MSS-423
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Overview of the Collection | |
| Creator: | Martinez, Paige |
| Title: | Paige Martinez Papers |
| Inclusive Dates: | 1939-2003 |
| Bulk Dates: | 1990-2003 |
| Quantity: | 31.65 Linear Feet (20 Boxes) |
| Abstract: | This collection houses interviews, scripts, promotional materials, correspondence, notes, raw footage, proposals, financial information, artwork, and other materials documenting Paige Martinez's work as a documentary filmmaker. The bulk of the material covers Youth at Risk: Closing L.A.'s Juvenile Camps, America's War on Poverty, Rebels with a Cause, and Sanctuary on Trial. Other titles represented are Words of Our Ancients, Hopi Stories, Les Chevaliers du Tastevin: Past, Present, and Future, El Senador, En Medea Res, Eyes on the Prize, and an untitled film about the Rio Grande. Also included are materials showing Paige Martinez's personal life and genealogical research documenting the Palmer family, the Woodruff family, and the Rivera family. |
| Identification: | MSS-423 |
| Language: | Material in English and Spanish. |
| Repository: |
Arizona State University Library
Chicano Research Collection P.O. Box 871006 Tempe, AZ 85287-1006 Phone: (480) 965-4932 E-Mail: archives@asu.edu Questions? Ask An Archivist! |
Documentarian, writer, director, and filmmaker Paige Martinez was born in about 1962. She became interested in oral history, anthropology, and film making at a young age. After graduating from Tempe High School in 1980, she attended New York University's Tisch School of the Arts and earned a Bachelor of Fine Arts in Filmmaking in 1986. She worked as a Production Assistant for Fame for a year before becoming an office assistant for the American Films Company. Martinez later began making films, including Rebels with a Cause (1993), In Service to America, a segment of America's War on Poverty (1995), El Senador (1996), and Chapito Chavarria, Harmony Man (2014).
In 2013, Martinez began working toward a Masters in Media Arts at New Mexico Highlands University Las Vegas in order to learn more about interactive video and new production processes. She was on track to complete her degree in the summer of 2015 when she died on November 24, 2014 in Las Vegas, New Mexico of health problems linked to Valley Fever.
Series I houses raw footage, interviews, scripts, correspondence, licensing information, and other materials documenting the development and production of Youth at Risk: Closing L.A.'s Juvenile Camps. This film explores the value of the camp system through the lives of 18-year-old inmates Angie Burdick, Amber Mercer, Maria Martinez, and Tyneshia Minor, all of whom were incarcerated at Camp Resnick for a variety of offenses, including gang activity. In the camps, they are forced to coexist with members of opposing gangs and re-evaluate the lifestyle they lived and values they held prior to their incarceration. The film also covers the girls' lives and the challenges they face after they are released and return to their homes. Although these camps were the only arm of Los Angeles County's juvenile justice system to provide an opportunity for rehabilitation and the County's Board of Supervisors unanimously supported them, they were threatened with closure at the end of 1993 due to budget cuts.
Series II houses interviews, promotional literature, publications, and other materials documenting the development and production of America's War on Poverty. This film explores the extent of poverty in the United States during the 1960s and discusses federal anti-poverty programs created during the Johnson administration. These programs were designed to promote education, job training, and community action and to provide basic healthcare. This film consists of five parts: In this Affluent Society, Given a Chance, City of Promise, In Service to America, and My Brother's Keeper. Martinez worked primarily on In Service to America.
Series III houses scripts, audio recordings, and other materials documenting the development and production of Rebels with a Cause. This film is sometimes referenced under its working titles, The Young Magicians and Beyond Compassion. It documents the Los Angeles Conservation Corps' Human Services Project, which employed 20 young adults full-time to research, build, and implement human services projects designed to address issues critical to their communities. The film features three Conservation Corps members: Veronica Ben Como who, after a miscarriage at age 19, leads a crew educating teenagers about contraception and safe sex; Antoinette James, who grew up in a rock house, was homeless at age 17, and leads an AIDS crew visiting adults and children at hospices; and Maria Elena Chavez, niece of Cesar Chavez, who leads a media crew producing rap reports.
Series IV houses affidavits, statements, literature created by activist groups, trial transcripts, research, recordings, publications, and other materials documenting the development and production of Sanctuary on Trial. This film explores the Sanctuary Movement, which was formed by concerned citizens dedicated to helping refugees from El Salvador, Guatemala, Honduras, and Nicaragua to avoid capture by the U.S. government and apply for asylum in the United States. It focuses on a trial held in Tucson, Arizona in 1985, in which 11 sanctuary workers were indicted for aiding illegal immigration. Sister Darlene Nicgorski, Rev. John M. Fife, Maria del Socorro Pardo de Aguilar, Father Anthony Clark, Philip Willis-Conger, Wendy LeWin, Peggy Hutchison, and Father Ramon Dagoberto Quinones were found guilty and sentenced to probation.
Series V consists primarily of raw footage used to develop and produce Words of Our Ancients and Hopi Stories. Hopi Stories is a sample video designed to promote Words of Our Ancients. Words of Our Ancients uses interviews, photographs, motion-picture clips, diaries, periodicals, and U.S. government reports to chronicle Hopi history during the late 19th and early 20th centuries, including Hopi resistance to missionaries determined to eliminate traditional beliefs and practices, resistance to U.S. military campaigns designed to "subdue" Indigenous peoples, establishment of the Hopi Reservation in 1882, inundation with tourists, creation of Indian Boarding Schools and forced assimilation, rejection of the land allotment program, and finally the 1906 Oraibi Split and its aftermath.
Series VI houses research notes, publications, correspondence, contact lists, financial information, narration, DVD artwork and finishing information, and other materials documenting the development and production of Les Chevaliers du Tastevin: Past, Present, and Future. This film chronicles the order's history from its origins in France to approximately 2001. Camille Rodier and George Faively founded the Confrérie des Chevaliers du Tastevin in 1934 in response to the worldwide economic depression impeding sales of Burgundian wines. The founders posited that "rather than lament the fact that our cellars are full, we should invite our friends to help us drink from them" and encourage the sale and consumption of their wines. Franco-Swiss gourmet Jules Bohy brought the Chevaliers to the United States in 1939 and they spread quickly after the end of World War II. A section titled Slopes of Gold discusses the technical aspects of wine production in Burgundy. Additional sequences provide a sense of the total number of chapters worldwide and specifically the New York City chapter, a discussion of the Clos Vougeot and its importance, and a discussion of the Educational Scholarship Fund and the U.S.-Burgundy wine study program.
Series VII houses publications, clippings, scripts, and other materials documenting the development and production of El Senador, which follows the career of New Mexico politician Dionisio "Dennis" Chavez (1888-1962). Chavez moved to Washington with Senator Andrieus A. Jones in 1917 and worked as a clerk in the office of the Secretary of the United States Senate until 1920, when he graduated from Georgetown University's law department and was admitted to the bar. After graduation he returned to Albuquerque, New Mexico where he commenced practice and served in the State House of Representatives in 1923-1924. Chavez was elected to the U.S. House of Representatives in 1931 and served until 1934, when he did not seek renomination in order to run for the Senate. He was unsuccessful in 1935 but became the first Hispanic Democrat elected to the U.S. Senate in 1936 after being appointed to the seat vacated by Bronson M. Cutting's death the previous year. Chavez continued to serve until his death in 1962. During his tenure in the Senate, he supported the New Deal, strengthened New Mexico's ties to the federal government, secured federal funds to finance projects and create jobs in New Mexico, spoke out in favor of women's suffrage, and worked to remediate discrimination in hiring practices.
Series VIII houses interviews, proposals, artwork, and publications documenting the development of En Medea Res. This film explores the culture, philosophy, and creative expression of R. Carlos Nakai, a Navajo-Ute flutist and composer. It discusses Nakai's perception of his culture from modern to mythological times using Nakai's compositions as a soundtrack, live cinematography of the Four Corners area, interviews with Nakai and others, archival film clips, and photography of the region and people. This production may also have included a "one-hour extended music video" of Nakai's work. It is unknown whether either film was ever produced.
Series IX houses transcriptions of interviews intended for use in developing Eyes on the Prize, a film documenting the Civil Rights Movement of the 1960s. This film was not produced under this title and these interviews may have been repurposed as research for America's War on Poverty.
Series X includes research, correspondence, financial information, notes, publications, and other materials documenting the creation of an untitled production regarding the Rio Grande. This film was sponsored by the Rio Grande Institute and Americas River Communities (ARC) and was intended to explore the Rio Grande as both a river and as a border. This documentary was scheduled to air on PBS in late 2001 or early 2002. It is not clear whether the project was completed.
Series XI houses recordings, notes, correspondence, and other materials documenting films other than those documented in Series I through Series X. These films include a production regarding California's Proposition 13 (which limited the taxes that could be assessed on real property), a production regarding National Parks in the United States, and numerous unidentified productions.
Series XII: Other Papers includes correspondence, drawings, signs, research, and other materials documenting Martinez' personal life, education, and family history. Families represented in the genealogical research include the Palmer family, the Woodruff family, and the Rivera family.
To view this collection, make an appointment at least five business days prior to your visit by contacting Ask an Archivist or calling (480) 965-4932. Appointments in the Wurzburger Reading Room at Hayden Library (rm. 138) on the Tempe campus are available Monday through Friday. Check the ASU Library Hours page for current availability.
The Arizona Board of Regents retains copyright to this collection for and on behalf of the Arizona State University Library. Requests to publish, display, or redistribute information from this collection must be submitted via our online application.
A commercially produced copy of In Service to America is available in the Library's circulating collection (call number HC110.P63 A72x 1995 VIDEO).
Approximately 1 linear foot of material has been quarantined pending preservation remediation due to mold and is not accessible to users.
[Identification of item], Paige Martinez Papers, MSS-423, Arizona State University Library.
Paige Martinez donated these materials to the Chicano/a Research Collection in 2011 and 2012 (accessions #2011-04502 and #2012-04537).
| Series I: Youth at Risk: Closing L.A.'s Juvenile Camps | |||||||||||
| Box | Folder | ||||||||||
| 1 | 1 | Academy Awards Information, 1992-1993 | |||||||||
| 1 | 2 | Assemblies and Cuts | |||||||||
| 1 | 3 | Broadcast, Distribution, Sales, and Reviews, 1993-1994 | |||||||||
| 1 | 4 | Clippings, 1991-1993 | |||||||||
| 1 | 5 | Correspondence: Elected Officials, 1993 | |||||||||
| 1 | 6 | Correspondence: Potential Narrators, 1993 | |||||||||
| 1 | 7 | Cuts, 1993 | |||||||||
| Oversized Materials Removed to Box 11, Folder 1 | |||||||||||
| 1 | 8 | Cuts, circa 1993 | |||||||||
| 1 | 9 | Dailies, circa 1993 | |||||||||
| Oversized Materials Removed to Box 14/OV2, Folder 1 | |||||||||||
| 1 | 10 | Fitness Hearings, 1991-1992 | |||||||||
| 1 | 11 | Gang Research, 1993 | |||||||||
| 1 | 12 | Interview with Amber Mercer, 1993 March | |||||||||
| 1 | 13 | Interview with Angie Burdick, 1993 April 8 | |||||||||
| 1 | 14 | Interview with Irene Davila, 1993 March 27 (Incomplete Transcript) | |||||||||
| 1 | 15 | Interview with Judge Corral, circa 1993 (Transcript) | |||||||||
| 1 | 16 | Interview with Paul Higga, 1993 February 25 (Transcript) | |||||||||
| 1 | 17 | Interview with Paul Higga, circa 1993 (Transcript) | |||||||||
| 1 | 18 | Interview with Tyneshia Minor, 1992 December 15 (Transcript) | |||||||||
| 1 | 19 | Interview with Tyneshia Minor, circa 1993 (Transcript with Time Codes) | |||||||||
| 1 | 20 | Interviews and B-Roll, 1992-1993 (Transcripts; Removed from Binder) | |||||||||
| Box | Folder | ||||||||||
| 2 | 1 | Interviews, 1993 (Transcripts; Removed from Binder) | |||||||||
| 2 | 2 | Interviews, 1993 (Transcripts; Removed from Binder) | |||||||||
| 2 | 3 | Letters of Requst for Permit Signatures, 1993 | |||||||||
| 2 | 4 | "Life and Times" Viewer Comments, 1993 | |||||||||
| 2 | 5 | McKinnis, Mark, 1992 | |||||||||
| 2 | 6 | Music Licensing (Double XX Posse), 1993 | |||||||||
| 2 | 7 | Narration and Music, 1993 | |||||||||
| 2 | 8 | Paige's Editing Notebook ("Yat R"), 1993 (Removed from Binder; 1 of 2) | |||||||||
| Box | Folder | ||||||||||
| 3 | 1 | Paige's Editing Notebook ("Yat R"), 1993 (Removed from Binder; 2 of 2) | |||||||||
| 3 | 2 | Project MOVE (Mobility and Opportunity via Education), 1991 | |||||||||
| Oversized Materials Removed to Box 11, Folder 2 | |||||||||||
| 3 | 3 | MOVE (Mobility and Opportunity via Education) Shoot Notes, circa 1993 | |||||||||
| 3 | 4 | Promotional Materials, 1993 | |||||||||
| 3 | 5 | Proposed Closure of the Juvenile Probation Camps, 1993 | |||||||||
| 3 | 6 | Pulls, circa 1993 | |||||||||
| 3 | 7 | Requests to Film at Los Angeles County Probation Department Facilities, 1992-1993 | |||||||||
| 3 | 8 | Requests to Redistribute Youth at Risk Footage, 1993 | |||||||||
| 3 | 9 | Script Outline, circa 1993 | |||||||||
| 3 | 10 | Scripts, circa 1993 | |||||||||
| 3 | 11 | Signed Release Forms, 1993 | |||||||||
| 3 | 12 | Tape Logs, 1993 | |||||||||
| 3 | 13 | Target PBS Member Stations, 1993 | |||||||||
| 3 | 14 | Technical Production Information, 1993 | |||||||||
| Oversized Materials Removed to Box 11, Folder 3 | |||||||||||
| 3 | 15 | Title Options and Art, circa 1993 | |||||||||
| 3 | 16 | "Experts" Transcripts, 1993 | |||||||||
| The experts are Judge Corral, Irene Davila, Tom Higgins, and DA Stephen Meister. | |||||||||||
| Box | Folder | ||||||||||
| 4 | 1 | "The Girls", 1993 (Photocopies) | |||||||||
| "The Girls" are Maria Martinez, Amber Mercer, and Tyneshia Minor. | |||||||||||
| 4 | 2 | "If Camps Close" (Tape 8; Transcript with Time Codes) | |||||||||
| Tape 49 | 6B and 7B 1993 March 25 (U-Matic; Tape 20; Dub; Run Time 0:30:00) | ||||||||||
| Tape 80 | Amber 1993 March 25 (U-Matic; Tape 19; Run Time 0:30:00) | ||||||||||
| Tape 98 | Amber Interview at Home in Chula Vista; B Roll Out and Into House 1993 May 11 (U-Matic; Roll 44; Run Time 0:30:00) | ||||||||||
| Tape 101 | Amber Interview, Chula Vista 1993 April 17 (U-Matic; Tape 39; Run Time 0:30:00) | ||||||||||
| Tape 6 | Amber Mercer (U-Matic; Rolls 29 and 30) | ||||||||||
| Includes Craig Levy, the Board of Supervisors, and Barry Nydorf (6B) and Barry Nydorf and Jabe Kahnke (7B). | |||||||||||
| Tape 16 | Angie [Burdick] (U-Matic; Rolls 28 and 32) | ||||||||||
| Tape 17 | Angie [Burdick] #1 (U-Matic; Tape 109; Take 2) | ||||||||||
| Tape 18 | Angie [Burdick] #2 and Terry Friedman #1 (U-Matic; Tape 112) | ||||||||||
| Tape 19 | Angie [Burdick]; Beginning of Friedman (U-Matic; Tape 123) | ||||||||||
| Box | |||||||||||
| 13 | Tape 231 Angie Burdick (Audio Cassette Tape) | ||||||||||
| Tape 20 | Angie's Tree (U-Matic; Tape 122) | ||||||||||
| Tape 21 | Art Interview Part 2; Menderhall; Drills (U-Matic; Tape 116) | ||||||||||
| Tape 22 | Assembly #8 (U-Matic; Tape 120; Copy of 9A) | ||||||||||
| Tape 23 | Assembly 1 (Part 1): Maria [Martinez] "Change My Life" (U-Matic; Tape 124) | ||||||||||
| Tape 24 | Assembly 1 (Part 2) and Assembly 6 (Part 2) (U-Matic; Pulls Part 2) | ||||||||||
| Tape 25 | Assembly 2 (U-Matic; Part 2) | ||||||||||
| Tape 26 | Assembly 2: Up to Leaving Move - Janet (U-Matic) | ||||||||||
| Tape 27 | Assembly 3, Part 1: Violent Youth (U-Matic; Tape 106) | ||||||||||
| Tape 28 | Assembly 3: Violent Youth (U-Matic; Tape 107) | ||||||||||
| Tape 29 | Assembly 4 and 4 (U-Matic; Tape 113) | ||||||||||
| Tape 30 | Assembly 5 (U-Matic; Tape 117) | ||||||||||
| Tape 31 | Assembly 5: Maria [Martinez] from Leave Resnik; Move, Cut 3 with Amber (U-Matic; Tape 115) | ||||||||||
| Tape 32 | Assembly 6A (U-Matic; Tape 111) | ||||||||||
| Tape 33 | Assembly 7 (U-Matic; Tape 121) | ||||||||||
| Tape 34 | Assembly 7A (BetacamSP; Tape 10) | ||||||||||
| Tape 35 | Assembly 7C (BetacamSP; Tape 14; Master) | ||||||||||
| Tape 36 | Assembly 7D (BetacamSP; Tape 4) | ||||||||||
| Tape 37 | Assembly 8A (BetacamSP; Roll 47; Master) | ||||||||||
| Tape 38 | Assembly 8A 1993 March 26 (BetacamSP; Tape 26; Master) | ||||||||||
| Tape 39 | Assembly 8B (BetacamSP) | ||||||||||
| Tape 40 | Assembly 9 (BetacamSP; Tape 28) | ||||||||||
| Tape 47 | Assembly 9A (U-Matic; Tape 4) | ||||||||||
| Tape 48 | Assembly 9B 1993 March 22 (U-Matic; Tape 16) | ||||||||||
| Tape 50 | Assembly 9D (U-Matic; Tape 0/1) | ||||||||||
| Tape 51 | Assembly 9E (U-Matic; Tape 5) | ||||||||||
| Tape 52 | Assembly 9F (U-Matic; Tape 14) | ||||||||||
| Tape 53 | Assembly 9G (U-Matic; Tape 15) | ||||||||||
| Tape 54 | Assembly 9K with Narration and Music (U-Matic; Tape 206; Part 2) | ||||||||||
| This tape begins with Roads to Challenger. | |||||||||||
| Tape 55 | Assembly 9L 1993 April 14 (U-Matic; Tape 3) | ||||||||||
| Tape 58 | Assembly: Janet (U-Matic; Tape 12/13) | ||||||||||
| Tape 59 | At [Watts] School (U-Matic; Tapes 2 and 3) | ||||||||||
| Tape 60 | Barry Nidof and Jabe Kahnke (U-Matic; Tape 310) | ||||||||||
| Tape 62 | Black Judge Interview; Deputy DA Steve Meister; Deputy DA Deanna Enke; Latino Judge (U-Matic; Tapes 10 and 11) | ||||||||||
| Tape 63 | Bus Trip Back to Camp Resnik (U-Matic; Tape 102) | ||||||||||
| Tape 64 | Camp Challenger B-Roll (U-Matic; Tapes 8 and 9) | ||||||||||
| Tape 66 | Camps #2 (Part 1); Maria [Martinez] Leaving 1993 March 23 (U-Matic; Tape 17) | ||||||||||
| Tape 67 | Challenger/Menderhall 1993 March 22 (U-Matic; Tape 18) | ||||||||||
| Tape 68 | Challenger/Menderhall (U-Matic; Tape 119) | ||||||||||
| Tape 69 | Challenger/Menderhall (U-Matic; Tape 400) | ||||||||||
| Tape 70 | City Shots, School Shots, Second Half of Friedman (U-Matic; Tape 309) | ||||||||||
| Tape 71 | City/School Shots (U-Matic; Tape 303) | ||||||||||
| Film beginning includes a montage and narration. | |||||||||||
| Tape 72 | Commissioner Denton; Court/Central Court; Maria [Martinez] Neighborhood (U-Matic; Tape 302) | ||||||||||
| Tape 73 | Commissioner Denton (U-Matic; Tape 300) | ||||||||||
| Tape 74 | Corral and Tyneshia [Minor] December Interview (U-Matic) | ||||||||||
| Tape 75 | Craig Levy and Yvonne Burke (U-Matic) | ||||||||||
| Tape 76 | Cuts - Janet; Assembly - Maria [Martinez] Leaves Camp (U-Matic; Tape 6) | ||||||||||
| Tape 77 | Cuts of Girls at Move (U-Matic; Tape 301) | ||||||||||
| Tape 78 | Dailies (U-Matic; Tape 4) | ||||||||||
| Tape 79 | [Irene] Davila (U-Matic; Tape 6) | ||||||||||
| Tape 81 | [Commissioner] Denton (U-Matic) | ||||||||||
| Tape 82 | [Commissioner] Denton: Maria [Martinez] in Court 1992 April 19 (U-Matic) | ||||||||||
| Tape 83 | Deputy DA Deanna Enker; Latino Judge 1993 April 30 (U-Matic; Copy of R #108) | ||||||||||
| Tape 84 | Empty Tape (U-Matic; Tape 201) | ||||||||||
| Tape 85 | End of Film; Mus. Cut #1 "Hard Knox"; #2 (U-Matic; Tape 200) | ||||||||||
| Tape 86 | Fred C. Nolles (B-Roll) and Counsellor Interview (BetacamSP) | ||||||||||
| Box | |||||||||||
| 13 | Tape 232 Friedman (#27 - Side A; #28 - Side B) (Audio Cassette Tape) | ||||||||||
| Tape 87 | Girls (U-Matic; Tape 100) | ||||||||||
| Tape 88 | Happy Bus; Angie [Burdick] - Bus - 2x; Girls Camp and Move ([Irene] Davila, Grayson); Maria [Martinez] Leaves; Boys Camps with Recruits (U-Matic) | ||||||||||
| Tape 226 | "Helena's" Revision - Boys and Girls Camps; New Maria [Martinez] Leaves; New Ending TK #1; Juv. Sys. Montage Part 1 1993 May 12 (U-Matic; Roll 47; Run Time 0:11:00) | ||||||||||
| Tape 90 | Interview Outside 1993 June 8 (U-Matic; Dub) | ||||||||||
| Tape 91 | Interview with Maria [Martinez] (U-Matic; Tape 126) | ||||||||||
| Tape 92 | Irene Davila (U-Matic; Tape 308) | ||||||||||
| Tape 93 | Juv. Sys. Montage Revision; Music Sch. v Hard Knocks - (Kids) and Pix at TL (U-Matic) | ||||||||||
| Tape 94 | Juvenile Court Exterior; Black Male Judge; Deputy DA Steve Meister (U-Matic; Tape 304) | ||||||||||
| Tape 95 | Juvenile System - Camps; Andre's Narration (U-Matic; Tape 307) | ||||||||||
| Tape 96 | Juvenile System Montage - TK 2 with Narration; Kids Montage TK 1 (U-Matic; Tape 205) | ||||||||||
| Tape 97 | Juvenile System Montage and Film Beginning (U-Matic) | ||||||||||
| Tape 99 | Juvenile System Montage Pulls (U-Matic; Tape 305) | ||||||||||
| Tape 100 | Kids Montage - Post 9A; Maria [Martinez] Leaves - New Bus; Maria [Martinez] Leaves - No Bus; Maria [Martinez] Leaves - Incl. Grayson [Cook] (U-Matic; Tape 306) | ||||||||||
| Tape 102 | LA Streets (BetacamSP; Tape 22 or 21A; Master) | ||||||||||
| Tape 104 | Mama Martinez Interview; Maria [Martinez] Leaves Resnik in Bus; Interview with Mother (Spanish) (BetacamSP; Tape 23; Master) | ||||||||||
| Tape 105 | Maria [Martinez] Interview and [Irene] Davila Interview (BetacamSP; Tape 20; Master) | ||||||||||
| Tape 106 | Maria [Martinez] Interview and Irene Davila 1993 April 8 (BetacamSP; Tape 10; Master) | ||||||||||
| Tape 107 | Maria [Martinez] Interview at MOVE (Mobility and Opportunity via Education) (BetacamSP; Tape 40) | ||||||||||
| Tape 108 | Maria [Martinez] Interview; Leaves Camp; Mother Interview (Spanish) (BetacamSP; Tape 21; Master) | ||||||||||
| Tape 109 | Maria [Martinez] Leaves Camp, Goes to Court (with Enemies VO; Ends with Judge "On Record"); Maria's Enemies Orig. Bites; Amber [Mercer] Move Section; Amber [Mercer] Bites "What I Learned in Camp") (BetacamSP; Tape 30) | ||||||||||
| Tape 110 | Maria [Martinez] Neighborhood; Maria [Martinez] Interview 1992 September 13 (BetacamSP; Tape 0) | ||||||||||
| Tape 111 | Maria [Martinez's] Friends; Diamond Street (BetacamSP; Tape 39) | ||||||||||
| Tape 112 | Maria [Martinez's] Mother (Spanish) and Sister 1993 March 22 (BetacamSP; Tape 18) | ||||||||||
| Tape 113 | Maria [Martinez's] Mother (Spanish); Maria [Martinez's] Sister; Travelling through Neighborhood; Maria [Martinez] [in] Juvenile Court 1993 April 8 (BetacamSP; Tape 32) | ||||||||||
| Tape 114 | Maria [Martinez's] Mother Interview (Spanish) (BetacamSP; Tape 37E; Master) | ||||||||||
| Tape 116 | Maria [Martinez's] Sister Interview; Travelling Neighborhood; Juvenile Court 1993 March 26 (BetacamSP; Tape 24; Master) | ||||||||||
| Tape 121 | Maxine Waters and Tyneshia [Minor] 1993 March 26 (BetacamSP; Tape 25) | ||||||||||
| Tape 126 | Maxine Waters and Tyneshia Minor 1993 May 28 (BetacamSP; Tape 400; Drop Frame) | ||||||||||
| Tape 127 | Menderhall - Waking Boy Int.; Menderhall Signs and Roads; Juvenile Hall Signs 1993 March 26 (BetacamSP; Tape 27) | ||||||||||
| Tape 128 | Menderhall School; Skateboarders; Maria [Martinez] and Friends 1993 March 21 (BetacamSP; Tape 17) | ||||||||||
| Tape 129 | Misc. Cuts: Happy Bus, Opening, Boys' Camp; Maria [Martinez] PCP Sels; Pre-Down Bus 1993 March 25 (BetacamSP; Tape 19; Master) | ||||||||||
| Tape 130 | Montage TK 3 - Ladies Separate; Maria [Martinez] Up Steps; New Ending; Maria [Martinez] Leaving 1993 March 22 (BetacamSP; Tape 16) | ||||||||||
| Tape 131 | MOVE (Mobility and Opportunity via Education) Project 1993 April 16 (BetacamSP; Tape 42) | ||||||||||
| Tape 132 | MOVE (Mobility and Opportunity via Education) Room: Tyneshia [Minor] Interview (BetacamSP; Roll 45; Master) | ||||||||||
| Tape 134 | Mr. [Grayson] Cook Interview; Dorm Interiors (BetacamSP; Tape 11) | ||||||||||
| Tape 135 | Mr. [Grayson] Cook Interview; Exteriors (BetacamSP; Tape 34; Master) | ||||||||||
| Tape 136 | Narration Regarding the Juvenile System 1993 April 8 (BetacamSP; Tape 36; Master) | ||||||||||
| Box | |||||||||||
| 13 | Tape 230 Pearlie Johnson - Camps (Audio Cassette Tape) | ||||||||||
| Tape 137 | Pulls: If Camps Close, Solutions, Aftercare (BetacamSP; Tape 9; Original) | ||||||||||
| Tape 138 | Pulls: Mendenhall New Boys; Juvenile System Narr. Sels.; Part I; Ends on Road to Challenger (BetacamSP; Roll 44; Master) | ||||||||||
| Tape 139 | Pulls: Problems, Causes, Results, Why Camps are Good (BetacamSP; Tape 15) | ||||||||||
| Tape 140 | Resnik Shower and Dorms; Grayson [Cook] Interview (BetacamSP; Tape 41) | ||||||||||
| Tape 141 | Signs - Children's CRT/East Lake; Unknown Teens (BetacamSP; Tape 35; Master) | ||||||||||
| Tape 142 | Street Scenes (BetacamSP; Tape 38) | ||||||||||
| Tape 143 | Switched Maria [Martinez] Leaving; Bobcat Beat; Happy Bus; 8A Alt. Ending Revised; Maria [Martinez] Leaving; Girls/Crimes/Search; Bus/Beat 2x; Camp, Girls Dorm; Boys Camp with Recruits 1992 December 17 (BetacamSP; Tape 8; Original) | ||||||||||
| Tape 144 | Thomas P. Higgins (BetacamSP; Roll 46; Master) | ||||||||||
| Tape 145 | Tyneshia [Minor] at School (BetacamSP; Tape 1) | ||||||||||
| Tape 146 | Tyneshia [Minor] in December (BetacamSP; Tape 6) | ||||||||||
| Tape 147 | Tyneshia [Minor] Interview and B Roll (BetacamSP; Roll 43; Master) | ||||||||||
| Tape 149 | Tyneshia [Minor] Interview and B Roll (BetacamSP; Tape 29) | ||||||||||
| Tape 150 | V.O. Session and Audio Transfer (BetacamSP; Tape 13) | ||||||||||
| Tape 151 | Youth at Risk: Closing L.A.'s Juvenile Camps (BetacamSP; Tape 3) | ||||||||||
| Tape 152 | Youth at Risk: Closing L.A.'s Probation Camps (BetacamSP; Tape 31) | ||||||||||
| Tape 153 | Youth at Risk: Closing L.A.'s Probation Camps (BetacamSP; Tape 5) | ||||||||||
| Tape 220 | Yvonne B. Burke (U-Matic; Tape 118) | ||||||||||
| Tape 8 | [Untitled] 1993 March 25 (U-Matic; Tape 22 [21A]; Dub; Run Time 0:30:00) | ||||||||||
| Tape 11 | [Untitled] 1993 March 25 (U-Matic; Tape 21; Dub; Run Time 0:30:00) | ||||||||||
| Tape 2 | [Untitled] 1993 March 26 (U-Matic; Hr. 1; Tape 25; Dub; Run Time 0:30:00) | ||||||||||
| Tape 5 | [Untitled] 1993 March 26 (U-Matic; Hr 0; Tape 24; Run Time 0:30:00) | ||||||||||
| Tape 3 | [Untitled] 1993 March 26 (U-Matic; Hr. 23; Tape 23; Dub; Run Time 0:30:00) | ||||||||||
| Tape 14 | [Untitled] 1993 March 26 (U-Matic; Hr. 2; Tape 26; Dub; Run Time 0:30:00) | ||||||||||
| Tape 15 | [Untitled] 1993 March 26 (U-Matic; Hr. 3; Tape 27; Dub; Run Time 0:30:00) | ||||||||||
| Tape 4 | [Untitled] 1993 April 8 (U-Matic; Tape 36; Run Time 0:30:00) | ||||||||||
| Tape 12 | [Untitled] 1993 April 8 (U-Matic; Tape 34; Run Time 0:30:00) | ||||||||||
| Tape 10 | [Untitled] 1993 April 8 (U-Matic; Tape 33; Run Time 0:30:00) | ||||||||||
| Tape 1 | [Untitled] 1993 April 8 (U-Matic; Tape 35; Run Time 0:30:00) | ||||||||||
| Tape 9 | [Untitled] 1993 April 8 (U-Matic; Tape 37; Run Time 0:30:00) | ||||||||||
| Tape 224 | [Untitled] 1993 April 17 (U-Matic; Tape 40; Run Time 0:30:00) | ||||||||||
| Tape 225 | [Untitled] 1993 April 17 (U-Matic; Tape 41; Run Time 0:30:00) | ||||||||||
| Tape 13 | [Untitled] 1993 April 17 (U-Matic; Tape 38; Run Time 0:30:00) | ||||||||||
| Tape 228 | [Untitled] 1993 April 18 (U-Matic; Tape 42; Run Time 0:30:00) | ||||||||||
| Tape 223 | [Untitled] 1993 May 11 (U-Matic; Roll 43; Run Time 0:30:00) | ||||||||||
| Tape 227 | [Untitled] 1993 May 12 (U-Matic; Roll 45; Run Time 0:27:04) | ||||||||||
| Tape 222 | [Untitled] 1993 May 12 (U-Matic; Roll 46; Run Time 0:30:00) | ||||||||||
| Tape 133 | [Untitled] 1993 June 2 (BetacamSP; Audio on Channel 1 Only; Non-Drop Frame; Run Time 0:26:12) | ||||||||||
| Tape 103 | [Untitled] 1993 June 16 (BetacamSP; Dub; Non-Drop Frame; Run Time 0:26:12) | ||||||||||
| Tape 188 | [Untitled] 1993 July 9 (VHS; Run Time 0:26:12) | ||||||||||
| Series II: America's War on Poverty | |||||||||||
| Box | Folder | ||||||||||
| 4 | 3 | Assembly Screening Notes, 1994 June | |||||||||
| 4 | 4 | California Legal Services, Inc. | |||||||||
| 4 | 5 | Chronologies | |||||||||
| 4 | 6 | General Numbers List | |||||||||
| 4 | 7 | Insurance: De Witt Stern of California, 1993 April | |||||||||
| 4 | 8 | Outreach and Plaintiffs, 1994 March | |||||||||
| 4 | 9 | Photograph of Man with Books | |||||||||
| 4 | 10 | Promotion, 1994 | |||||||||
| 4 | 11 | Research Correspondence and Materials, 1994 | |||||||||
| 4 | 12 | Scripts, Screenings, and Notes, 1994 | |||||||||
| 4 | 13 | Avila, Lorenz, 1994 March-May | |||||||||
| 4 | 14 | Bellow, Gary, 1994 January-October | |||||||||
| 4 | 15 | Blaustein, Arthur, 1994 | |||||||||
| 4 | 16 | Brazil, Eric, 1994 March | |||||||||
| 4 | 17 | Carlucci, Frank, 1994 March | |||||||||
| 4 | 18 | Chickering, Lawrence, 1994 March | |||||||||
| 4 | 19 | Clark, William P., 1994 March | |||||||||
| 4 | 20 | Cohen, Jerry, 1994 March | |||||||||
| 4 | 21 | CRLA Lawyers, 1994 | |||||||||
| Includes Carole Ruth Silver, Dennis Powell, James Lorenz Jr., and Bob Gnaizda. | |||||||||||
| 4 | 22 | Cranston, Alan, 1994 March | |||||||||
| 4 | 23 | Davis, Angela | |||||||||
| 4 | 24 | de la Rosa, Hector, 1995 February | |||||||||
| 4 | 25 | Erlichman, John | |||||||||
| Box | Folder | ||||||||||
| 5 | 1 | Glick, Marty, 1994 February-September | |||||||||
| 5 | 2 | Gnaizda, Robert, 1994 | |||||||||
| 5 | 3 | Hernandez, Alejo, 1994 March | |||||||||
| 5 | 4 | Huerta, Dolores, 1994 February-March | |||||||||
| 5 | 5 | Jordaine, Mo, 1994 | |||||||||
| 5 | 6 | Kilpatrick, James | |||||||||
| 5 | 7 | Lorenz Jr., Jim, 1994 February-March | |||||||||
| 5 | 8 | McCabe, Lucy, 1994 | |||||||||
| 5 | 9 | Meese, Edwin III, 1994 March-June | |||||||||
| 5 | 10 | Padilla, Jose, 1993 | |||||||||
| 5 | 11 | Reagan, Ronald, 1994 May | |||||||||
| 5 | 12 | Rumsfeld, Donald, 1974, 1994 January-March | |||||||||
| 5 | 13 | Shriver, Sargent, 1966, 1994 | |||||||||
| 5 | 14 | Uhler, Lewis, 1994 February-March | |||||||||
| 5 | 15 | "America Votes: A Handbook of American Election Statistics" in the Congressional Quarterly, 1968 | |||||||||
| 5 | 16 | "Can Johnson Win His Other War?" in Look, 1967 June 13 | |||||||||
| 5 | 17 | Clippings, 1971-1975 | |||||||||
| 5 | 18-19 | The Consequences of Legal Advocacy: OEO's Lawyers and the Poor, 1974 | |||||||||
| 5 | 20 | "The Creative Society (California and the Problem of Government Growth)", 1967 | |||||||||
| 5 | 21 | A Decade of Federal Antipoverty Programs: Achievements, Failures, and Lessons, 1977 (Excerpts) | |||||||||
| 5 | 22 | The Deindustrialization of America Summary, 1982 | |||||||||
| 5 | 23 | The Exclusion of Farm Workers from Social Legislation | |||||||||
| 5 | 24 | The Formation of Legal Services | |||||||||
| 5 | 25 | Getting Into the Game: The Pre-Presidential Rhetoric of Ronald Reagan , 1989 (Photocopy) | |||||||||
| Box | Folder | ||||||||||
| 6 | 1 | Morris v. Williams, 1967 November | |||||||||
| 6 | 2 | "National Conference on Law and Poverty Proceedings", 1965 June 23-25 | |||||||||
| 6 | 3 | "The Poor Ye Need Not Have With You: Lessons from the War on Poverty", 1970 (Excerpts) | |||||||||
| 6 | 4 | The Poverty Paper, 1994 February 21 | |||||||||
| 6 | 5 | "The Poverty Paradox: How America Spent $5 Trillion on the War on Poverty Without Reducing the Poverty Rate" in Executive Memorandum, 1993 September 22 | |||||||||
| 6 | 6 | "Requiem for the War on Poverty: Rethinking Welfare After the L.A. Riots" in Policy Review, 1992 Summer | |||||||||
| 6 | 7 | Richard Nixon Inaugural Address, 1969 January 20 | |||||||||
| 6 | 8 | "The Ronald Reagan Story; or Tom Sawyer Enters Politics" in The New York Times Magazine, 1965 November 14 | |||||||||
| 6 | 9 | "What's Wrong with the Legal Services Program" by Spiro Agnew in the American Bar Association Journal, 1972 September | |||||||||
| Series III: Rebels With a Cause | |||||||||||
| Box | Folder | ||||||||||
| 17 | 19 | Paige's Script, 1993 | |||||||||
| 17 | 20-21 | Scripts and Logs, 1980-1993 | |||||||||
| Box | Folder | ||||||||||
| 18 | 1 | Scripts and Logs, 1980-1993 | |||||||||
| Box | |||||||||||
| 13 | Tape 246 Tape #1a 1993 August 20 (Audio Cassette Tape; Run Time 1:00:00; Reel 1 of 2) | ||||||||||
| 13 | Tape 233 Tape #1b 1993 Summer (Audio Cassette Tape; Run Time 0:00:05; Begins with Question 16; Reel 2 of 2) | ||||||||||
| 13 | Tape 234 Tape #2a: SYEP Presentations 1933 August 22 (Audio Cassette Tape) | ||||||||||
| 13 | Tape 235 Tape #2b: SYEP Presentations 1993 July 23-August 19 (Audio Cassette Tape; Run Time 1:00:03) | ||||||||||
| 13 | Tape 236 Tape #3: SYEP Presentations 1993 August 20 (Audio Cassette Tape) | ||||||||||
| 13 | Tape 237 Tape #4a: Video Workshops 1993 August 20 (Audio Cassette Tape) | ||||||||||
| 13 | Tape 238 Tape #4b: Video Workshops 1993 August 26 (Audio Cassette Tape; Run Time 1:00:02) | ||||||||||
| Box | |||||||||||
| 12 | Tape 247 Tape #5: Video Workshop 1993 August 21 (Audio Cassette Tape; Run Time 1:00:00) | ||||||||||
| Box | |||||||||||
| 13 | Tape 239 Tape #6: Maria, Chavez, Sasha, and Mario 1993 August 24 (Audio Cassette Tape; Run Time 0:54:50) | ||||||||||
| 13 | Tape 240 Tape #8: "Create" 1993 August 28 (Audio Cassette Tape; 1:34:09; Reel 1 of 2) | ||||||||||
| 13 | Tape 241 Tape #8: "Create" 1993 August 28 (Audio Cassette Tape; 1:34:09; Reel 2 of 2) | ||||||||||
| 13 | Tape 242 Tape #9 1993 August 28 (Audio Cassette Tape; Reel 1 of 2) | ||||||||||
| 13 | Tape 243 Tape #9 1993 August 28 (Audio Cassette Tape; Run Time 0:25:00; Reel 2 of 2) | ||||||||||
| 13 | Tape 244 Tape #11: Petitions (Manju) 1993 September 1 | ||||||||||
| Audio Cassette Tape; Run Time 0:12:25 | |||||||||||
| 13 | Tape 245 Tape #12: Antoinette Little 1993 September 1 (Audio Cassette Tape; Run Time 0:54:57) | ||||||||||
| Tape 158 | Tape J 1993 September 12 (VHS; Run Time 1:00:00) | ||||||||||
| Tape 164 | Tape M: "Crystal Crew Newsletter" 1993 September 6 (VHS; Run Time 1:10:00) | ||||||||||
| Box | Folder | ||||||||||
| 18 | 2 | We are the Young Magicians: Chyron File | |||||||||
| 18 | 3 | We are the Young Magicians: Edit List | |||||||||
| Series IV: Sanctuary on Trial | |||||||||||
| Box | Folder | ||||||||||
| 10 | 3 | Affidavit of Daniel P. Sheehan, 1986 December | |||||||||
| 10 | 4 | Arizona Sanctuary Defense Fund Statements Before Sentencing, 1986 | |||||||||
| 10 | 5 | Arizona Sanctuary Defense Fund, circa 1980s | |||||||||
| Oversized Materials Removed to Box 11, Folder 8 | |||||||||||
| 10 | 6 | Audio/Visual Resources Regarding Central America and Central American Refugees, 1986-1987 | |||||||||
| Box | |||||||||||
| 12 | Tape 259 Awareness Week Pow-Wow and Alex Walker Jr. Unedited Interview 1988 April 16 (Audio Cassette Tape) | ||||||||||
| Box | Folder | ||||||||||
| 10 | 7 | Board of National Ministries, American Baptist Churches, 1987 | |||||||||
| 10 | 8 | Border Support Group, Madison Urban Ministry, 1984 October | |||||||||
| 10 | 9 | Budget, circa 1986-1988 | |||||||||
| 10 | 10 | CAMBIO, 1984 | |||||||||
| 10 | 11 | Contadora, 1983 September 9 | |||||||||
| 10 | 12 | Corporate, Foundation, Government, and Association Funders, 1983-1991 | |||||||||
| 10 | 13 | D.C. Metropolitan Sanctuary Committee, 1986 | |||||||||
| 10 | 14 | Description, 1988 | |||||||||
| Box | |||||||||||
| 12 | Tape 263 El Salvador in Focus 1990 April 8 (Audio Cassette Tape) | ||||||||||
| 12 | Tape 268 EXCOM Meeting 1991 November 21 (Audio Cassette Tape; Tape 2) | ||||||||||
| Box | |||||||||||
| 20 | Tape 281 EXCOM Meeting (Audio Cassette Tape) | ||||||||||
| Box | Folder | ||||||||||
| 10 | 15 | Fact Sheets | |||||||||
| 10 | 16 | Godinez, Ruth Testimony, 1985 December 6 | |||||||||
| 10 | 17 | Government Infiltration of Churches, 1985 | |||||||||
| 10 | 18 | Human Rights Alert, 1987 June 16 | |||||||||
| 10 | 19 | Interview with Fr. Ramon Dagoberto Quinones, Jose Rivera Cortes, James Rayburn, Socorro Pardo Viuda de Aguilar, and Daniel [?], 1985 | |||||||||
| Box | |||||||||||
| 12 | Tape 260 KGNU Latin America News (Audio Cassette Tape) | ||||||||||
| This episode discusses death squads in Guatemala and El Salvador. | |||||||||||
| Box | Folder | ||||||||||
| 10 | 20 | Legal Considerations Regarding Sanctuary, 1985-1986 | |||||||||
| 10 | 21 | Legislation Regarding Refugees and Sanctuary, 1981-1982 | |||||||||
| Oversized Materials Removed to Box 11, Folder 9 | |||||||||||
| 10 | 22 | Letters of Introduction, 1985 | |||||||||
| Box | |||||||||||
| 12 | Tape 266 Lusia - Sponsorship and Immigration (Audio Cassette Tape) | ||||||||||
| Box | Folder | ||||||||||
| 10 | 23 | MADRE, 1985-1987 | |||||||||
| Oversized Materials Removed to Box 11, Folder 10 | |||||||||||
| 10 | 24 | Media Planning Grant, Arizona Humanities Council, 1988 | |||||||||
| Box | Folder | ||||||||||
| 15 | 1 | National Day of Justice for Immigrants and Refugees, 1985 October 19 | |||||||||
| 15 | 2 | National Defense Fund Sanctuary Media Packet, 1985 | |||||||||
| Oversized Materials Removed to Box 14/OV2, Folder 8 | |||||||||||
| 15 | 3 | Nicgorski, Sister Darlene, SSSF, 1986 | |||||||||
| 15 | 4 | Notes and Outlines, 1986-1987 | |||||||||
| Oversized Materials Removed to Box 11, Folder 11 | |||||||||||
| Box | |||||||||||
| 12 | Tape 262 Popular Front Radio (Audio Cassette Tape) | ||||||||||
| Box | Folder | ||||||||||
| 15 | 5 | Programas de Capacitacion de Refugios Salvadoreños, circa 1980s | |||||||||
| Box | |||||||||||
| 12 | Tape 258 Rhythm Radio - Yo lo cambiT-Ta (Audio Cassette Tape) | ||||||||||
| Case includes a "National Call to Action" card encouraging opposition to U.S. actions in El Salvador. | |||||||||||
| Box | Folder | ||||||||||
| 15 | 6 | Sanctuary Defense Fund, 1980-1985 | |||||||||
| Oversized Materials Removed to Box 14/OV2, Folder 9 | |||||||||||
| 15 | 7 | Sanctuary Defense Fund Bumper Sticker, circa 1986 | |||||||||
| 15 | 8 | Sanctuary on Trial Proposal, 1988 June | |||||||||
| 15 | 9-10 | Sanctuary Trial Binder, 1984-1987 | |||||||||
| 15 | 11 | Schedule, circa 1986 | |||||||||
| 15 | 12 | Sketch, circa 1980s | |||||||||
| 15 | 13 | Southern California Ecumenical Council, 1986-1987 | |||||||||
| Box | |||||||||||
| 12 | Tape 267 Teresa Gutierrez RCA #9 Panama; RCA #10 Brief (Audio Cassette Tape) | ||||||||||
| Box | Folder | ||||||||||
| 15 | 14 | "The Trilateral Connection" Chart, circa 1984 | |||||||||
| Removed to Box 14/OV2, Folder 10 | |||||||||||
| 15 | 15 | Tucson Ecumenical Council, 1985-1988 | |||||||||
| 15 | 16 | Tucson Refugee Support Group, 1987 July 4 | |||||||||
| 15 | 17 | United Methodist Border Ministry Projects, circa 1986 | |||||||||
| 15 | 18 | Department of Justice, Immigration and Naturalization Service, 1985-1987 | |||||||||
| 15 | 19-20 | U.S. v. Pardo Viuda de Aguilar, Clark, Willis-Conger, Fife, Hutchison, Le Win, Nicgorski, and Dagoberto Quinones, 1986 | |||||||||
| Box | Folder | ||||||||||
| 16 | 1 | U.S. v. Pardo Viuda de Aguilar, Clark, Willis-Conger, Fife, Hutchison, Le Win, Nicgorski, and Dagoberto Quinones, 1986 | |||||||||
| 16 | 2 | Valley Religious Task Force on Central America, 1985-1989 | |||||||||
| Box | |||||||||||
| 12 | Tape 265 Youth Radio/Zavala (Audio Cassette Tape) | ||||||||||
| Box | Folder | ||||||||||
| 16 | 3 | Advertisements for Books Regarding Central America, Central American Refugees, and the Sanctuary Movement, circa 1980s | |||||||||
| 16 | 4 | "An Alternatives U.S. Policy Toward Cuba" by Policy Alternatives for the Caribbean and Central America, circa 1988 | |||||||||
| 16 | 5 | Basta! National Newsletter of the Chicago Religious Task Force on Central America, 1985 April-June | |||||||||
| 16 | 6 | "Bread and Justice", 1981 April 24 | |||||||||
| 16 | 7 | "The Center for Constitutional Rights Looks at the Constitution", 1987 August | |||||||||
| 16 | 8 | Central America Solidarity Committee, 1989 | |||||||||
| 16 | 9 | Central America Special Issue, The Nation, 1984 January 28 | |||||||||
| 16 | 10 | "Central America Update", 1987-1988 | |||||||||
| 16 | 11 | "The Civil Suit Appeal", 1987 July 17 | |||||||||
| 16 | 12 | Clippings Regarding Central America and Central American Refugees, 1984-1988 | |||||||||
| Oversized Materials Removed to Box 14/OV2, Folder 11 | |||||||||||
| 16 | 13 | Clippings Regarding Sanctuary Trials in Tucson, 1986 | |||||||||
| 16 | 14 | Colonia de los Tapiros, circa 1988 | |||||||||
| Oversized Materials Removed to Box 11, Folder 14 | |||||||||||
| 16 | 15 | A Covenant of Sanctuary, circa 1980s | |||||||||
| Oversized Materials Removed to Box 11, Folder 15 | |||||||||||
| 16 | 16 | Federal Register Part XI: Department of Justice, Immigration and Naturalization Service, 1987 May 1 | |||||||||
| 16 | 17 | "Frank Varelli & the FBI's Infiltration of CISPES" in Our Right to Know, 1987 Spring-Summer | |||||||||
| 16 | 18 | "Free to Protest: Dissent, Prophetic Ministry, and the Bill of Rights", 1985 August | |||||||||
| 16 | 19 | "La Frontera" by Borderlinks | |||||||||
| Oversized Materials Removed to Box 11, Folder 16 | |||||||||||
| 16 | 20 | "Global Perspectives", 1988 | |||||||||
| 16 | 21 | GOING HOME, Interfaith Campaign in Support of Repatriation and Repopulation in El Salvador, circa 1986 | |||||||||
| 16 | 22 | "grapevine", 1982 January | |||||||||
| 16 | 23 | "Great Decisions 1987" by the Foreign Policy Association, 1987 | |||||||||
| 16 | 24 | "Great Decisions 1988" by the Foreign Policy Association, 1988 | |||||||||
| 16 | 25 | "Human Rights and United States Policy in Central America: A Symposium at Stanford University", 1983 January 13 | |||||||||
| 16 | 26 | "In the Beginning There Was The Coffee Oligarchy", circa 1980s | |||||||||
| Removed to Box 11, Folder 17 | |||||||||||
| 16 | 27 | A Journey to Understanding by the Unitarian Universalist Service Committee, circa 1986 | |||||||||
| 16 | 28 | "The Kissinger Report: A Critique" by Phillip Berryman, 1984 January | |||||||||
| Box | Folder | ||||||||||
| 17 | 1 | National Impact Newsletters, 1986-1988 | |||||||||
| 17 | 2 | "¡Presente! Catholics for Peace and Justice", 1987 | |||||||||
| 17 | 3 | "Press Clips 1986-87" Compiled by the Center for Constitutional Rights, 1986-1987 | |||||||||
| 17 | 4 | QUETZAL, circa 1988 | |||||||||
| 17 | 5 | "Report of the Bipartisan Commission on Central America", 1984 January | |||||||||
| This document is known colloquially as the "Kissinger Report." | |||||||||||
| 17 | 6 | "Report on Guatemala", 1988 March-April | |||||||||
| 17 | 7 | "The Rise and Fall of Jim and Tammy Bakker" in Oregon Focus, 1988 January | |||||||||
| 17 | 8 | "Sanctuary: A Justice Ministry", circa 1980s | |||||||||
| 17 | 9 | "Sanctuary as a Civilian Initiative", circa 1980s | |||||||||
| 17 | 10 | "Sanctuary -- In a Larger Context", 1986 April 12 | |||||||||
| 17 | 11 | "Sanctuary in the Context of the Church's Ministry with Refugees" by James L. McDonald, 1987 September | |||||||||
| 17 | 12 | "Sanctuary: No Stopping it Now", circa 1980s | |||||||||
| 17 | 13 | Sojurners: An Independent Christian Monthly, 1985 March | |||||||||
| 17 | 14 | "The State, the Law, and the Sanctuary Covenant", 1985 May 8 | |||||||||
| 17 | 15 | "A Summary and Analysis of the Report of the National Bipartisan 'Kissinger' Commission on Central America" by Richard P. Cronin and K. Larry Storrs, 1984 January-February | |||||||||
| 17 | 16 | The Times of the Americas Advertisement, circa 1988 | |||||||||
| 17 | 17 | United States Immigration Laws: General Information, 1983 | |||||||||
| 17 | 18 | "What We Are Up Against", circa 1980s | |||||||||
| Series V: Words of Our Ancients and Hopi Stories | |||||||||||
| Box | Folder | ||||||||||
| 18 | 4 | American Indians: A Select Catalog of National Archives Microfilm Publications, 1984 | |||||||||
| Box | Folder | ||||||||||
| 6 | 10 | Description | |||||||||
| 6 | 11 | Requests for Funding, 1993 | |||||||||
| Tape 199 | Hisatsinmuy Navoti'am 1996 April 9 (VHS; Run Time 0:58:16) | ||||||||||
| Tape 155 | The Hopi Experience (VHS) | ||||||||||
| Tape 221 | Hours 1-3 1997 January 3 (BetacamSP; NTSC Original Transfer Master; Run Time 1:00:52) | ||||||||||
| Tape 182 | Ipola 1995 April 6 (VHS) | ||||||||||
| Tape 208 | Ipola 1995 November 19 (VHS; Run Time 1:09:00) | ||||||||||
| Tape 194 | Ipola 1995 December 27 (VHS; Run Time 1:08:00) | ||||||||||
| Tape 193 | Ipola 1997 January (VHS; First Answer Print; Run Time 1:02:38) | ||||||||||
| Tape 183 | Ipola - 4 Coyote Stories 1995 April 5 (VHS) | ||||||||||
| Tape 184 | Ipola - Eugene Sekaquaptewa 1996 March 22 (VHS) | ||||||||||
| Tape 209 | Ipola - Lawrence Numkena 1996 April 12 (VHS) | ||||||||||
| Tape 212 | Ipola "Transitions" 1995 April (VHS; Rough Cut) | ||||||||||
| Box | Folder | ||||||||||
| 18 | 5 | Prep Schedule, 1990 October 23-24 | |||||||||
| 18 | 6 | Proposal, circa 1993 | |||||||||
| Tape 215 | Sample (VHS) | ||||||||||
| Tape 203 | [Untitled] 1993 April 5-15 (VHS) | ||||||||||
| Tape 214 | [Untitled] 1993 April 13 (VHS) | ||||||||||
| Tape 167 | [Untitled] 1993 June 28 (VHS; Run Time 0:14:00) | ||||||||||
| Tape 206 | [Untitled] 1994 November (VHS; Run Time 0:57:00) | ||||||||||
| Tape 178 | [Untitled] 1995 December 6 (VHS) | ||||||||||
| Tape 186 | [Untitled] 1996 June 17 (VHS; Run Time 0:55:40) | ||||||||||
| Tape 166 | [Untitled] 1996 June 20 (VHS; Run Time 0:56:37) | ||||||||||
| Tape 192 | [Untitled] 1996 June (VHS; Run Time 0:26:27) | ||||||||||
| Tape 172 | [Untitled] 1997 January 7 (VHS; Run Time 0:18:50) | ||||||||||
| Tape 200 | [Untitled] (VHS) | ||||||||||
| Tape 213 | [Untitled] (VHS) | ||||||||||
| Tape 207 | [Untitled] (VHS) | ||||||||||
| Tape 197 | [Untitled] (VHS) | ||||||||||
| Tape 176 | [Untitled] (VHS) | ||||||||||
| Tape 159 | [Untitled] (VHS) | ||||||||||
| Series VI: Les Chevaliers du Tastevin | |||||||||||
| Box | Folder | ||||||||||
| 6 | 12 | Archival Research, 2001-2002 | |||||||||
| 6 | 13 | Confrerie des Chevaliers du Tastevin Directory, 2000-2001 | |||||||||
| 6 | 14 | Confrerie des Chevaliers du Tastevin Commanderie d'Amerique Foundation, 1991-2001 | |||||||||
| 6 | 15 | Confrerie des Chevaliers du Tastevin New York Chapter, 1999-2001 | |||||||||
| 6 | 16 | Contact List | |||||||||
| 6 | 17 | Correspondence, Incoming, 2001 | |||||||||
| 6 | 18 | Correspondence, Outgoing, 2001-2003 | |||||||||
| 6 | 19 | Description, 2001 | |||||||||
| 6 | 20 | DVD Artwork and Production, 2002 | |||||||||
| Oversized Materials Removed to Box 11, Folder 4 | |||||||||||
| 6 | 21 | Editing and Finishing, 2002 | |||||||||
| 6 | 22 | Ex Machina Lab, 2001 | |||||||||
| 6 | 23 | Expense Reports, 2001 | |||||||||
| Box | Folder | ||||||||||
| 7 | 1 | Expense Reports, 2002 | |||||||||
| 7 | 2 | Expense Reports, 2003 | |||||||||
| Oversized Materials Removed to Box 11, Folder 5 | |||||||||||
| Les Chevaliers du Tastevin: Past, Present, and Future and Slopes of Gold, 2003 January 17 (Total Run Time: 0:34:49) | |||||||||||
| Digital version available. | |||||||||||
| Les Chevaliers du Tastevin: Past, Present, and Future Opening Credits and Introductory Sequence, 2003 (Total Run Time: 0:50:00) | |||||||||||
| Digital version available. | |||||||||||
| Box | Folder | ||||||||||
| 7 | 3 | Johnson, Hugh Narration, 2001 November 14 | |||||||||
| Microcassette Removed to Box 13 | |||||||||||
| 7 | 4 | Logs, 2002 | |||||||||
| 7 | 5 | Notes | |||||||||
| 7 | 6 | Schedules, 2001 | |||||||||
| 7 | 7 | Scripts, 2002 | |||||||||
| 7 | 8-9 | Slopes of Gold and Burgundy Shoot, 2001-2002 | |||||||||
| Box | |||||||||||
| 20 | Tape 294 Hugh Johnson Voice-Overs 2001 November 14 (DAT Tape) | ||||||||||
| Series VII: El Senador | |||||||||||
| Box | Folder | ||||||||||
| 7 | 10 | "Chicano Politics: Reality and Promise, 1940-1990" | |||||||||
| 7 | 11 | Correspondence, 2001-2002 | |||||||||
| 7 | 12 | Cuba, 1999-2002 | |||||||||
| 7 | 13 | KNME TV 5 (Albuquerque, N.M.), 2000-2001 | |||||||||
| 7 | 14 | Laredo's Green Space, 2001 | |||||||||
| Oversized Materials Removed to Box 14/OV2, Folder 2 | |||||||||||
| 7 | 15 | Narration, 2001 October 24 | |||||||||
| 7 | 16 | Narration, 2002 February 10 | |||||||||
| 7 | 17 | Narration, 2002 May | |||||||||
| 7 | 18 | Narration, 2002 August | |||||||||
| 7 | 19 | Notes | |||||||||
| Box | Folder | ||||||||||
| 8 | 1 | Photography Permit, 1997 | |||||||||
| 8 | 2 | Settlement Agreement and Release, 2002-2003 | |||||||||
| 8 | 3 | Spanish Translation Information, 2002 | |||||||||
| 8 | 4 | University of New Mexico, 2001 | |||||||||
| Oversized Materials Removed to Box 11, Folder 6 | |||||||||||
| Series VIII: En Medea Res | |||||||||||
| Box | Folder | ||||||||||
| 8 | 5 | "In Beauty it Returns: Man and Nature in Diné Cosmology" by R. Carlos Nakai, 1987 May | |||||||||
| 8 | 6 | Braun Research Library of the Southwest Museum | |||||||||
| 8 | 7 | Correspondence with R. Carlos Nakai, 1991 | |||||||||
| 8 | 8 | "Deities, God, and the Great Spirit (A Survey of Navajo Spiritual Philosophy" by R. Carlos Nakai, 1989 Spring | |||||||||
| 8 | 9 | Interviews with R. Carlos Nakai, 1988-1990 | |||||||||
| 8 | 10 | "Jackelope" Brochure | |||||||||
| 8 | 11 | "'Just Talk in English': Oral Narrative in Literary Tradition" | |||||||||
| 8 | 12 | "nakai: native american cultural educator performance artist" | |||||||||
| 8 | 13 | Native American Flute Music Calendar, 1991 | |||||||||
| 8 | 14 | Natural History Museum of Los Angeles County, 1991 | |||||||||
| 8 | 15 | Notes, 1991 | |||||||||
| Oversized Materials Removed to Box 11, Folder 7 | |||||||||||
| 8 | 16 | "Precis on The Spiritual Legacy of the American Indian by Joseph Epes Brown" by R. Carlos Nakai, 1989 March 21 | |||||||||
| 8 | 17 | Proposal and Description, 1991-1992 | |||||||||
| 8 | 18 | Proposal and Original Artwork, 1991 July 17 | |||||||||
| 8 | 19 | Publications | |||||||||
| 8 | 20 | "R. Carlos Nakai, Native American Flutist and Composer" | |||||||||
| Series IX: Eyes on the Prize | |||||||||||
| Box | Folder | ||||||||||
| 8 | 21 | Ali, Muhammad Interview (Transcript) | |||||||||
| 8 | 22 | Doar, John Interview (Transcript) | |||||||||
| 8 | 23 | Harrington, Michael Interview (Transcript) | |||||||||
| 8 | 24 | Harrison, Albertis Interview (Transcript) | |||||||||
| 8 | 25 | Hayden, Tom Interview (Transcript) | |||||||||
| 8 | 26 | Katzenbach, Nicholas Interview (Transcript) | |||||||||
| 8 | 27 | Lawson, James Interview (Transcript) | |||||||||
| 8 | 28 | Marshall, Burke Interviews (Transcript) | |||||||||
| 8 | 29 | McPherson, Harry Interview (Transcript) | |||||||||
| 8 | 30 | Mondale, Fritz Interview (Transcript) | |||||||||
| Box | Folder | ||||||||||
| 9 | 1 | Shorr, Daniel Interview (Transcript) | |||||||||
| Series X: Production Regarding the Rio Grande | |||||||||||
| Box | Folder | ||||||||||
| 9 | 2 | Atlas, 2001 | |||||||||
| 9 | 3 | "Big Bend: The Story Behind the Scenery", 1999 | |||||||||
| Removed to Box 14/OV2, Folder 3 | |||||||||||
| 9 | 4 | Book Searches, 2001 | |||||||||
| 9 | 5 | Brownsville and the Gulf of Mexico | |||||||||
| 9 | 6 | Chapley, Karen | |||||||||
| 9 | 7 | Contacts | |||||||||
| 9 | 8 | Contract, 2001 | |||||||||
| 9 | 9 | Description | |||||||||
| 9 | 10 | El Paso, 2001 September 4-5 | |||||||||
| 9 | 11 | E-Mail Correspondence, 2001 | |||||||||
| 9 | 12 | Financial Information, 2001 | |||||||||
| 9 | 13 | "A Five-Point Plan to Save the Rio Grande" | |||||||||
| 9 | 14 | Interview Notes | |||||||||
| 9 | 15 | Mallerman, Len, 2007 September 6 | |||||||||
| 9 | 16 | "The Mesquite Grill", 2000 Spring | |||||||||
| 9 | 17 | Mini Cassette Log | |||||||||
| 9 | 18 | Notes Regarding Ecology and Topography | |||||||||
| 9 | 19 | Notes Regarding Production | |||||||||
| 9 | 20 | Notes | |||||||||
| 9 | 21 | Research and Development Schedule, 2001 | |||||||||
| 9 | 22 | Riley, Mike | |||||||||
| 9 | 23 | "River Song", 2001 Autumn | |||||||||
| 9 | 24 | "River Ways" | |||||||||
| 9 | 25 | Script | |||||||||
| 9 | 26 | Stephanov, Jim | |||||||||
| 9 | 27 | Unsubmitted Invoices, 2001 | |||||||||
| Series XI: Other Films | |||||||||||
| Tape 148 | #5 & 9 (BetacamSP; Tape 2) | ||||||||||
| Box | |||||||||||
| 20 | Tape 280 12.5 "Local Food" Safety 1995 November 6 (Audio Cassette Tape) | ||||||||||
| Tape 41 | [ABC News] (Betacam; Tape 15) | ||||||||||
| Tape 42 | [ABC News] (Betacam; Tape 3) | ||||||||||
| Tape 43 | [ABC News] (Betacam; Tape 6) | ||||||||||
| Tape 44 | [ABC News] (Betacam; Tape 25) | ||||||||||
| Tape 45 | [ABC News] (Betacam; Tape 2) | ||||||||||
| Tape 46 | [ABC News] (Betacam; Tape 12) | ||||||||||
| Tape 115 | [ABC News] (Betacam; Tape 13) | ||||||||||
| Tape 117 | [ABC News] (Betacam; Tape 1) | ||||||||||
| Tape 118 | [ABC News] (Betacam; Tape 4) | ||||||||||
| Tape 120 | [ABC News] (Betacam; Tape 14) | ||||||||||
| Tape 119 | [ABC News] (Betacam; Tape 24) | ||||||||||
| Tape 122 | [ABC News] (Betacam; Tape 8) | ||||||||||
| Tape 123 | [ABC News] (Betacam; Tape 5) | ||||||||||
| Tape 124 | [ABC News] (Betacam; Tape 11) | ||||||||||
| Tape 125 | [ABC News] (Betacam; Tape 00) | ||||||||||
| Box | |||||||||||
| 12 | Tape 273 ACF "Healthy Start" ax/amb; Julio Reyes Interview; 171 Green Bldrs. Ax (DAT Tape) | ||||||||||
| Tape 185 | Alan Simon and Ed Edelman (VHS) | ||||||||||
| Box | |||||||||||
| 20 | Tape 284 Atlantic Blues by Chicago 1986 (Audio Cassette Tape) | ||||||||||
| 20 | Tape 293 Aztlan Nation (DAT Tape) | ||||||||||
| Includes:
Rough and Ready w/ Luis V.
Nation of Kings
Occupied Aztlan
Beans and Rice
Witness the Creation
| |||||||||||
| Box | |||||||||||
| 12 | Tape 264 Beethoven's Hair - Nogales Unk for Frank (Audio Cassette Tape) | ||||||||||
| Tape 195 | The Burning Barrel (VHS) | ||||||||||
| Box | |||||||||||
| 12 | Tape 272 Consejeras #21 (DAT Tape) | ||||||||||
| Box | |||||||||||
| 20 | Tape 283 COPS (Audio Cassette Tape) | ||||||||||
| Box | Folder | ||||||||||
| 9 | 28 | Corporate America Notes, circa 1998 | |||||||||
| 9 | 29 | Correspondence Regarding Unidentified Film, 1993 | |||||||||
| Box | |||||||||||
| 12 | Tape 270 Crossroads Commentary; R. Anaya (Audio Cassette Tape) | ||||||||||
| 12 | Tape 269 El Cenizo Incident - Don & Mike Show circa 1999 (Audio Cassette Tape) | ||||||||||
| Box | |||||||||||
| 20 | Tape 282 Elena Parres; Scenes from "Martin" (Audio Cassette Tape) | ||||||||||
| 20 | Tape 279 Estrellas (Audio Cassette Tape) | ||||||||||
| Tape 198 | Field Museum Voth Photos and Drawings; Bethel College Voth Photo Collection; KSHS Photos (2 Lantern Slides) (VHS) | ||||||||||
| Box | Folder | ||||||||||
| 9 | 30 | Frontline Program Regarding Juvenile Crime, 1994 | |||||||||
| Box | |||||||||||
| 20 | Tape 287 Glimpses by Ana Sisnett 1996 (Audio Cassette Tape) | ||||||||||
| 20 | Tape 277 Hearing Voices Mix (Audio Cassette Tape) | ||||||||||
| Box | |||||||||||
| 12 | Tape 257 Hispanic Heritage Sunday (Audio Cassette Tape) | ||||||||||
| Box | |||||||||||
| 20 | Tape 275 Interviews (Audio Cassette Tape) | ||||||||||
| Includes:
Pete Zavala - Choosing Between Two Homes
David Mora - Illegal Immigration
Andres Chang and Rosario Salinas - Can a Non-Latino Teach a Raza Studies?
David Mora on Emiliano Zepeda
3-Way Funk - Miriam Galvez
| |||||||||||
| Tape 187 | JEA Selects Only (VHS) | ||||||||||
| Box | |||||||||||
| 20 | Tape 278 John Mendoza 1993 January 24 (Audio Cassette Tape) | ||||||||||
| 20 | Tape 288 Latino USA (Audio Cassette Tape) | ||||||||||
| 20 | Tape 289 Latino USA (Audio Cassette Tape) | ||||||||||
| 20 | Tape 290 Latino USA (Audio Cassette Tape) | ||||||||||
| 20 | Tape 291 Latino USA (Audio Cassette Tape) | ||||||||||
| 20 | Tape 274 Laurindo Aliyeida Classic and Modern; Polkas Continued (Audio Cassette Tape) | ||||||||||
| 20 | Tape 292 Legacies: Tales from America 1993 (Demo; Audio Cassette Tape) | ||||||||||
| Box | Folder | ||||||||||
| 9 | 31 | Life and Times (Community Television of Southern California) Production Regarding Proposition 13, 1993 | |||||||||
| Box | Folder | ||||||||||
| 10 | 1 | Life and Times (Community Television of Southern California) Production Regarding Proposition 13, 1992-1993 | |||||||||
| Oversized Materials Removed to Box 14/OV2, Folder 4 | |||||||||||
| Tape 196 | Life and Times Doc (VHS; Kine Selects Tape 1) | ||||||||||
| Martinez #1 | |||||||||||
| "Martinez #1," "Martinez #2," "Martinez #3," and "Martinez #4" most likely represent either Rebels With a Cause or Sanctuary on Trial. | |||||||||||
| Tape 251 | Martinez #2 | ||||||||||
| Tape 252 | Martinez #3 | ||||||||||
| Tape 253 | Martinez #4 | ||||||||||
| Box | Folder | ||||||||||
| 10 | 2 | "Mastering English with Life and Times", 1992 | |||||||||
| Oversized Materials Removed to Box 14/OV2, Folder 5 | |||||||||||
| Tape 202 | National Parks: 1-2 (VHS; Tape 4) | ||||||||||
| Tape 205 | National Parks: 3-4 (VHS; Tape 7) | ||||||||||
| Tape 210 | National Parks: 5-6 (VHS; Tape 1) | ||||||||||
| Tape 211 | National Parks: 7-8 (VHS) | ||||||||||
| Tape 216 | National Parks: 9-10 (VHS; Tape 2) | ||||||||||
| Tape 217 | National Parks: 11-12 (VHS; Tape 8; Part 2) | ||||||||||
| Tape 218 | National Parks: 13-14 (VHS; Tape 9) | ||||||||||
| Tape 219 | National Parks: 15-16 (VHS; Tape 3) | ||||||||||
| Tape 154 | National Parks: 17-18 (VHS; Run Time 0:12:00) | ||||||||||
| Tape 156 | National Parks: 19-20 (VHS) | ||||||||||
| Tape 157 | National Parks: 21-22 (VHS) | ||||||||||
| Tape 160 | National Parks: 23-24 (VHS) | ||||||||||
| Tape 161 | National Parks: 26-27 (VHS) | ||||||||||
| Tape 162 | National Parks: 28-29 (VHS) | ||||||||||
| Tape 163 | National Parks: 30-31 (VHS) | ||||||||||
| Tape 175 | National Parks: 32 (VHS; Part 2) | ||||||||||
| Tape 180 | National Parks: 33 (VHS) | ||||||||||
| Box | |||||||||||
| 20 | Tape 276 NPR - Bendaña RCA 9 (Audio Cassette Tape) | ||||||||||
| 20 | Tape 286 On the Media Sampler (Audio Cassette Tape) | ||||||||||
| Tape 191 | Portland by Greta Snider (VHS) | ||||||||||
| Box | |||||||||||
| 12 | Tape 261 Ranca Pino (Audio Cassette Tape) | ||||||||||
| Tape 165 | Stock Footage: 16mm Shots of Wheat (VHS) | ||||||||||
| Tape 169 | Stock Footage: Archives: Just Ten Minutes (VHS) | ||||||||||
| Tape 170 | Stock Footage: Bethel College - Menonite Library - Voth Photo Collection (VHS) | ||||||||||
| Tape 171 | Stock Footage: Canyon, Deserts, and Grand Canyon (VHS) | ||||||||||
| Tape 173 | Stock Footage: Farming Footage (VHS) | ||||||||||
| Tape 174 | Stock Footage: Library of Congress, Peabody, AMNH (VHS) | ||||||||||
| Tape 177 | Stock Footage: National Archives (VHS) | ||||||||||
| Tape 181 | Stock Footage: Photo Archive T. #1 NYC (VHS) | ||||||||||
| Tape 189 | Stock Footage: Photo Archive T. #2 NYC (VHS) | ||||||||||
| Tape 168 | Stock Footage: A Romance of the Cliff Dwellers and The Tourists (VHS) | ||||||||||
| Tape 190 | Stock Footage: Sunset Clouds; Big Suns; Moons: Stars (VHS) | ||||||||||
| Tape 229 | Surviving Columbus (VHS; Black and White; Silent; Run Time 0:22:00) | ||||||||||
| Tape 201 | V.O. Session and Audio Transfer (VHS) | ||||||||||
| Tape 204 | Wednesday Fine Cut (VHS) | ||||||||||
| Box | |||||||||||
| 20 | Tape 285 Writing the Southwest Sampler and Denise Chavez (Audio Cassette Tape) | ||||||||||
| Tape 61 | [Unlabeled] 1993 May 10 (U-Matic; Tape 2; Dub; Run Time 0:30:00) | ||||||||||
| Tape 65 | [Unlabeled] 1993 May 28 (U-Matic; Window Dub; Drop Frame) | ||||||||||
| Tape 179 | [Unlabeled] 1996 April 17 (VHS; Run Time 0:57:24) | ||||||||||
| Tape 57 | [Unlabeled] (U-Matic; Run Time 0:40:00) | ||||||||||
| Tape 7 | [Unlabeled] (U-Matic) | ||||||||||
| Tape 56 | [Unlabeled] (U-Matic; 1st Gen) | ||||||||||
| Tape 89 | [Unlabeled] (U-Matic) | ||||||||||
| Box | |||||||||||
| 12 | Tape 248 [Unlabeled] (Audio Cassette Tape) | ||||||||||
| 12 | Tape 249 [Unlabeled] (Audio Cassette Tape) | ||||||||||
| 12 | Tape 254 [Unlabeled] (Audio Cassette Tape) | ||||||||||
| 12 | Tape 255 [Unlabeled] (Audio Cassette Tape) | ||||||||||
| 12 | Tape 256 [Unlabeled] (Audio Cassette Tape) | ||||||||||
| 12 | Tape 271 [Unlabeled] (DAT Tape) | ||||||||||
| Series XII: Other Papers | |||||||||||
| Box | Folder | ||||||||||
| 18 | 7 | Anti-Proposition 106 Signs, 1988 | |||||||||
| Oversized Materials Removed to Box 11, Folder 18 | |||||||||||
| 18 | 8 | Austin Public Library Card | |||||||||
| 18 | 9 | The Avatar Course, 2000 | |||||||||
| 18 | 10 | Change of Address Card | |||||||||
| 18 | 11 | Clippings, 1999-2000 | |||||||||
| 18 | 12 | Correspondence: Otto, Susan Woodruff Donohue, 1989-1997 | |||||||||
| 18 | 13 | Directions to Unidentified Location in Southern California | |||||||||
| 18 | 14 | Marriage to John Mitchell, 2001 | |||||||||
| 18 | 15 | New York University Institute of Film and Television Production Handbook, circa 1980s | |||||||||
| 18 | 16 | Paige's Faces | |||||||||
| 18 | 17 | Paige Martinez Filmography | |||||||||
| 18 | 18 | Palmer Family History, 1966-1993 | |||||||||
| 18 | 19 | Personal Correspondence, 1992-1995 | |||||||||
| 18 | 20 | Personal Notes, 1995 | |||||||||
| 18 | 21 | Photographs, 2013 | |||||||||
| 18 | 22 | Postcard Depicting the Human Eye | |||||||||
| 18 | 23 | "Prepare for Peace -- Make a Difference" Card | |||||||||
| 18 | 24 | Public Broadcasting Service National Program Production and Distribution Agreement, circa 1980s | |||||||||
| 18 | 25 | Public Broadcasting Service Standards, 1977-1990 | |||||||||
| Box | Folder | ||||||||||
| 19 | 1 | Rivera Family History, 2000 | |||||||||
| Oversized Materials Removed to Box 14/OV2, Folder 6 | |||||||||||
| 19 | 2 | Southwest Airlines | |||||||||
| 19 | 3 | State University of New York at Buffalo JBS 1000: Introduction to Journalism, 1981 Fall | |||||||||
| 19 | 4 | Woodruff Family History, 1939-circa 1976 | |||||||||
| Oversized Materials Removed to Box 14/OV2, Folder 7 | |||||||||||