his B.A. from Morehouse College (1938), where he also met his long-time mentor, Hale Woodruff; his M.A. from Ohio State University with a thesis titled The Influence of African Art on Modern Art (1940); and his Ph.D. from New York University with a dissertation titled African and Indian Masks (1963). He also studied at the American Artists School in New York City (1934-1935) and at the Ecole des Beaux Arts in Marseilles, France (1945). He began his career as the Artist-in-Residence at Johnson C. Smith University (1940-1941) and worked as an art instructor at Elizabeth City State College in Elizabeth City, North Carolina (1941) before becoming an art instructor at Bethune-Cookman College in Daytona Beach, Florida (1941-1942).
In 1942, Grigsby volunteered for the U.S. Army, where he served as a Master Sergeant in the 573rd ammunition company under the 3rd Army's General George Patton. After his discharge in 1945, Grigsby moved his family to Phoenix, Arizona, where he worked as an art teacher and Chairman of the Art Department at Carver High School (1946-1954). After Carver High School closed due to desegregation, Grigsby taught art at Phoenix Union High School (1954-1966) before coming to Arizona State University at the urging of his friend and former student Rip Woods. At ASU, Grigsby designed and taught numerous classes, including Art 480, which was usually offered as "Art in the High School." Grigsby also served as the advisor to ASU's Give A Damn Art Teachers (GDAT), a student organization formed in the late 1960s to give students opportunities beyond student teaching to interact with learners from a wide variety of ethnic and socioeconomic backgrounds. GDAT focused on off-campus teaching experiences; workshops for student teachers; seminars with such guest speakers as teachers, parents, principals, members of the business community, and other students; tours; and exhibits by GDAT members and local high school students. Grigsby retired from Arizona State University in 1988. During his career, he published Art and Ethics: Background for Teaching Youth in a Pluralistic Society, the first book written for art teachers by a Black artist and author.
Grigsby was involved with numerous art organizations at the local, state, and national levels. He was a tireless advocate for community art and helped to found and administer the Consortium of Black Organizations and Others for the Arts (COBA) in addition to chairing Artists of the Black Community/Arizona (ABC/Az). He was a member of the National Art Education Association (NAEA), served on the NAEA's Committee on Multiethnic Concerns (COMC), and was the Co-Director for the Southwest region of the North American zone for the Second World Black and African Festival of Arts and Culture (FESTAC). He also served on the boards of the Phoenix OIC and as President of the Booker T. Washington Child Development Center.
Grigsby married Rosalyn Thomasena "Tommy" Marshall (1919-2008) in 1943 and the couple had two children, J. Eugene III and Marshall Cephas. J. Eugene Grigsby Jr. died in Arizona on June 9, 2013 at the age of 94.
Scope and Content Note
The J. Eugene Grigsby Jr. Papers consist primarily of 35mm slides showing Grigsby's life and work as a Black artist and educator in the United States. Topics documented include Grigsby's research into African, African-American, and Indigenous art and artists; his career as an art instructor at the high school and college levels; his service as advisor to Arizona State University's Give a Damn Art Teachers (GDAT); his involvement in the artistic community at the local, state, and national levels; his participation in numerous community and gallery art events; and his family and friends.
Series I: Research houses primarily slides, photographs, and other materials documenting Grigsby's research on African, African-American, and Indigenous art and artists. Sub-Series A: African, African-American, and Indigenous Art consists primarily of 35mm slides that Grigsby created during his 1972-1973 sabbatical depicting art and artistic styles originating in such African countries as Nigeria, Kenya, Ghana, Senegal, Tanzania, and Zaire. Many of these images show masks, which were one of Grigsby's primary research interests. Also included are examples of Indigenous art and artistic styles from Brazil, Australia, the Caribbean, and North America. Sub-Series B: Artists houses 35mm slides, negatives, and photographic prints depicting artists and their works organized alphabetically by the artist's last name. Many of the individuals documented are Black artists active in the United States during the 20th century and especially between the 1950s through the 1990s; artists from numerous African countries and such "old masters" as Vincent van Gogh are also included. Sub-Series C: Other houses 35mm slides showing such subjects as murals and works held in museums that Grigsby visited.
Series II: Teaching consists primarily of 35mm slides showing Grigsby's work as a teacher and professor at the high school and university levels. Sub-Series A: High School documents Grigsby's time at Carver High School (1946-1954) and Phoenix Union High School (1954-1966) in addition to his work with numerous other high schools in the greater Phoenix area. It is suspected that Grigsby undertook some of this work in his capacity as faculty advisor for the Give A Damn Art Teachers at Arizona State University, but this connection remains theoretical. Sub-Series B: Arizona State University shows Grigsby's time as a professor at ASU (1966-1988). Many of the slides in this section document Grigsby's design and presentation of Art 480, which was usually offered under the title "Art in the High School." Other classes represented include Art 420: Crafts for the Elementary School Teacher, Art 114: Life Drawing, and Art 404: African Art. It is suspected that the slides organized under "Techniques" were used to teach some or all of these courses. Also included are slides documenting Grigsby's work with the Give a Damn Art Teachers and their outreach efforts. Sub-Series C: Other Teaching shows Grigsby's teaching outside of the high school and college environments, including his work with experimental teaching. It is believed that the slides classified as "Outreach" represent his work with the Give a Damn Art Teachers, but this connection remains theoretical.
Series III: Professional Organizations and Conferences contains 35mm slides and photographic prints documenting Grigsby's involvement with the professional community at the local and national levels. Among the organizations represented are the Consortium of Black Artists and Others for the Arts (COBA), which Grigsby helped to found and administer; the Arizona Art Education Association (AAEA); Artists of the Black Community/Arizona (ABC/Az); the National Art Education Association (NAEA) and its Committee on Multiethnic Concerns (COMC); and the Second World Black and African Festival of Arts and Culture (FESTAC), for which Grigsby served as Co-Director of the Southwest region of the North American zone.
Series IV: Exhibits, Art Events, and Publications consists primarily of 35mm slides documenting art events that Grigsby helped to organize or that Grigsby's work was included in. Some of these events were coordinated by such organizations as Artists of the Black Community/Arizona (ABC/Az), the Urban League, and the Phoenix Art Museum.
Series V: Family and Friends consists primarily of 35mm slides depicting J. Eugene Grisgby, Jr., Thomasina Grigsby, Marshall C. Grigsby, J. Eugene Grigsby III, and J. Eugene Grigsby IV. Other images depict family reunions, family homes, and friends. Of particular interest are J. Eugene and Thomasina Grigsby's Christmas cards, which include an original print by J. Eugene Grigsby in addition to a brief summary of the family's activities and accomplishments during the preceding year.
Series VI: Subject Files houses 35mm slides organized by subject. Many of these slides represent locations in the western United States. Other subjects include landscapes, animals, architecture, airplanes and airports, trains, plants, and architecture.
Series VII: Other Materials houses images of events not related to art, unidentified images, and images whose subjects do not fit in the previous series.
Arrangement
This collection consists of forty-four boxes divided into seven series:
To view this collection, make an appointment at least five business days prior to your visit by contacting Ask an Archivist or calling (480) 965-4932. Appointments in the Wurzburger Reading Room at Hayden Library (rm. 138) on the Tempe campus are available Monday through Friday. Check the ASU Library Hours page for current availability.
Copyright
The Arizona Board of Regents retains copyright to this collection for and on behalf of University Archives, Arizona State University Library. Requests for permissions to publish, display, or redistribute information from this collection must be submitted via our online application.
Interested researchers may also wish to consult the J. Eugene Grigsby Papers in the Southern Historical Collection at the Wilson Library, University of North Carolina at Chapel Hill (guide available at https://finding-aids.lib.unc.edu/05295/).
Access Terms
Personal Name(s)
Grigsby, J. Eugene (Jefferson Eugene), 1918-2013
Family Name(s)
Grigsby (Family : (Grigsby, Fred, 1867-1957))
Corporate Name(s)
Arizona State University -- Faculty
Arizona State University. School of Art
Carver High School (Phoenix, Ariz.)
Consortium of Black Artists and Others for the Arts (Ariz.)
Phoenix Union High School (Phoenix, Ariz.)
Subject(s)
Art, African -- Study and teaching
Indigenous art
Masks, African
Occupation(s)
African American artists -- Arizona -- Tempe
African American college teachers -- Arizona -- Tempe
[Identification of item], J. Eugene Grigsby Jr. Papers, MSS-430, Arizona State University Library.
Provenance
Marshall C. Grigsby donated these papers to the University Archives in 2019) (accession #2019-05633).
Processing Note
J. Eugene Grigsby organized his slides using slide carousels, plastic or cardboard slide boxes, or cardboard boxes that originally held aluminum foil or oil paint. Slide carousels and other containers intended for slides usually included a label on the outer housing, while slides in aluminum foil and paint boxes were separated with slips of paper indicating the images' subject(s). These labels have been retained where possible and photocopies have been made in cases where the original housing was not suitable for archival preservation. Additions and edits to Grigsby's original labels and instances of illegibility have been noted in the container list using brackets and acronyms have been spelled out when possible. In cases where an item could be definitively shown to have been misclassified, the error was corrected; in cases where misclassification was suspected but could not be proven, the possible error was allowed to persist in order to preserve original order.
American Society of African Culture (AMSAC), Philadelphia, circa 1950s (8 Color Slides)
25
38
American Society of African Culture (AMSAC), Philadelphia, circa 1970s (32 Black and White Photographs; 29 Color Photographs; 4 Black and White Negatives)
Box
Folder
26
1
Arizona Alliance for Arts Education: Watts Towers, 1966 (22 Color Slides)
26
2
Arizona Art Education Association (AAEA): Chicago Luncheon, circa 1970s (18 Color Slides)
26
3
Arizona Art Education Association (AAEA), 1960 (2 Color Slides)
26
4
Arizona Education Association/National Education Association Membership Card, 1990
26
5
Artists Cooperative, 1963 (4 Black and White Photographs)
26
6
Artists of the Black Community/Arizona (ABC/Az) at Prep Academy, circa 1991 (29 Color Photographs)
26
7
Artists of the Black Community/Arizona (ABC/Az) at South Mountain High School, PC, and GCC, 1989-1990 (32 Color Slides)
26
8
Artists of the Black Community/Arizona (ABC/Az) Reception, 1988 (14 Color Slides)
26
9
Artists of the Black Community/Arizona (ABC/Az), 1973-1997 (52 Color Slides)
26
10
Artists of the Black Community/Arizona (ABC/Az), 1981 (19 Color Slides)
26
11
Artists of the Black Community/Arizona (ABC/Az), 1981
26
12
Artists of the Black Community/Arizona (ABC/Az), circa 1980s (14 Color Negatives)
26
13
Artists of the Black Community/United States (ABC/USA), 1981 (1 Color Slide)
26
14
Artists of the Black Community Luncheon Meeting, 1988 (3 Color Slides)
26
15
Black Art Conference, Atlanta, Georgia, 1979 (31 Color Slides)
26
16
Black Art Symposium, 1988 (6 Color Slides)
26
17
Consortium of Black Artists and Others for the Arts (COBA): Board, 1995 (3 Color Slides)
26
18
Consortium of Black Artists and Others for the Arts (COBA): Heritage Dinner Preparation, circa 1990 (4 Color Photographs; 2 Black and White Photographs)
26
19
Consortium of Black Artists and Others for the Arts (COBA): Heritage Dinner, 1992 (12 Color Slides)
26
20
Consortium of Black Artists and Others for the Arts (COBA): Inner-City Multicultural Invitational Youth Art Exhibit (IMYAE), 1989 (2 Color Slides)
26
21
Consortium of Black Artists and Others for the Arts (COBA): Inner-City Multicultural Invitational Youth Art Exhibit (IMYAE), circa 1980s (21 Black and White Photograph)
26
22
Consortium of Black Artists and Others for the Arts (COBA): Inner-City Multicultural Invitational Youth Art Exhibit (IMYAE), 1990 (57 Color Photographs)
26
23
Consortium of Black Artists and Others for the Arts (COBA): Inner-City Multicultural Invitational Youth Art Exhibit (IMYAE), 1990 (15 Color Photographs)
26
24
Consortium of Black Artists and Others for the Arts (COBA): Inner-City Multicultural Invitational Youth Art Exhibit (IMYAE), circa 1990 (23 Color Photographs)
26
25
Consortium of Black Artists and Others for the Arts (COBA): Inner-City Multicultural Invitational Youth Art Exhibit (IMYAE), 1992 (48 Color Slides)
26
26
Consortium of Black Artists and Others for the Arts (COBA): Inner-City Multicultural Invitational Youth Art Exhibit (IMYAE), 1992 (1 Black and White Photograph)
26
27
Consortium of Black Artists and Others for the Arts (COBA): Inner-City Multicultural Invitational Youth Art Exhibit (IMYAE): Sun Cheori [?], 1996 (38 Color Slides)
26
28
Consortium of Black Artists and Others for the Arts (COBA): Inner-City Multicultural Invitational Youth Art Exhibit (IMYAE), 1996 (22 Color Slides)
26
29
Consortium of Black Artists and Others for the Arts (COBA): Inner-City Multicultural Invitational Youth Art Exhibit (IMYAE): Awards [?], DC and Charlotte, 1997 (58 Color Slides)
26
30
[Artists of the Black Community/Arizona (ABC/Az) and Consortium of Black Artists and Others for the Arts (COBA): Inner-City Multicultural Invitational Youth Art Exhibit (IMYAE)], 1966-1999 (68 Color Slides)
26
31
Consortium of Black Artists and Others for the Arts (COBA) in Los Angeles, 1986 (51 Color Slides)
Consortium of Black Artists and Others for the Arts (COBA): Maryvale High School Art Show, 2004
Consortium of Black Artists and Others for the Arts (COBA), 1976 (7 Color Slides)
27
6
[Consortium of Black Artists and Others for the Arts (COBA)], 1979 October (7 Color Slides)
27
7
Expansion Arts, Washington, DC, 1988 (17 Color Slides)
27
8
Hawaii, circa 1976 (6 Black and White Photographs)
27
9
Hawaii, circa 1970s (10 Color Photographs; 1 Black and White Photograph)
27
10
National Art Education Association, Chicago: Costumes, 1974 (3 Color Slides)
27
11
National Art Education Association, Chicago, 1974 (4 Color Slides)
27
12
National Art Education Association, San Diego, circa 1970s (18 Black and White Negatives; 20 Black and White Photographs)
27
13
National Art Education Association: Committee on Multiethnic Concerns (COMC), 1985 (2 Color Slides)
27
14
National Art Education Association: Committee on Multiethnic Concerns (COMC), Kansas, 1990 (5 Black and White Negatives)
27
15
National Art Education Association: Committee on Multiethnic Concerns (COMC), circa 1990 (31 Color Photographs)
27
16
National Art Education Association: Committee on Multiethnic Concerns (COMC), Atlanta, 1991 (42 Color Slides)
27
17
National Art Education Association: Committee on Multiethnic Concerns (COMC), 1992 (37 Color Slides)
27
18
National Art Education Association: Committee on Multiethnic Concerns (COMC), 1994 (57 Color Slides)
27
19
National Art Education Association: Committee on Multiethnic Concerns (COMC), 1997 (15 Color Slides)
27
20
National Assessment of Educational Progress (NAEP), 1978 (33 Color Slides)
27
21
National Association of Interdisciplinary Ethnic Studies (NAIES), Iowa State University, Des Moines and Ames, Iowa, 1981 (75 Color Slides)
27
22
National Council on the Arts, Chicago, 1974 April (2 Color Slides)
27
23
National Council on the Arts, Dallas: Bishop and Dallas Museum, circa 1970s (35 Color Slides)
27
24
National Council on the Arts, Dallas: City Hall Exhibit, circa 1970s (20 Color Slides)
27
25
National Council on the Arts, Dallas: Dallas Museum, circa 1970s (30 Color Slides)
27
26
National Council on the Arts, Dallas: [?] Col., circa 1970s (21 Color Slides)
27
27
Phoenix Opportunities Industrialization Center (POIC): Art Park, 1995 (24 Color Slides)
27
28
[Phoenix Opportunities Industrialization Center (POIC)]: Christmas Dinner, 1990 (26 Color Slides)
27
29
Portland Mum. Conf. [?], 1974 (18 Color Slides)
27
30
PMT, circa 1970s (5 Color Slides)
27
31
Second World Black and African Festival of Arts and Culture (FESTAC): Board, 1975-1976 (22 Color Slides)
27
32
Second World Black and African Festival of Arts and Culture (FESTAC): Board, 1975-1976 (29 Color Slides)
27
33
Second World Black and African Festival of Arts and Culture (FESTAC): Board, 1976 (38 Color Slides)
Box
Folder
28
1
Second World Black and African Festival of Arts and Culture (FESTAC): [Board], 1976 (19 Color Slides)
28
2
Second World Black and African Festival of Arts and Culture (FESTAC), 1977 (23 Color Slides)
28
3
Second World Black and African Festival of Arts and Culture (FESTAC), 1977 (26 Color Slides)
28
4
Second World Black and African Festival of Arts and Culture (FESTAC) [?], circa 1970s (17 Color Slides)
28
5
Seminar on Elementary and Secondary Art Education, New York University and Seminar in Visual Art in Elementary Art Education, Harvard University, 1964 (59 Color Slides)
"African Art in Cultural Context," Memorial Union, Arizona State University, 1980 June 9-August 11
28
8
African Art Exhibit, Sedona, Arizona, 1983 (35 Color Slides)
28
9
African Art Exhibit, 1985 (4 Color Slides)
28
10
African Visitors, 1978-1984 (30 Color Slides)
28
11
Art and Aging, 1981 (44 Color Slides)
28
12
Art Detour Museum Collection, Verde Park, 1996 (37 Color Slides)
28
13
Art Detour, 1996 (37 Color Slides)
28
14
[Art Event], 1981 April (39 Color Slides)
28
15
[Art Event], circa 1980s (6 Black and White Negatives)
28
16
Artists of the Black Community/Arizona (ABC/Az): African Exhibits Enocunters, 1967-1998 (93 Color Slides)
28
17
Artists of the Black Community/Arizona (ABC/Az): Eastlake, 1994 (27 Color Slides)
28
18
Artists of the Black Community[/Arizona] (ABC[/Az]): J. Eugene Grigsby Jr. Exhibit at the Kathryn E. Gammage Gallery, circa 1990 (43 Color Photographs)
28
19
Artists of the Black Community/Arizona (ABC/Az): Exhibits, 1975-1991 (50 Color Slides)
28
20
"The Art of John Biggers: View from the Upper Room" Opening, Museum of Fine Art, Houston, Texas, 1995 (29 Color Slides)
28
21
Arts Festival, 1968 (12 Color Slides)
28
22
Art Raffle, 1990 (11 Color Slides)
28
23
Asanti Gallery, 1981 (11 Color Slides; 2 Color Negatives)
28
24
Avenue of Art, 1996 (38 Color Slides)
28
25
Banners, 1971-1998 (118 Color Slides)
28
26
Brussels, Belgium, 1958, 1973 (21 Color Slides)
Includes images of the World's Fair.
28
27
Celebrate Youth, 1981-1988 (14 Color Slides)
Box
Folder
29
1
Contests, 1971 (2 Color Slides)
29
2
"Craft Summer", 1975 (48 Color Slides)
29
3
Ebony Show, [?] Center, Undated (2 Black and White Negatives; 1 Black and White Photograph)
29
4
"En Su Casa: Masterworks", 1990 January (16 Color Slides)
29
5
Exhibit Symposium Luncheon, 1998 (35 Color Slides)
29
6
[Exhibit], 1990 (23 Color Slides)
29
7
[Exhibit], 1994 September (6 Color Slides)
29
8
[Exhibit], 1998 (31 Color Slides)
29
9
Faculty Exhibition, Art Department Museum, University of Arkansas at Pine Bluff, 1980 (65 Color Slides)
29
10
Gifted Conf[erence], D. Cordova Mus[eum], Mass Art, and Boston, 1979 (47 Color Slides)
29
11
Garfield Organization Breakfast/Kids in Alley/Collection in Studio, 1993 (37 Color Slides)
29
12
Hayden Home and Hayden Park Craft Fair, 1975 (25 Color Slides)
29
13
Heard Museum African Art Exhibit, 1986 (3 Color Slides)
29
14
Hello Phoenix!, 1981 (14 Color Slides)
29
15
Jazz at the Wells, 1994 (19 Color Slides)
29
16
La Raza [Art Event], Bay Area, 1988 (18 Color Slides)
29
17
"Madison II", circa 1970s (36 Color Slides)
29
18
"Mad[ison] II", circa 1970s (42 Color Slides)
29
19
Martin Luther King Jr. Exhibit at the Heard Museum, 1992 (19 Color Slides)
29
20
[Martin Luther King Jr. Exhibit], 1985-1999 (39 Color Slides)
29
21
Mesa Creative Center, 1974 (3 Color Slides)
29
22
Miami Arts, 1983 (102 Color Slides)
29
23
Miami Arts, circa 1983 (4 Color Slides; 4 Black and White Negatives)
29
24
Music Symposium and Wells Fargo Mural, 1997 (57 Color Slides)
29
25
[National Conference on Poverty]: Poverty in Phoenix, 1965-1974 (43 Color Slides)
29
26
[Native American Performing Arts Event], 1977 (34 Color Slides)
29
27
Neighborhood Arts, Atlanta, Georgia, 1980 (3 Color Slides)
29
28
Oklahoma Youth Art Exhibit, Oklahoma City, Oklahoma: Appel, 1974 (32 Color Slides)
29
29
Oklahoma Youth Art Exhibit, Oklahoma City, Oklahoma, 1974 (34 Color Slides)
Box
Folder
30
1
Oklahoma Youth Art Exhibit, Oklahoma City, Oklahoma, 1974 (41 Color Slides)
30
2
Oklahoma Youth Art Exhibit, Oklahoma City, Oklahoma, 1974 (30 Color Slides)
30
3
Oklahoma Youth Art Exhibit, Oklahoma City, Oklahoma, 1974 February (30 Color Slides)
30
4
Phoenix Art Museum: Children's Art Carnival, 1968-1969 (18 Color Slides)
30
5
Phoenix Art Museum: Children's Art Carnival, 1968-1973 (49 Color Slides)
30
6
Phoenix Art Museum Festival, 1966-1974 (16 Color Slides)
30
7
Phoenix Art Museum, 1968-1970 (58 Color Slides)
30
8
Phoenix Arts Coming Together (PACT), 1986-1989 (4 Color Slides)
30
9
Phoenix Opportunities Industrialization Center (POIC): Art Park, 1995 (23 Color Slides)
30
10
Project B/Marshall/Detroit, 1965 (26 Color Slides)
30
11
[Project B]/Marshall/Detroit, 1965 (27 Color Slides)
30
12
Project B: PNS Group, 1965 (26 Color Slides)
30
13
Roosevelt Arts and Humanities, 1975 May (25 Color Slides)
30
14
Santa Fe Museum [Exhbit/Show], 1977 (33 Color Slides)
30
15
Scottsdale High School, 1978 (43 Color Slides)
30
16
Street Academy, 1972-1977 (13 Color Slides)
30
17
[Students and Art Event], 1988 (97 Color Slides)
30
18
Studio 117 Party, 1964 (14 Color Slides)
30
19
TAAC, 1988 (12 Color Slides)
30
20
Unidentified Art Events, 1969-1999 (14 Color Slides; 3 Color Photographs; 5 Black and White Photographs)
30
21
Unitarian Universalist Church: Artists of the Black Community, 1991 (21 Color Slides)
30
22
Unitarian Universalist Church, 1967-1969 (17 Color Slides)
30
23
Urban League Manor, 1981 (9 Color Slides)
30
24
Urban League, circa 1970s (3 Color Slides)
30
25
Valley Christian Center, 1972 (16 Color Slides)
30
26
Valley Christian Center Exhibit, 1975 (11 Color Slides)
30
27
"A Visual Heritage", 1987 (2 Color Slides)
30
28
Watts [Summer] Festival, 1983-1984 (41 Color Slides)
30
29
[Watts Summer Festival], 1968-1998 (72 Color Slides)
Box
Folder
31
1
World's Fair, Brussels, Belgium, 1958 (75 Color Slides)
31
2
World's Fair, Brussels, Belgium, 1958 (59 Black and White Photographs)
31
3
Yoruba Exhibit, USC, circa 1990s (5 Color Negatives)
31
4
Youth Art Exhibit, Atlanta, Georgia, 1984 (17 Color Slides)