MSS-282
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Overview of the Collection | |
| Creator: | Corey, Irene |
| Title: | Irene Corey Papers |
| Inclusive Dates: | 1875-2010 |
| Bulk Dates: | 1946-1998 |
| Quantity: | 129 Boxes |
| Abstract: | The Irene Corey Papers consist primarily of materials documenting Corey's work as a makeup artist and theatrical designer, including her work on such well-known plays as The Book of Job and The Tempest and her two books, The Mask of Reality (1968) and The Face is a Canvas (1990). Also included are costume and prop pieces, correspondence, items showing Corey's work as an educator, and biographical materials. |
| Identification: | MSS-282 |
| Language: | Material in English |
| Repository: |
Arizona State University Library
Theatre for Youth and Community Collection P.O. Box 871006 Tempe, AZ 85287-1006 Phone: (480) 965-4932 E-Mail: archives@asu.edu Questions? Ask An Archivist! |
Irene H. Lockridge was born to Lawrence Levering Lockridge (1897-1990) and Vallie Lou (Click) Lockridge (1901-1995) in Givin, Iowa on October 27, 1925. She had one brother, Herman Luther (1921-1975). Irene Lockridge earned her B.A. (1947) and M.A. (1949) from Baylor University and taught art at Baylor after completing her undergraduate degree. She married Orlin Corey, with whom she partnered on many theatrical productions over the course of her career, on August 25, 1949. In 1952, she joined the faculty of Georgetown College in Georgetown, Kentucky as chair of the art department.
Irene Corey was a pioneer in theatrical makeup and design and, with her husband, produced more than 50 theatrical productions. While at Georgetown College Corey created one of her most prominent works, The Book of Job. This play was produced worldwide in addition to being a summer attraction in Kentucky's Pine Mountain State Park for 20 years. Following The Book of Job's success, Corey co-founded the Everyman Players touring company in 1957. In 1960, Orlin Corey accepted a position as Head of Speech and Drama and Director of Theatre at Centenary College in Shreveport, Louisiana. Here, Irene and Orlin Corey collaborated on productions for the institution's new Marjorie Lyons Playhouse, including Romans by St. Paul, Pilgrim's Progress, and The Tempest, which is among Corey's best-known and most respected works. Many of these shows toured around the world. In 1972, Irene Corey stepped back from touring and theatre work due to burnout. She and Orlin Corey divorced in 1973 but produced two more works, The Butterfly (1978) and Towers Over the Brazos (1982), together. She also continued her work with the Everyman Players until their final performance in 1980.
Corey moved to Dallas, Texas in the 1970s, where she worked with Peter Wolf Design Concepts in addition to teaching classes and designing productions for the Dallas Theatre Center. She married her second husband, John Barr, in 1974. Barr died in 1976. In 1983, Corey co-founded Irene Corey Design Associates with her niece, Suzanne Lockridge. Here, she helped design such well-known characters as Barney and the Wiggles. She also presented lectures and workshops on the subjects of makeup and theatrical design worldwide. Corey authored two textbooks on makeup and theatrical design during her career, The Mask of Reality (1968) and The Face is a Canvas (1990). Irene Corey died of Parkinson's disease in Dallas on October 13, 2010.
The Irene Corey Papers consist primarily of materials documenting Corey's work as a makeup artist and theatrical designer, including her work on such well-known plays as The Book of Job and The Tempest and her two books, The Mask of Reality (1968) and The Face is a Canvas (1990). Also included are costume and prop pieces, correspondence, items showing Corey's work as an educator, and biographical materials.
Series I: Biographical contains resumes, biographical sketches, photographs, notes, a scrapbook, calendars, financial records, and other materials documenting Irene Corey's life and work. The majority of these items focus on Corey's career as a makeup artist and set designer, collaborations with John Barr, and work with the Everyman Players.
Series II: Correspondence houses letters between Corey and such correspondents as Orlin Corey, Sara Spencer, and Mark Medoff. Subjects discussed include productions of such plays as The Book of Job and The Butterfly and makeup for the theatre.
Series III: Teaching documents Corey's work at the Arts Magnet High School, her appointments at such academic institutions as Centenary College and Georgetown College, workshops and lectures (usually on the subjects of makeup and design) presented around the United States, and class and lecture notes. Research regarding art history is also included.
Series IV: Design houses makeup charts, photographs, scripts, floor plans, financial information, correspondence, renderings, notes, programs, schedules, and other materials documenting Corey's work as a theatrical designer and makeup artist. Sub-Series A through Sub-Series C chronicle her work in the theatre with such organizations as the Everyman Players, the Dallas Theater Center, Centenary College, and Georgetown College. Among the plays represented are Alice in Wonderland, The Book of Job, The Butterfly, A Christmas Carol, Electra, The Great Cross Country Race, The Towers of the Brazos, The Tempest, and Siege! The Battle of Vicksburg. Sub-Series D and Sub-Series E show Corey's work on the film The Passage and Sub-Series F documents her contributions to such television shows as Hare's Hollow and Pupples. Sub-Series G represents Corey's work on various commercial projects, and Sub-Series H and Sub-Series I document her participation in Expectations: Creators of the Unusual (a collaboration between John Barr, Irene Corey, and Susan Fox) and Irene Corey Design Associates.
Series V: Publications by Corey consists primarily of materials documenting her The Mask of Reality and The Face is a Canvas. Also included are various articles and poems. Series VI: Reference Materials houses publications and excerpts from publications that Corey collected for reference purposes on such subjects as fabric, lighting, makeup, creating forms, patterns, puppets, wigs, historical fashions, costumes from a variety of cultures, stage design, theatrical scenery, and art history.
Series VII: Slides and Series VIII: Moving Images house color transparencies and motion pictures documenting Corey's work as a theatrical designer and teacher. Of particular interest are the slides showing her work on such plays as The Book of Job, The Butterfly, Electra, The Great Cross Country Race, Pilgrim's Progress, Reynard the Fox, and The Tempest. Other images document Corey's lectures and work by various of her students. The slides have been digitized and are available on PRISM as the Irene Corey Theatrical Design Image Collection.
Series X: Costumes, Series XI: Masks, and Series XII: Props house costume pieces that Corey designed and created for such productions as The Book of Job, The Tempest, and Great God Brown. Series XIII: Personal Clothing houses a jean jacket that John Barr may have made for Corey.
Series IX: Oversize and Series XIV: Map Case Drawers house materials corresponding to subjects documented elsewhere in the collection that are larger than 8.5" x 14".
To view this collection, make an appointment at least five business days prior to your visit by contacting Ask an Archivist or calling (480) 965-4932. Appointments in the Wurzburger Reading Room at Hayden Library (rm. 138) on the Tempe campus are available Monday through Friday. Check the ASU Library Hours page for current availability.
Arizona State University does not own copyright to this collection. Distinctive Collections recognizes that it is incumbent upon the researcher to procure permission to publish information from this collection from the owner of the copyright.
Slides originating in this collection have been digitized and are available on PRISM as the Irene Corey Theatrical Design Image Collection.
[Identification of item], Irene Corey Papers, MSS-282, Arizona State University Library.
Irene Corey donated these materials to the Child Drama Collection (Accessions #2004-03542, #2004-03482, and #2004-03704).
| Series I: Biographical | |||||||||||
| Sub-Series A: Overview | |||||||||||
| Box | Folder | ||||||||||
| 1 | 1 | Resumes and Biographical Notes, Undated | |||||||||
| 1 | 2 | Biographies, Undated | |||||||||
| 1 | 3 | Autobiography Ending "Thus I Came into the Baylor University Theatre", circa 1945 | |||||||||
| 1 | 4 | Professional Photographs, 1994 | |||||||||
| 1 | 5 | Photographs of Irene Corey's Dallas House and Studio, Undated | |||||||||
| 1 | 6 | Theatre Books with Pictures of Irene Corey's Designs, circa 1970-1980 | |||||||||
| Box | Folder | ||||||||||
| 139/OV1 | 1 | Articles Showing Irene Corey's Influence on Theatrical Design, 1968-1970 (Removed from Box 1, Folder 7) | |||||||||
| Box | Folder | ||||||||||
| 1 | 8 | Photographs Showing Irene's Influence on Theatrical Design, 1970 | |||||||||
| 1 | 9 | "The Tastemakers" by Russell Lynes, Undated (Script with Dialogue Assigned to [Orlin] Corey and Irene) | |||||||||
| 1 | 10 | Photographs and Handwritten Notes about Orlin and Irene Corey Trips Overseas, 1965-1971 | |||||||||
| 1 | 11 | College Writings, Poems, and Short Stories by Orlin Corey, 1948-1949 | |||||||||
| Many of Orlin Corey's writings, poems, and short stories were dedicated to Irene. | |||||||||||
| 1 | 12 | Pot O' Gold Program, Baylor University, 1950 March | |||||||||
| Directed by Orlin Corey. Irene Corey served on the costume crew for this production. | |||||||||||
| 1 | 13 | Sigma Kappa Sorority Initiation Certificate, Constitution, By-Laws, and Pledge Manual, circa 1950, 1959 | |||||||||
| 1 | 14 | Alpha Iota Chapter of Phi Beta National Professional Fraternity of Music and Speech at Centenary College Induction, 1963 March 10 | |||||||||
| 1 | 15 | The Integral Make-Up Mask Exhibit, The Ohio Union, 1966 June | |||||||||
| 1 | 16 | Passport, 1969-1973 | |||||||||
| 1 | 17 | Book Regarding John Barr and Irene Corey, circa 1970 | |||||||||
| 1 | 18 | "Theatre for Children - Kid Stuff, or Theatre?" by Orlin Corey, 1974 | |||||||||
| Article with dedication to Irene Corey. | |||||||||||
| 1 | 19 | Attendee, American Institute of Mind Development and Control Lecture, 1974 March | |||||||||
| 1 | 20 | Guggenheim Memorial Foundation Fellowship Application and Correspondence, 1979-1981 | |||||||||
| 1 | 21 | Guggenheim Fellowship Biographical Notes, 1979 | |||||||||
| 1 | 22 | Madame Butterfly, Nashville Symphony Orchestra, 1981 April 23-27 | |||||||||
| Irene Corey served as the makeup assistant for this production. | |||||||||||
| 1 | 23 | "Baylor and the Arts - A Personal Perspective" by Orlin Corey, Baylor University, 1983 February 18 | |||||||||
| Address mentions Irene Corey Lockridge Barr. | |||||||||||
| 1 | 24 | Attendee, USITT Costume Commission Symposium, Minneapolis, 1983 August | |||||||||
| 1 | 25 | Passport, 1992 | |||||||||
| 1 | 26 | Irene Corey Watercolor Painting Display, Ernest Cherrington Nature Preserve, Westerville, Ohio, 1997 May 25-June 30 | |||||||||
| 1 | 27 | Irene Corey Watercolor Display, Georgetown College Gallery, Georgetown, Kentucky, 1998 January 18-February 11 | |||||||||
| Box | Folder | ||||||||||
| 139/OV1 | 2 | "From Job to Barney: Theatre, A Dance of the Mind, A Retrospective Exhibit of the Theatrical Designs of Irene Corey," Texas Educational Theatre Association Designfest, Dallas, 1998 January | |||||||||
| Box | Folder | ||||||||||
| 1 | 29 | Irene Corey Obituary and Cover Letter from her Niece Suzanne Lockridge, 2010 October | |||||||||
| 1 | 30 | Irene Lockridge Corey Memorial Service Program, 2010 November 28 | |||||||||
| Sub-Series B: Written about Corey | |||||||||||
| Box | Folder | ||||||||||
| 2 | 1 | James Hill Miller Arts Lab Brochure with Photo of Irene Corey, Undated | |||||||||
| 2 | 2 | "Mrs. Orlin Corey Shares Interest in Arts with Director Husband,"Shreveport Journal, 1960 November 11 | |||||||||
| 2 | 4 | "A Pair of Modern Masquers,"Horizon, 1963 January (Volume 5, Issue 3) | |||||||||
| Originally had a sticky note with the following: "I think Mom must have cut out picture out of her book." | |||||||||||
| Box | Folder | ||||||||||
| 139/OV1 | 3 | "She Has a Flair for Unusual Designs,"Houston Chronicle, 1964 March 1 (Removed from Box 2, Folder 5) | |||||||||
| Box | Folder | ||||||||||
| 2 | 6 | "Designer has Pumpkin-Colour Kitchen,"The Star Johannesburg (South Africa), 1964 October 12 | |||||||||
| Box | Folder | ||||||||||
| 139/OV1 | 4 | "Recollections from Abroad: Coreys Talk about Their 5-Month Tour of the World,"Nashville Banner, 1965 (Removed from Box 2, Folder 7) | |||||||||
| Box | Folder | ||||||||||
| 2 | 8 | "This Matter of Decor,"Shreveport Times, 1965 September 5 | |||||||||
| Box | Folder | ||||||||||
| 139/OV1 | 6 | "Author Writes on the Road,"The Courier-Journal & Times, 1968 September 15 (Removed from Box 2, Folder 9) | |||||||||
| Box | Folder | ||||||||||
| 2 | 3 | "Costumer Fits Style to Period", 1962 | |||||||||
| 2 | 10 | "Proteas Inspire Costumes for American Production,"The Cape Times (South Africa), 1969 May 23 | |||||||||
| "Here - Kitty Kitty,"The Shreveport Times, 1969 July 13 (Removed from Box 2, Folder 11) | |||||||||||
| Box | Folder | ||||||||||
| 2 | 12 | "Job, Everyman, and the Coreys,"The Baylor Line, 1970 September-1970 October (Volume 32, Issue 5) | |||||||||
| 2 | 13 | "Orlin and Irene Corey, Theater Artists,"Southern Living, 1970 November | |||||||||
| 2 | 14 | "Coreys: Mr. and Mrs. Theater", circa 1974 | |||||||||
| 2 | 15 | "Designing Animal Faces for People," by Phil Signorelli, Theatre Crafts, 1974 October | |||||||||
| 2 | 16 | "Halloween Greasepaint!", Woman's Day Article, Whitmark News and Views, 1977 October | |||||||||
| Box | Folder | ||||||||||
| 139/OV1 | 8 | "Kitchen Greasepaint for Halloween Goblins,"Shreveport Journal, 1977 October 14 (Removed from Box 2, Folder 17) | |||||||||
| Box | Folder | ||||||||||
| 2 | 18 | "Appointment with the Sun: Theatre Design by Irene Corey,"The Ohio Journal, 1979 | |||||||||
| This article features photographs from the Everyman Players' production of The Butterfly. | |||||||||||
| Box | Folder | ||||||||||
| 139/OV1 | 9 | "Dance of the Mind: Designer Irene Corey People's Worlds of Fantasy,"Dallas Morning News, 1979 September 2 (Removed from Box 2, Folder 19) | |||||||||
| Box | Folder | ||||||||||
| 2 | 20 | Invitational Exposition Listing, The First Biennial Scenography Exposition, 1980 | |||||||||
| Featuring photographs from the Everyman Players' production of The Butterfly. | |||||||||||
| 2 | 21 | Job "Cover Stopper,"Whitmark News and Views, 1981 August | |||||||||
| 2 | 22 | "To Reveal and Conceal,"Dallas Theater Center Stagebill, 1982 Fall | |||||||||
| 2 | 23 | Irene Corey Career Update (Page 5) and Pegasus Wings Photograph (Page 16), Whitmark News and Views, 1982 October | |||||||||
| 2 | 24 | FoxFire, Theatre Three: Program, 1984 December 28-1985 January 27 | |||||||||
| Thanks for Irene Corey from Theatre Three. | |||||||||||
| Box | Folder | ||||||||||
| 139/OV1 | 10 | "A Craftsman on Pins and Needles,"Dallas Times Herald, 1985 December 1 (Removed from Box 2, Folder 25) | |||||||||
| Box | Folder | ||||||||||
| 2 | 26 | "Barney's Lesson for Today: 'Hey, Kids, Settle Out of Court,'"The Phoenix Gazette, 1995 April 11 | |||||||||
| 2 | 27 | "Irene Corey and the Everyman Players Observations on a Collaborative Theatre Ensemble,"Theatre Design & Technology, 1996 Spring | |||||||||
| Box | Folder | ||||||||||
| 139/OV1 | 11 | "From Grass to Garden,"The Dallas Morning News, 1996 July 12 (Removed from Box 2, Folder 28) | |||||||||
| Box | Folder | ||||||||||
| 2 | 29 | Anchorage Press Catalogs with Corey Play and Book Descriptions, 1984, 2000-2001 | |||||||||
| Sub-Series C: Scrapbook | |||||||||||
| Box | Folder | ||||||||||
| 3 | 1 | Design Photo Scrapbook with Homemade Embroidery Cover, Undated | |||||||||
| Sub-Series D: Awards | |||||||||||
| Box | Folder | ||||||||||
| 4 | 1 | Times Drama Award for Much Ado About Nothing, Marjorie Lyons Playhouse, 1968 June | |||||||||
| Box | Folder | ||||||||||
| 139/OV1 | 12 | Times Drama Award, "Drama Winners Announced,"The Shreveport Times, 1968 June 23 (Removed from Box 4, Folder 1) | |||||||||
| 139/OV1 | 13 | Religious Drama Award, "Orlin, Irene Corey Win Religious Drama Prize,"The Nashville Tennessean, 1968 August 4 (Removed from Box 4, Folder 2) | |||||||||
| Box | Folder | ||||||||||
| 4 | 2 | Religious Drama Award Presented to Orlin and Irene Corey by the National Catholic Theater Conference, 1968 August | |||||||||
| 4 | 3 | Baylor University Alumni Women of Distinction Award, 1989-1990 | |||||||||
| 4 | 4 | Thomas De Gaetani Award, United States Institute for Theatre Technology, 1994 April | |||||||||
| Box | Folder | ||||||||||
| 139/OV1 | 1 | Thomas De Gaetani Award, United States Institute for Theatre Technology, 1994 April | |||||||||
| Box | Folder | ||||||||||
| 4 | 5 | College of Fellows of the Southwest Theatre Association Inductee, 1996 November 11 | |||||||||
| 4 | 6 | Honorary Doctor of Letters Conferred by Georgetown College, 1998 May 9 | |||||||||
| Sub-Series E: Calendars | |||||||||||
| Box | Folder | ||||||||||
| 5 | 1 | Calendar, 1966 | |||||||||
| 5 | 2 | Monthly Calendar, 1976 | |||||||||
| 5 | 3 | Day Planner, 1977 | |||||||||
| 5 | 4 | Day Planner, 1978 | |||||||||
| 5 | 5 | Daily Calendar, 1980 | |||||||||
| 5 | 6 | Daily Calendar, 1981 | |||||||||
| Box | Folder | ||||||||||
| 139/OV1 | 14 | Kliban Cat Calendar, 1985 (Removed from Box 5, Folder 7) | |||||||||
| 139/OV1 | 15 | Kliban Cat Calendar, 1986 (Removed from Box 5, Folder 8) | |||||||||
| 139/OV1 | 16 | Kliban Cat Calendar, 1987 (Removed from Box 5, Folder 9) | |||||||||
| Sub-Series F: Financial Records | |||||||||||
| Box | Folder | ||||||||||
| 6 | 1 | Gross Income, 1977 | |||||||||
| 6 | 2 | Job Income, 1977 | |||||||||
| 6 | 3 | Miscellaneous Income, 1977 | |||||||||
| 6 | 4 | Work Completed, 1980 | |||||||||
| 6 | 5 | Miscellaneous Income, 1980 | |||||||||
| 6 | 6 | Miscellaneous Income, 1987 | |||||||||
| Sub-Series G: John Barr | |||||||||||
| Box | Folder | ||||||||||
| 7 | 1 | Penzoil Place Architectural Models Built by John Barr, Undated | |||||||||
| 7 | 2 | Photograph of John Barr Creating Art Out of Recycled Materials, Undated | |||||||||
| 7 | 3 | Wreath Designs, Correspondence, Renderings, and Handwritten Notes, 1974 | |||||||||
| 7 | 4 | John Barr Door Wreath, D: The Magazine of Dallas, 1974 December | |||||||||
| 7 | 5 | Poem Sent to John Barr, 1976 April 28 | |||||||||
| Sub-Series H: Everyman Players | |||||||||||
| Box | Folder | ||||||||||
| 8 | 1 | Everyman Players Logo, Undated | |||||||||
| 8 | 2 | Everyman Players Chronology, 1957-1973 | |||||||||
| 8 | 3 | Book of Job Chronology, 1957-1974 | |||||||||
| 8 | 4 | Fliers, Undated | |||||||||
| 8 | 5 | Book of Job Foundation Brochure, Undated | |||||||||
| 8 | 6 | Book of Job, Pineville, Kentucky Bumper Sticker, Undated | |||||||||
| 8 | 7 | Blank Measurement Charts, Undated | |||||||||
| 8 | 8 | Roster of Performers, Undated | |||||||||
| 8 | 9 | Performers Photographs, Undated | |||||||||
| 8 | 10 | Photograph of Johan Franco, Composer of Incidental Music for Book of Job, Undated | |||||||||
| 8 | 11 | Allen Shaffer Newspaper Articles, 1968, circa 1970 | |||||||||
| 8 | 12 | Ken Holamon Newspaper Articles, 1967, 1971 | |||||||||
| 8 | 13 | Script for Book of Job Slide Show by Orlin Corey, Undated | |||||||||
| 8 | 14 | Kentucky Mountain Theatre, Pineville, Programs, circa 1960 | |||||||||
| 8 | 15 | The Everyman Players Handbook by Orlin Corey, 1969 January | |||||||||
| 8 | 16 | Packing Procedures, 1969-1970 | |||||||||
| 8 | 17 | Everyman Players: Tour Procedures, circa 1970 | |||||||||
| 8 | 18 | Photograph of the Everyman Players in Venice, 1970 | |||||||||
| 8 | 19 | Cast List and Memo, 1970 | |||||||||
| 8 | 20 | British Tour Schedule, 1970 | |||||||||
| 8 | 21 | Photograph of Orlin Corey with ASSITEJ President Konstantin Skakh-Azizov, circa 1970 | |||||||||
| 8 | 22 | Measurement Charts and Handwritten Size Notes, circa 1970 | |||||||||
| 8 | 23 | Tour Inventories, circa 1970 | |||||||||
| 8 | 24 | Tour Sponsor List, 1970-1973 | |||||||||
| 8 | 25 | Kentucky Mountain Theatre, Pineville, Programs, 1970-1978 | |||||||||
| 8 | 26 | Biography of Taubie Kushlick, Everyman Players South Africa Producer, circa 1972 | |||||||||
| 8 | 27 | Photograph of the Everyman Players Cast in Johannesburg, 1972 | |||||||||
| 8 | 28 | Everyman Players Season Program, 1972-1973 | |||||||||
| 8 | 29 | Cast Member Contact Sheet, 1978 | |||||||||
| 8 | 30 | The Everyman Players Newsletter, 1979 (Volume 1, Number 1) | |||||||||
| 8 | 31 | The Book of Job, Horse Cave Theatre, 1983 | |||||||||
| 8 | 32 | Book Review and Fliers Regarding An Odyssey of Masquers: The Everyman Players by Orlin Corey, 1992 | |||||||||
| Series II: Correspondence | |||||||||||
| Box | Folder | ||||||||||
| 9 | 1 | Correspondence, Undated | |||||||||
| 9 | 2 | The Minutes of the Last Meeting by Robert Canzoneri, Undated (Typescript Ditto with Handwritten Notes) | |||||||||
| 9 | 3 | Picture of Jack, Undated | |||||||||
| Photograph depicts a man playing a guitar and is inscribed to Irene and John. | |||||||||||
| 9 | 4 | Correspondence to Irene Corey, 1950, 1960-1989, 1996 | |||||||||
| 9 | 5 | Correspondence between Irene Corey and Sara Spencer, 1966-1974 | |||||||||
| 9 | 6 | Correspondence between Irene and Orlin Corey, 1973-1987 | |||||||||
| 9 | 7 | Correspondence Regarding a Production of The Book of Job, 1973 | |||||||||
| Includes letter from Sara Spencer. Irene Corey did not design this production. | |||||||||||
| 9 | 8 | Correspondence Regarding Slide Mailings, 1976-1981 | |||||||||
| 9 | 9 | Letter and Photographs Regarding a Production of The Butterfly not Designed by Irene, 1976 October 17 | |||||||||
| 9 | 10 | Correspondence Regarding Using Photographs of Irene's Designs in Publications, 1977-1986 | |||||||||
| 9 | 11 | Correspondence Regarding The Book of Job 20th Anniversary, 1978 | |||||||||
| 9 | 12 | Correspondence with Mark Medoff Regarding Designing a Show for his Theatre, 1981 | |||||||||
| Box | Folder | ||||||||||
| 139/OV1 | 19 | "Mark Medoff: Doing a Good One for the Drama Teacher,"Dramatics Magazine's Curtain, 1980 December (Removed from Box 9, Folder 12) | |||||||||
| Box | Folder | ||||||||||
| 9 | 13 | Letter from the Minister of Music at Trinity Baptist Church, 1988 | |||||||||
| This letter includes Irene Corey's sketches of Middle Eastern royalty and sedan chair bearers. | |||||||||||
| Box | Folder | ||||||||||
| 93/OV1 | 15 | Letter from Allen Shaffer, Undated (Removed from Box 9, Folder 1) | |||||||||
| Box | Folder | ||||||||||
| 9 | 14 | Correspondence with the Ben Nye Company Regarding an Irene Corey Color System Makeup Kit, 1989 | |||||||||
| 9 | 14 | Notecard with "The Partridge in the Pear Tree" Quilt Design by Irene Corey and Text from Suzan Lockridge, 2008 February 25 | |||||||||
| Series III: Teaching | |||||||||||
| Sub-Series A: Arts Magnet High School | |||||||||||
| Box | Folder | ||||||||||
| 10 | 1 | Booker T. Washington Brochure, Undated | |||||||||
| 10 | 2 | Newspaper Articles, Undated | |||||||||
| 10 | 3 | "Creative Arts Integration of Abilities" Curriculum Guide, Undated | |||||||||
| 10 | 4 | "Creative Arts Integration of Abilities" Lesson Plans, Undated | |||||||||
| 10 | 5 | Curriculum Writing Manual, 1976 | |||||||||
| 10 | 6 | Handwritten Class Notes, 1976 | |||||||||
| Sub-Series B: Academic Appointments | |||||||||||
| Box | Folder | ||||||||||
| 11 | 1 | Designer, Centenary College, 1963-1965 | |||||||||
| Box | Folder | ||||||||||
| 94/OV3 | 1 | Centenary College, Marjorie Lyons Playhouse Ground Plan, Undated (Removed from Box 11, Folder 1) | |||||||||
| Box | Folder | ||||||||||
| 11 | 2 | Art Department Chair, Georgetown College Kentucky, 1974 March 14 | |||||||||
| 11 | 3 | Creative Design, Radius Summer School, 1974 August | |||||||||
| 11 | 4 | Make-Up Design Graduate Faculty, Dallas Theater Center, 1976-1981 | |||||||||
| 11 | 5 | Theatre Design Workshop, Austin College, 1978 February | |||||||||
| 11 | 6 | Sponsor/Master Teacher, Talented and Gifted Program, Dallas School District, 1979-1980 | |||||||||
| 11 | 7 | Faculty Teaching Artist, Nashville Institute for the Arts, 1980 Summer | |||||||||
| 11 | 8 | Theatre Seminar, Austin College, 1980 Fall | |||||||||
| 11 | 9 | Aesthetics Teacher, Tennessee Arts Academy, 1992 | |||||||||
| Sub-Series C: Workshops and Lectures | |||||||||||
| Box | Folder | ||||||||||
| 12 | 1 | Workshops, Mississippi Theatre Association Annual Conference, 1971 May 7-8 | |||||||||
| 12 | 2 | Lectures, Kentucky State University, 1973 November 7-8 | |||||||||
| 12 | 3 | Guest Artist, New Orleans Centers for Creative Arts, 1974 February 21-22 | |||||||||
| 12 | 4 | Master Classes, National Costumers Association Convention, 1974 August | |||||||||
| 12 | 5 | Master Classes, Florida State University, 1975 November 19-21 | |||||||||
| 12 | 6 | Makeup and Costume Design Workshops, USITT Conference, 1976 March | |||||||||
| 12 | 7 | Workshop, Frogmore Creative Arts School, 1977 | |||||||||
| 12 | 8 | Workshop, Austin Peay State University, 1977 January 19-21 | |||||||||
| 12 | 9 | Lectures, Agnes Scott College, 1977 February 5 | |||||||||
| 12 | 10 | Lecture, American Theatre Association Convention, 1977 August | |||||||||
| Box | Folder | ||||||||||
| 139/OV1 | 20 | "A Magnet of Creative Activity,"The Dallas Morning News, 1976 November 21 (Removed from Box 12, Folder 10) | |||||||||
| Box | Folder | ||||||||||
| 12 | 11 | Lectures, Lamar University, 1977 September 23-25 | |||||||||
| 12 | 12 | Children's Arts and Ideas Foundation Make-Up Artist, Dallas Times Herald, 1978 March 15 | |||||||||
| 12 | 13 | Make-Up Workshop, Okaloosa-Walton Junior College, 1978 April | |||||||||
| Box | Folder | ||||||||||
| 94/OV3 | 2 | Florida's Miracle Strip Map and Irene Corey Makeup Workshop Article, 1978 April 6 | |||||||||
| Box | Folder | ||||||||||
| 12 | 14 | Fabric Lamination Workshop, USITT Costume Commission Symposium, New Orleans, 1978 August | |||||||||
| 12 | 15 | Makeup Lecture, Texas Speech and Communication Arts Association, 1978 October 5 | |||||||||
| 12 | 16 | Makeup Workshop, Cedar Hill Creative Study Series, 1978 October 28 | |||||||||
| Box | Folder | ||||||||||
| 139/OV1 | 21 | Alabama College Theatre Festival, Petrified Forest Background Information, Undated (Removed from Box 12, Folder 17) | |||||||||
| Box | Folder | ||||||||||
| 12 | 17 | Makeup Workshop and Production Evaluator, Alabama College Theatre Festival, 1978 November 1-4 | |||||||||
| Includes Irene's play evaluations. | |||||||||||
| 12 | 18 | Makeup Workshops, Geraldon Agency, 1978 November 19-20 | |||||||||
| 12 | 19 | Tempest Lecture, Wright State University, 1979 April 5 | |||||||||
| 12 | 20 | Makeup and Design Workshops, University of Wisconsin-River Falls, 1979 April 23-27 | |||||||||
| 12 | 21 | Makeup and Costume Workshops, High School Drama Festival, Beaumont, Texas, 1979 May 14-15 | |||||||||
| 12 | 22 | Guest Lecture, Richland College, 1979 November 2 | |||||||||
| 12 | 23 | Makeup Workshop, Theatre Memphis, 1979 November 17-18 | |||||||||
| 12 | 24 | Makeup Workshop, Tennessee Recreation and Parks Annual Conference, 1979 November 20 | |||||||||
| 12 | 25 | Makeup Lecture and Workshop, Radford University, 1979 December 6-9 | |||||||||
| 12 | 26 | Lectures, University of Rhode Island, 1980 March 21 | |||||||||
| 12 | 27 | Makeup Workshop, Cedar Hill Creative Study Center, 1980 October 28 | |||||||||
| 12 | 28 | Theatre Arts, University of New Mexico, 1980 November | |||||||||
| 12 | 29 | Make-Up Workshops, University of Tennessee, Knoxville, 1981 April 14-17 | |||||||||
| 12 | 30 | Costume Sessions, Alberta (Canada) Section, USITT Conference, 1981 May | |||||||||
| 12 | 31 | Patterning Workshop, USITT Technical Theatre Conference of the Alberta Section, 1981 May 22 | |||||||||
| See also Patterning Lecture notes in Lecture Notes Series. | |||||||||||
| 12 | 32 | Workshops, American Theatre Association Convention, Dallas, 1981 August | |||||||||
| See also Alice in Wonderland in Theatrical Design series for notes about the Alice in Wonderland session. See Kabuki lecture notes in Class/Lecture Notes series. | |||||||||||
| 12 | 33 | Lecture/Demonstration, USITT Costume Commission Symposium, 1981 August 13 | |||||||||
| 12 | 34 | Makeup Workshop and Reception, Fort Lauderdale Children's Theatre, 1981 October 17 | |||||||||
| 12 | 35 | Royal Hunt of the Sun Workshop, American Theatre Association Convention, Minneapolis, 1983 August | |||||||||
| See Lectures Series for Irene's notes for this workshop. | |||||||||||
| 12 | 36 | Design Critic, USITT-TETA Convention, 1984 January 26-28 | |||||||||
| 12 | 37 | Makeup Workshop, University of South Florida, 1984 March 24 | |||||||||
| 12 | 38 | Soft Sculpture Workshop, USITT Convention, 1984 April 7 | |||||||||
| 12 | 39 | Design Workshop, University of Texas at Austin, 1984 November 15-18 | |||||||||
| 12 | 40 | Lecture, USITT Conference, 1985 March | |||||||||
| 12 | 41 | Makeup Demonstration, Southwest Theatre Association, New Orleans, 1988 November 3-5 | |||||||||
| 12 | 42 | Mask Class, Guest Artist, North Carolina School of the Arts, 1988 December | |||||||||
| 12 | 43 | Makeup Artist in Residence, Youngstown State University, 1989 February 15-18 | |||||||||
| 12 | 44 | Makeup Lecture, Otterbein College, 1989 February 22 | |||||||||
| 12 | 45 | Panelist, Southeastern Theatre Conference Convention, 1989 March | |||||||||
| 12 | 46 | Makeup and Foam Demonstration, Southwestern Regional Ballet Association, 1989 April 8 | |||||||||
| 12 | 47 | Foam Construction Workshop, Tarlton State University, 1990 January 25 | |||||||||
| 12 | 48 | Guest Lecture and Workshop, DePaul University, 1990 May 12 | |||||||||
| 12 | 49 | Make Up Workshop, DePaul University, 1990 May 12 | |||||||||
| 12 | 50 | Makeup Workshop, Network Conference of Performing and Visual Arts Schools, Dallas, 1990 October 12 | |||||||||
| 12 | 51 | Makeup Presentation, Southwestern Theatre Conference, 1990 November | |||||||||
| 12 | 52 | Artist in Residence, Makeup and Theatre Design, Vanderbilt University, Nashville, 1991 January | |||||||||
| 12 | 53 | Makeup Demonstration and Exhibit, AATE/ATD Conference, Washington DC, 1991 August | |||||||||
| 12 | 54 | Makeup Demonstrations, Texas Educational Theatre Association Convention, 1991 January 26 | |||||||||
| 12 | 55 | Makeup Presentation, USITT Conference, 1991 February 20 | |||||||||
| 12 | 56 | "Past and Present: Costume Designs and Paintings" Lecture, Georgetown College, 1994 February 27 | |||||||||
| Sub-Series D: Lecture Publicity and Booking | |||||||||||
| Box | Folder | ||||||||||
| 13 | 1 | Lecture Receipts, 1974-1981 | |||||||||
| 13 | 2 | Whitmark News & Views Advertisement, 1977 July | |||||||||
| 13 | 3 | Costume Council of the Los Angeles County Museum of Art Lecture Request, 1989 | |||||||||
| Box | Folder | ||||||||||
| 93/OV1 | 1 | That California Look: Textile Designs by Elza of Hollywood from 1937-1955, Exhibit Catalog, 1986 May 20-July 6 (Removed from Box 13, Folder 3) | |||||||||
| Box | Folder | ||||||||||
| 13 | 4 | A Three-Day Practical Make-up Workshop by Irene Corey, Undated | |||||||||
| Box | Folder | ||||||||||
| 94/OV3 | 3 | A Three-Day Practical Make-up Workshop by Irene Corey Poster, Undated (Removed from Box 13, Folder 4) | |||||||||
| Box | Folder | ||||||||||
| 13 | 5 | Middlesboro, Kentucky Student Summer Enrichment Program Proposal, 1992 | |||||||||
| 13 | 6 | Agreement for Guest Artist Forms, Undated | |||||||||
| 13 | 7 | Fee Schedules, Undated | |||||||||
| 13 | 8 | Make-up Supplies Lists, Undated | |||||||||
| 13 | 9 | Workshop Handouts, Undated | |||||||||
| 13 | 10 | Resume and Workshop Form Letters, Undated | |||||||||
| 13 | 11 | Workshop Tour Announcements, 1973 | |||||||||
| 13 | 12 | Design: The Tempest - Nature as a Design Source Flyer, Undated | |||||||||
| 13 | 13 | Designing from Nature, Undated | |||||||||
| 13 | 14 | The Lightning Bug Workshop Flyer and Handout, Undated | |||||||||
| 13 | 15 | Foam and Foam: Foam Construction Workshop Flyer, Undated | |||||||||
| 13 | 16 | Irene Corey Workshop and Lecture Brochures, Undated | |||||||||
| 13 | 17 | Make-Up: The Face is a Canvas Lecture and Workshop Flyers, Undated | |||||||||
| 13 | 18 | Materials: If Cost Matters Flyers, Undated | |||||||||
| 13 | 19 | Orlin and Irene Corey Guest Lecture Flyer, 1969 February-March | |||||||||
| 13 | 20 | Orlin and Irene Corey Guest Lecture Flyer, 1971 February-March | |||||||||
| 13 | 21 | Theatre Crafts Magazine Workshop and Lecture Advertising, 1974-1976 | |||||||||
| 13 | 22 | Lecture Correspondence, 1974-1978, 1990 | |||||||||
| 13 | 23 | "New Services Offered by Irene Corey" Flyer, Undated | |||||||||
| Sub-Series E: Class and Lecture Notes | |||||||||||
| Box | Folder | ||||||||||
| 14 | 1 | Animal Makeup, circa 1970 | |||||||||
| Presented at the American Theatre Association 1979 [?]. | |||||||||||
| 14 | 2 | Art & Drama in My Life, Tennessee Arts Academy, 1992 June 25 | |||||||||
| 14 | 3 | The Artist & The Community, Undated | |||||||||
| 14 | 4 | Bill Komodore and Painting with Color Notes, 1977-1981 | |||||||||
| 14 | 5 | Costume Design, Color, 1967 February | |||||||||
| 14 | 6 | Costume Design Notes, 1967 | |||||||||
| 14 | 7 | Costume Dyeing and Painting, Undated | |||||||||
| 14 | 8 | "Creative Process in the Theatre", Undated | |||||||||
| 14 | 9 | Design Concepts, 1969-1974 | |||||||||
| Box | Folder | ||||||||||
| 139/OV1 | 23 | Design Concepts, Giacometti Article, Undated (Removed from Box 14, Folder 9) | |||||||||
| Box | Folder | ||||||||||
| 14 | 10 | Design Process for Religious Drama: The Book of Job and Romans by St. Paul, Undated | |||||||||
| Seattle Pacific University lecture. | |||||||||||
| 14 | 11 | Designing from Nature, Undated | |||||||||
| Includes foam techniques. | |||||||||||
| 14 | 12 | Fabric Modification, Presented at the Southeastern Theatre Conference Convention, 1989 March 4 | |||||||||
| With Sylvia Hillyard and Ed. | |||||||||||
| 14 | 13 | The Face is a Canvas, Dressing from the Feet Up, Undated | |||||||||
| 14 | 14 | Foam and Mask Workshop: Photographs of Animals, Undated | |||||||||
| 14 | 15 | Foam Workshop and Creating 3D Forms, Undated | |||||||||
| 14 | 16 | If Cost Matters, San Francisco, 1972 August | |||||||||
| 14 | 17 | Imaginative Theatre Lecture, 1968 | |||||||||
| 14 | 18 | The Integrated Makeup Mask, 1967 April | |||||||||
| 14 | 19 | Kabuki Makeup, 1981 | |||||||||
| See Workshops/Lectures box, ATA Convention August 1981 folder to see a full description of the workshop. | |||||||||||
| 14 | 20 | Larger than Life Critters Or Is There Life After Theatre? Or Challenges, Pitfalls and Rewards, Presented at the Oregon Festival, 1993 February 6 | |||||||||
| 14 | 21 | Makeup Class Assorted Handwritten Notes and Pictures, 1969 | |||||||||
| 14 | 22 | Makeup Class Notes, Undated | |||||||||
| Box | Folder | ||||||||||
| 93/OV1 | 2 | Make Up Class Notes: Nude Male Sketch, Undated (Color)(Removed from Box 14, Folder 22) | |||||||||
| Box | Folder | ||||||||||
| 14 | 23 | Makeup from the Inside Out, Undated | |||||||||
| 14 | 24 | Makeup Lecture Based on The Face is a Canvas, Undated | |||||||||
| 14 | 25 | Makeup Slide Show Notes, circa 1970 | |||||||||
| 14 | 26 | Patterning Lecture Notes, 1981 | |||||||||
| See Workshops/Lectures series for correspondence about this workshop, May 1981. | |||||||||||
| 14 | 27 | Royal Hunt of the Sun Lecture, 1983 August | |||||||||
| See Box 12 for ATA Convention Program. | |||||||||||
| 14 | 28 | Set Design Lecture, Undated | |||||||||
| 14 | 29 | "What is Modern Painting/Art?", Undated | |||||||||
| 14 | 30 | Why People Wear Clothes, First Methodist Church, Undated | |||||||||
| Sub-Series F: History of Art | |||||||||||
| Box | Folder | ||||||||||
| 15 | 1 | History of Art, Undated | |||||||||
| 15 | 2 | Handwritten and Typewritten Notes Regarding History of Art, Undated | |||||||||
| 15 | 3 | Irene Corey's Handwritten Notes Describing the Contents of Art and Civilization by Bernard S. Myeres, Undated | |||||||||
| 15 | 4 | Syllabus on the History of World Art, 1944 | |||||||||
| This syllabus was arranged by Mary Shapard and includes handwritten notes by Irene Corey. | |||||||||||
| Box | Folder | ||||||||||
| 16 | 1 | The Glass of Fashion by Cecil Beaton with Typed Fashion History Notes by Irene Corey, Undated | |||||||||
| 16 | 2 | Cecil Beaton's Fair Lady by Cecil Beaton, Undated | |||||||||
| Series IV: Design | |||||||||||
| Sub-Series A: Theatrical | |||||||||||
| Box | Folder | ||||||||||
| 17 | 1 | Alice in Wonderland, Dallas Theater Center's Mime Act: Calendar, Fliers, Children's Theatre Review Review, and Photographs, 1980-1981 | |||||||||
| 17 | 2 | Alice in Wonderland, Dallas Theater Center, Undated (Typescript Copy with Design Notes) | |||||||||
| 17 | 3 | Alice in Wonderland, Dallas Theater Center: Floor Plan, Set, Costume, and Special Effects Renderings and Handwritten Notes, Undated | |||||||||
| 17 | 4 | Alice in Wonderland, Dallas Theater Center: Expenses, 1980 | |||||||||
| 17 | 5 | Alice in Wonderland, Dallas Theater Center: Study Guide with Illustrations by Irene Corey, Undated | |||||||||
| 17 | 6 | Alice in Wonderland, Dallas Theater Center: Production Photograph, Undated (Typescript with Design Notes) | |||||||||
| 17 | 7 | Alice in Wonderland, Dallas Theater Center: Workshop Notes, 1981 August 8 | |||||||||
| See Workshops/Lectures series for correspondence regarding this workshop. | |||||||||||
| 17 | 8 | Alice in Wonderland, Dallas Theater Center: Brimstone Film Proposal, Undated | |||||||||
| 17 | 9 | Alice in Wonderland, The University of Texas at Austin Opera Theatre: Newspaper Review, Correspondence, and Program, 1987-1988 (Libretto Typescript Copy) | |||||||||
| 17 | 10 | Alice in Wonderland, University of Texas Opera: Costume Rendering and Correspondence with Director, 1987 October (Photocopies, Some with Added Color) | |||||||||
| For original transparencies, see Mapcase Drawer. | |||||||||||
| 17 | 11 | Alice in Wonderland, University of Texas Opera: Set Renderings, 1987 | |||||||||
| Box | Folder | ||||||||||
| 93/OV1 | 3 | Alice in Wonderland: "Emotional Bite Missing in 'Aspern Papers' Debut", 1988 November 30 (Removed from Box 17, Folder 9) | |||||||||
| 93/OV1 | 3 | Alice in Wonderland: "Troupe Makes Play for Kids in Parks,"The Dallas Morning News, 1980 July 2 | |||||||||
| 93/OV1 | 3 | Alice in Wonderland: "Summertime Mime,"Dallas Times Herald, 1980 July 5 | |||||||||
| 93/OV1 | 3 | Alice in Wonderland: "Students Treated to 'Wonderland',"Longview Morning Journal, 1981 February 15 | |||||||||
| 93/OV1 | 3 | Alice in Wonderland: "'Alice in Wonderland' Visits Kilgore,"Sunday Magazine and TV Journal, 1981 February 15 | |||||||||
| 93/OV1 | 3 | Alice in Wonderland: "I'll Show You Mime", 1981 June 27 | |||||||||
| Box | Folder | ||||||||||
| 148/OV3 | 1 | Alice in Wonderland, Dallas Theatre Center: Costume Renderings, 1980 Summer (14" x 22"; Ink and Watercolor on Paper) | |||||||||
| 148/OV3 | Alice in Wonderland, Dallas Theatre Center: Sketch of Actors with Role Assignments, 1980 Summer (14" x 22"; Graphite on Paper) | ||||||||||
| 148/OV3 | 1 | Alice in Wonderland, Dallas Theatre Center: Set Rendering, 1980 Summer (14" x 22"; Ink and Watercolor on Paper) | |||||||||
| 148/OV3 | 1 | Alice in Wonderland, Dallas Theatre Center: Alice and White Rabbit Costume Renderings, 1980 Summer (16 3/4" x 14"; Ink and Watercolor on Paper) | |||||||||
| 148/OV3 | 1 | Alice in Wonderland, Dallas Theatre Center: White Rabbit and Cheshire Cat Costume Renderings, 1980 Summer (12" x 18"; Ink and Graphite on Paper) | |||||||||
| 148/OV3 | 1 | Alice in Wonderland, Dallas Theatre Center: Costume Rendering Photocopies, 1980 Summer (Assorted Sizes; 2 with Handwritten Construction Notes; Some are Color Copies) | |||||||||
| 148/OV3 | 2 | Alice in Wonderland, University of Texas at Austin Opera Theatre: Costume Renderings, 1987 (29; 9" x 12"; Graphite on Paper) | |||||||||
| 148/OV3 | 1 | Alice in Wonderland, Dallas Theatre Center: March Hare, Lizard, and Dormouse Costume Rendering, 1980 Summer (11" x 22"; Ink and Watercolor on Paper) | |||||||||
| Box | Folder | ||||||||||
| 17 | 12 | Alice in Wonderland, University of Texas Opera: Expenses, 1987 | |||||||||
| 17 | 13 | Amahl and the Night Visitors, Georgetown College: Costume Renderings, Measurements, and Fabric List, circa 1953 | |||||||||
| Box | Folder | ||||||||||
| 149/OV3 | 1 | Amahl and the Night Visitors: Costume Renderings, Undated (Removed from Box 17, Folder 13) | |||||||||
| Box | Folder | ||||||||||
| 17 | 14 | Behind the Yellow Door, Centenary College: Set Stencil, 1960 March | |||||||||
| Box | Folder | ||||||||||
| 148/OV3 | 2 | Blue Bird, Baylor University: Costume Rendering Overviews, 1947 (6; 3 Matted; 12" x 18"; Ink and Watercolor on Paper) | |||||||||
| Box | Folder | ||||||||||
| 149/OV3 | 3 | Blue Bird, Baylor University: Set Renderings, 1947 (11 3/4" x 18"; Ink and Watercolor on Paper) | |||||||||
| Includes renderings for the Act III set, the Home of Mytl and Tytl set, the Land of Happiness set, and the Land of Memory set | |||||||||||
| Box | Folder | ||||||||||
| 17 | 15 | The Book of Job, Everyman Players (1957-1979) and Georgetown College (1957): Performance Chronology, 1957-1976 | |||||||||
| 17 | 16 | The Book of Job: Job Newspaper Cartoon, Undated | |||||||||
| 17 | 17 | The Book of Job, Everyman Players: Costume Color and Pattern Charts, Undated | |||||||||
| 17 | 18 | The Book of Job, Everyman Players: Women's Mosaic Makeup Charts and Photographs, Undated (Black and White) | |||||||||
| For color makeup charts and designs, see Mapcase Drawer 37. | |||||||||||
| 17 | 19 | The Book of Job, Everyman Players: Men's Mosaic Makeup Charts and Photographs, Undated (Black and White) | |||||||||
| For color makeup charts and designs, see Mapcase Drawer 37. | |||||||||||
| 17 | 20 | The Book of Job: Pineville, Kentucky Stationary and Postcard, Undated | |||||||||
| 17 | 21 | The Book of Job, Correspondence with Covington Fabrics Corporation Regarding Job Fabric Design for Drapery, 1962 | |||||||||
| 17 | 22 | The Book of Job, Everyman Players: Publicity Flyer Featuring the New York World's Fair Performance, 1964 September 1-7 | |||||||||
| 17 | 23 | The Book of Job, Everyman Players: Kentucky Mountain Theatre Programs, circa 1970 | |||||||||
| See also the Everyman Players series for the 1960s programs. | |||||||||||
| 17 | 24 | The Book of Job, Everyman Players: Actor Measurement Charts, 1974-1975 | |||||||||
| 17 | 25 | The Book of Job, Everyman Players: Expenses, 1975-1978 | |||||||||
| 17 | 26 | The Book of Job: Correspondence from Irene Corey to Orlin Corey Regarding Repair and Replacement of Costumes, 1984 | |||||||||
| 17 | 27 | The Book of Job, Everyman Players: Photographs of Costumes in Child Drama Collection, 2001 | |||||||||
| Box | Folder | ||||||||||
| 149/OV3 | 4 | The Book of Job, Georgetown College: Costume Overview, 1957 October (10 1/4" x 22 1/4"; Colored Pencil on Paper) | |||||||||
| Contains 7 color variations. | |||||||||||
| 149/OV3 | 4 | The Book of Job, Georgetown College: Costume Swatch Overview for Zophar, Elihu, Eliphaz, and Bildad, 1957 October | |||||||||
| Includes notes in ink on paper. | |||||||||||
| 149/OV3 | 4 | The Book of Job, Georgetown College: Job Cape Costume Swatches, 1957 October (10" x 11 3/4") | |||||||||
| 149/OV3 | 5 | The Book of Job, Georgetown College: Costume Rendering for Men's Chorus, 1957 October (22 1/2" x 9 1/2; Matted; Ink, Crayon and Gouache on Paper) | |||||||||
| One rendering is of the men's chorus. | |||||||||||
| 149/OV3 | 6 | The Book of Job, Georgetown College: Costume Renderings for Women's Chorus, 1957 | |||||||||
| 149/OV3 | 8 | The Book of Job, Georgetown College: Costume Rendering for Men's Costume, 1957 | |||||||||
| MapCase | |||||||||||
| Design: Theatrical | The Book of Job: Ensemble Photograph, 1960 November 21 (8" x 10"; Color; Matted with Another Photograph) | ||||||||||
| Contains a caption saying "The Ensemble of Job, Life, November 21, 1960" | |||||||||||
| Design: Theatrical | The Book of Job: Eliphaz Photograph, Undated | ||||||||||
| Design: Theatrical | The Book of Job: Job Costume Photograph, Undated (8 1/4" x 19 1/2"; Color; Matted) | ||||||||||
| Includes a caption saying "This production seeks to emphasize the uniqueness of Job, not his suffering but the glory of his faith. The individual must be submerged in an immortal garment, unified within a chorus of poetry and chant in a ritual celebration of man's quest for God." | |||||||||||
| Design: Theatrical | The Book of Job, New York City: Costume Photographs of 4 Characters, Undated | ||||||||||
| Box | Folder | ||||||||||
| 149/OV3 | 7 | The Book of Job, Christ Church, New York City: Floor Plans, 1962 January 22 (18" x 17"; Blueprint) | |||||||||
| The Book of Job, Georgetown College: Male Makeup Charts, 1957 October (Assorted Sizes; Ink and Colored Pencil on Photocopy) | |||||||||||
| The Book of Job, Georgetown College: Job Makeup Chart, 1957 October (8 1/2" x 11"; Ink and Colored Pencil on Paper) | |||||||||||
| The Book of Job, Georgetown College: Makeup Chart for Men's Chorus, 1957 October (8 1/2" x 11"; Ink and Colored Pencil on Photocopy) | |||||||||||
| The Book of Job, Georgetown College: Female Makeup Charts, 1957 October (Assorted Sizes; Ink, Colored Pencil, and Gouache on Paper) | |||||||||||
| The Book of Job, Georgetown College: Makeup Chart for Women's Chorus, 1957 October (8 1/2" x 11"; Photocopy) | |||||||||||
| Box | |||||||||||
| 17 | The Book of Job: Posters and Brochures, Undated | ||||||||||
| Box | Folder | ||||||||||
| 93/OV1 | 6 | The Book of Job: Newspaper and Magazine Article Collage, 1960-1969 | |||||||||
| 93/OV1 | 4 | The Book of Job: Newspaper articles, 1960-1969 | |||||||||
| 93/OV1 | 5 | The Book of Job: Newspaper articles, 1970-1979 | |||||||||
| Box | Folder | ||||||||||
| 149/OV3 | 9 | The Book of Job: "The 'Book of Job' Begins It's 18th Season,"The Sun-Courier, 1976 June 24 | |||||||||
| 149/OV3 | 10 | The Book of Job: "Test of Job: Living Mosaics Trace Bible Story,"The Atlanta Journal, 1971 December 23 | |||||||||
| 149/OV3 | 10 | The Book of Job: "Book of Job Opens Tonight in Amphitheatre,"The Sun-Courier, 1972 June 29 | |||||||||
| Box | Folder | ||||||||||
| 96 | 1 | Fabric Swatches from Productions of The Book of Job in Pineville, Kentucky, 1974 July-1977 August | |||||||||
| The fabric swatches were used for repair of The Book of Job costumes. | |||||||||||
| Box | Folder | ||||||||||
| 17 | 28 | The Butterfly, Everyman Players: Program and Study Guide, 1978-1979 | |||||||||
| 17 | 29 | The Butterfly, Everyman Players: Expenses, 1978 | |||||||||
| 17 | 30 | The Butterfly, Everyman Players: Set and Costume Renderings and Handwritten Notes, Undated | |||||||||
| 17 | 31 | The Butterfly, Everyman Players: Performance Schedule, 1978 | |||||||||
| 17 | 32 | The Butterfly, Everyman Players: Article with Pictures of Costumes, Ohio Journal, 1979 Autumn | |||||||||
| Box | |||||||||||
| 145/OV2 | The Butterfly, Everyman Players: Costume Renderings, 1979 (20" x 15"; Gouache, Ink, and Colored Pencil on Board) | ||||||||||
| Box | Folder | ||||||||||
| 17 | 33 | Cabaret, New Arts Theatre: Expenses, 1978 | |||||||||
| 17 | 34 | Cabaret: Costume Renderings and Handwritten Notes, Undated | |||||||||
| 17 | 35 | Candida, Horse Cave Theatre, Kentucky: Program, Correspondence, and Newspaper Article, 1977 June | |||||||||
| 17 | 36 | Candida: Playscript with Notes, 1977 | |||||||||
| 17 | 37 | Candida: Published Script with Annotations and Sketch of the Set, 1977 | |||||||||
| 17 | 38 | Candida: Costume Renderings and Handwritten Notes, Undated | |||||||||
| 17 | 39 | Candida: Theatre Plan, Seating Plan, Basic Light Plot, Section Plan, and Balcony Elevation, Undated | |||||||||
| Box | Folder | ||||||||||
| 150/OV3 | 2 | Candida, Horse Cave Theater: Theatre Plan, Seating Plan, Basic Light Plot, Section Plan, and Balcony Elevation, 1976-1977 (17 3/4" x 24"; Blueprint) | |||||||||
| 150/OV3 | 1 | Candida, Horse Cave Theater: Costume Renderings, 1976-1977 (14" x 17"; Graphite on Tissue Paper) | |||||||||
| Box | Folder | ||||||||||
| 17 | 40 | Candida: Expenses, 1977 | |||||||||
| 17 | 41 | Catfish Bend: Handwritten Design Notes and Fliers, Undated | |||||||||
| Box | Folder | ||||||||||
| 18 | 1 | Chemin de Fer, Dallas Theater Center in Association with Peter Wolf Associates: Director's Notes, 1974 | |||||||||
| 18 | 2 | Chemin de Fer: Correspondence, 1974 | |||||||||
| 18 | 3 | Chemin de Fer: Program and Newspaper Reviews, 1974 | |||||||||
| 18 | 4 | Chemin de Fer: Cast Measurement Forms, Undated | |||||||||
| 18 | 5 | Chemin de Fer: Handwritten Costume Notes, Undated | |||||||||
| 18 | 6 | Chemin de Fer: Costume Renderings with Fabric Swatches, Undated | |||||||||
| Box | Folder | ||||||||||
| 131/OV1 | 2 | Chemin de Fer, Dallas Theatre Center: Costume Renderings, 1974 (13 3/4" x 10"; One Matted; Ink, Graphite, and Watercolor on Paper) | |||||||||
| Box | Folder | ||||||||||
| 18 | 7 | Children's Plays, Various: Set Sketches and Notes, Undated | |||||||||
| Box | Folder | ||||||||||
| 131/OV1 | 3 | Children's Shows, Unidentified, Georgetown College: Set Rendering, Undated (10" x 13"; Gouache on Paper; Matted) | |||||||||
| Box | Folder | ||||||||||
| 18 | 8 | A Christmas Carol, Dallas Theater Center: Correspondence, 1981 December | |||||||||
| 18 | 9 | A Christmas Carol, Dallas Theater Center Program, Season Brochure, and Newspaper Reviews, 1981 | |||||||||
| 18 | 10 | A Christmas Carol, Dallas Theater Center: Cast List, Undated | |||||||||
| 18 | 11 | A Christmas Carol, Dallas Theater Center: Typed Notes and List of Children's Scenes, 1981 October | |||||||||
| 18 | 12 | A Christmas Carol, Dallas Theater Center: Set Research, Undated | |||||||||
| 18 | 13 | A Christmas Carol, Dallas Theater Center: Theater Floor Plan and Set Notes, Undated | |||||||||
| 18 | 14 | A Christmas Carol, Dallas Theater Center: Costume Research, Undated | |||||||||
| 18 | 15 | A Christmas Carol, Dallas Theater Center: Costume Renderings and Handwritten Notes, Undated (Black and White) | |||||||||
| 18 | 16 | A Christmas Carol, Dallas Theater Center: Women's Costume Renderings with Fabric Swatches and Measurement Charts, Undated | |||||||||
| 18 | 17 | A Christmas Carol, Dallas Theater Center: Men's Costume Renderings with Fabric Swatches and Measurement Charts, Undated | |||||||||
| 18 | 18 | A Christmas Carol, Dallas Theater Center: Children's Costume Renderings with Fabric Swatches and Measurement Charts, Undated | |||||||||
| 18 | 19 | A Christmas Carol, Dallas Theater Center: Costume Inventory, 1981 December | |||||||||
| 18 | 20 | A Christmas Carol, Dallas Theater Center: Costume Plots, Undated | |||||||||
| 18 | 21 | A Christmas Carol, Dallas Theater Center: State Properties Research, Undated | |||||||||
| 18 | 22 | A Christmas Carol, Dallas Theater Center: Properties Renderings and Handwritten Notes, Undated | |||||||||
| Box | Folder | ||||||||||
| 131/OV1 | 4 | A Christmas Carol, Dallas Theatre Center: Theatre Floor Plan, Undated (11 1/2" x 15") | |||||||||
| Box | Folder | ||||||||||
| 18 | 23 | A Christmas Carol, Dallas Theater Center: Property List and Plots, Undated | |||||||||
| Box | Folder | ||||||||||
| 38 | 3 | The Color Conscious Conscience, Baylor University: Costume Renderings, 1947-1948 (8 1/2" x 11"; Gouache on Paper) | |||||||||
| 38 | 3 | The Color Conscious Conscience, Baylor University: Set Renderings, 1947-1948 (8 1/2" x 11"; Gouache on Paper) | |||||||||
| Box | Folder | ||||||||||
| 18 | 24 | The Crucible (Opera), Florentine Opera Company in Association with Peter Wolf Associates Inc, Milwaukee: Handwritten Notes and Set Renderings, 1976 | |||||||||
| 18 | 25 | The Crucible (Opera): Research, 1974 | |||||||||
| 18 | 26 | The Crucible (Opera): Milwaukee County War Memorial Performing Arts Center Theatre Specifications, 1970 | |||||||||
| 18 | 27 | The Crucible (Opera): Ground Plan and Set Elevations, 1976 March 25 | |||||||||
| 18 | 28 | The Crucible (Opera): Set Renderings, Undated | |||||||||
| Box | Folder | ||||||||||
| 131/OV1 | 3 | The Crucible, Milwaukee County War Memorial Performing Arts Center: Set Elevations, Set Renderings, and Ground Plan, 1976 (18" x 24"; Blueprint) | |||||||||
| Box | Folder | ||||||||||
| 150/OV3 | 4 | The Crucible, Centenary College: Costume Renderings and Costume Overview, 1960 | |||||||||
| Box | Folder | ||||||||||
| 18 | 29 | The Crucible (Opera): Costume Renderings, Undated | |||||||||
| 18 | 30 | Dark of the Moon, The Indiana Central Theatre: Program, 1974 November 15-23 | |||||||||
| Includes a note regarding Irene's make-up design. | |||||||||||
| 18 | 31 | DirtyWork at the Crossroads, Centenary College: Program, 1962 November 28-December 8 | |||||||||
| 18 | 32 | DirtyWork at the Crossroads, Centenary College: Costume Renderings and Notes, Undated | |||||||||
| 18 | 33 | DirtyWork at the Crossroads, Centenary College: Set Renderings and Elevations, Undated | |||||||||
| Box | Folder | ||||||||||
| 152/OV3 | 1 | Dirty Work at the Crossroads, Centenary College: Set Elevations, 1960 (8" x 20"; Graphite on Paper) | |||||||||
| 152/OV3 | 2 | Dirty Work at the Crossroads, Centenary College: Set and Costume Renderings, 1960 (23" x 14 1/2"; Ink and Watercolor on Paper) | |||||||||
| Box | Folder | ||||||||||
| 18 | 34 | Don Quixote by Arthur Fauquez, World Premiere, Centenary College: Program, Flyer, and Press Releases, 1965 November | |||||||||
| 18 | 35 | Don Quixote: Correspondence Among Publisher (Sara Spencer), Playwright (Arthur Fauquez), Orlin Corey, and Louise Yelvington, 1965-1966 | |||||||||
| 18 | 36 | Don Quixote: Research, 1965 | |||||||||
| 18 | 37 | Don Quixote: Structure, Set, and Character Analysis, Undated | |||||||||
| 18 | 38 | Don Quixote: Costume Renderings and Notes, Undated | |||||||||
| 18 | 39 | Don Quixote: Horse and Mule Renderings, Undated | |||||||||
| 18 | 40 | Don Quixote: Prop Renderings and Notes, Undated | |||||||||
| 18 | 41 | Don Quixote: Set Renderings and Notes, Undated | |||||||||
| 18 | 42 | Don Quixote: Review of Production by Director Orlin Corey, Undated | |||||||||
| Box | Folder | ||||||||||
| 153/OV3 | 7 | Don Quixote, Centenary College: Day & Night Set Renderings, 1965 (18" x 12"; Share Same Paper; Watercolor on Paper) | |||||||||
| 153/OV3 | 7 | Don Quixote, Centenary College: Set Renderings, 1965 (19" x 12"; Gouache on Rice Paper) | |||||||||
| 153/OV3 | 7 | Don Quixote, Centenary College: Set Renderings, 1965 (20" x 12"; Gouache on Rice Paper; Mounted on Board) | |||||||||
| 153/OV3 | 7 | Don Quixote, Centenary College: Costume Rendering of a Male Character, 1965 (22" x 13"; Gouache on Paper) | |||||||||
| 153/OV3 | Don Quixote, Centenary College: Research, 1965 November (Removed from Box 18, Folder 36) | ||||||||||
| 153/OV3 | 7 | Don Quixote, Centenary College: Costume Renderings, 1965 (20" x 12"; Gouache on Rice Paper; Mounted on Board) | |||||||||
| Box | Folder | ||||||||||
| 18 | 43 | Dracula, New Arts Theatre: Correspondence, 1976, 1978 | |||||||||
| Box | Folder | ||||||||||
| 19 | 1 | Electra, Centenary College (1964) and Everyman Players (1964 and 1971): Set, Makeup, Costume, Property, and Research, 1964-1971 | |||||||||
| 19 | 2 | Electra, Centenary College: Fliers and Rehearsal Schedules, 1964 February | |||||||||
| 19 | 3 | Electra: Background, Rehearsal and Structural Analysis Information, Undated | |||||||||
| 19 | 4 | Electra: Handwritten Notes on Design Concept, Undated | |||||||||
| 19 | 5 | Electra: Costume Renderings and Handwritten Notes, Undated | |||||||||
| 19 | 6 | Electra: Costume Plot, Undated | |||||||||
| 19 | 7 | Electra: Makeup Charts, Undated | |||||||||
| Some of these charts include photographs of the final makeup. | |||||||||||
| 19 | 8 | Electra: Set Model, Undated | |||||||||
| 19 | 9 | Electra: Exhibit Label, Undated | |||||||||
| Drawer | Folder | ||||||||||
| 40 | 2 | Electra, Centenary College: Makeup Renderings, 1963 (10" x 8"; Gouache on Photocopy) | |||||||||
| 40 | 2 | Electra, Centenary College: Makeup Charts, 1963 (10" x 7 1/4"; Mounted on Board; Gouache on Photocopy) | |||||||||
| 40 | 2 | Electra, Centenary College: Costume Overview, 1963 (20" x 11"; Gouache on Rice Paper) | |||||||||
| 40 | 1 | Electra, Centenary College: Makeup Photograph, 1965 (5" x 7"; Color) | |||||||||
| 40 | 1 | Electra, Centenary College: Makeup Chart with Photograph of Actor in Corresponding Makeup, 1965 (10" x 8"; Matted Together) | |||||||||
| Box | Folder | ||||||||||
| 154/OV3 | 1 | Electra, Centenary College: Set, Makeup, Costume, and Prop Research, 1964, 1971 (Removed from Box 19, Folder 1) | |||||||||
| 154/OV3 | 2 | Electra, Centenary College: Costume Plot (11" x 17 1/4"; Ink and Graphite on Paper) | |||||||||
| 154/OV3 | 3-12 | Electra, Centenary College: Costume Renderings, 1963 (23 1/2" x 14 1/2"; All Matted but One; Gouache on Rice Paper) | |||||||||
| Box | Folder | ||||||||||
| 132 | 4 | The Fantasticks, Dallas Summer Musicals: Flag, Flame, and Torch Prop Renderings, 1977 (10" x 6"; Gouache on Board) | |||||||||
| 132 | 4 | The Fantasticks, Dallas Summer Musicals: Prop Rendering, 1977 (11" x 3 3/4"; Gouache on Board) | |||||||||
| 132 | 4 | The Fantasticks, Dallas Summer Musicals: Prop Box Elevations, 1977 (3" x 2 1/2" and 3" x 4 12"; Painted on Same Board, Gouache) | |||||||||
| 132 | 4 | The Fantasticks, Dallas Summer Musicals: Set Elevations, 1977 (2 Elevations Sized 4" x 3" and 2 Elevations Sized 4" x 4"; Painted on Same Board; Gouache) | |||||||||
| Box | Folder | ||||||||||
| 19 | 10 | Fantasticks, Dallas Summer Musicals: Expenses, 1977 Summer | |||||||||
| 19 | 11 | Ghosts, Centenary College: Rehearsal Schedule, Cast List, and Newspaper Photograph, 1967 | |||||||||
| 19 | 12 | Ghosts: Handwritten Notes on Design Approach for Play, Undated | |||||||||
| 19 | 13 | Ghosts: Costume Renderings, Undated | |||||||||
| 19 | 14 | Ghosts: Property Lists, Undated | |||||||||
| 19 | 15 | Ghosts: Set Renderings, Undated | |||||||||
| Box | Folder | ||||||||||
| 155/OV3 | 1 | Ghosts, Centenary College: Set Photograph, 1967 (10 1/2" x 23"; Black and White) | |||||||||
| Box | Folder | ||||||||||
| [Golden Boy, Great God Brown, Green Grow the Lilacs]/OV2 | 6 | Golden Boy, Baylor University: Set Renderings, 1946-1947 (10 1/2" x 16 1/2"; Matted; Ink and Watercolor on Paper) | |||||||||
| [Golden Boy, Great God Brown, Green Grow the Lilacs]/OV2 | 6 | Golden Boy, Baylor University: Costume Rendering of a Male Character, 1946-1947 (10 1/2" x 7 1/4"; Ink and Watercolor on Paper) | |||||||||
| [Golden Boy, Great God Brown, Green Grow the Lilacs]/OV2 | Golden Boy, Baylor University: Younger Mr. Bonaparte Costume Rendering, 1946-1947 (11 1/4" x 8 1/2"; Matted; Ink and Watercolor on Paper) | ||||||||||
| [Golden Boy, Great God Brown, Green Grow the Lilacs]/OV2 | 6 | Golden Boy, Baylor University: Anna Costume Rendering, 1946-1947 (10" x 7 1/4"; Matted; Ink and Watercolor on Paper) | |||||||||
| [Golden Boy, Great God Brown, Green Grow the Lilacs]/OV2 | 6 | Golden Boy, Baylor University: Siggie Costume Rendering, 1946-1947 (8 3/4" x 11 1/4"; Matted; Ink and Watercolor on Paper) | |||||||||
| Box | Folder | ||||||||||
| 19 | 16 | The Glass Menagerie: Handwritten Set Notes, Undated | |||||||||
| 19 | 17 | Go Out Singing, First United Methodist Church: Programs and Correspondence, 1979 October, 1980 November | |||||||||
| Costume designs by Irene Corey. | |||||||||||
| 19 | 18 | Go Out Singing: Costume Renderings and Handwritten Notes, Undated | |||||||||
| 19 | 19 | Go Out Singing: Expenses, 1979 | |||||||||
| 19 | 20 | Godspell, Reunion Theatre: Program, Reviews, and Contact Sheet, 1974 (2 Typescript copies) | |||||||||
| This production was designed by Irene Corey and John Barr. | |||||||||||
| 19 | 21 | The Great Cross Country Race or The Hare and the Tortoise, Everyman Players: Newspaper Articles and Flyer, 1967, 1970-1973 | |||||||||
| Everyman Players marked this production as The Tortoise and the Hare. | |||||||||||
| 19 | 22 | The Great Cross Country Race, Everyman Players: Makeup Charts Used by Cast, Undated | |||||||||
| 19 | 23 | The Great Cross Country Race, Everyman Players: Set Renderings, Undated | |||||||||
| 19 | 24 | The Great Cross Country Race, Everyman Players: Set Model, Undated | |||||||||
| 19 | 25 | The Great Cross Country Race, Everyman Players: Scene Locations and Play Titles Translated into Chinese, Dutch, French, Russian, Italian, and Unidentified, Undated | |||||||||
| 19 | 26 | The Great Cross Country Race, Everyman Players: Tour Pack Inventory, Costumes, and Props, Undated | |||||||||
| 19 | 27 | The Great Cross Country Race, Everyman Players: Badger Costume Construction Instructions, Undated | |||||||||
| 19 | 28 | The Great Cross Country Race, Everyman Players: Dog Costume Construction Instructions, Undated | |||||||||
| 19 | 29 | The Great Cross Country Race, Everyman Players: Hare Costume Construction Instructions, Undated | |||||||||
| 19 | 30 | The Great Cross Country Race, Everyman Players: Hedgehog Costume Construction Instructions, Undated | |||||||||
| 19 | 31 | The Great Cross Country Race, Everyman Players: Rabbit Costume Construction Instructions, Undated | |||||||||
| 19 | 32 | The Great Cross Country Race, Everyman Players: Rat Costume Construction Instructions, Undated | |||||||||
| 19 | 33 | The Great Cross Country Race, Everyman Players: Rook Costume Construction Instructions, Undated | |||||||||
| 19 | 34 | The Great Cross Country Race, Everyman Players: Squirrel Costume Construction Instructions, Undated | |||||||||
| 19 | 35 | The Great Cross Country Race, Everyman Players: Tortoise Costume Construction Instructions, Undated | |||||||||
| 19 | 36 | The Great Cross Country Race, Everyman Players: Unidentified Character Costume Construction Instructions, Undated | |||||||||
| 19 | 37 | The Great Cross Country Race, Everyman Players: Set Elevations, Undated (Assorted sizes) | |||||||||
| 19 | 38 | The Great Cross Country Race, Everyman Players: Bramble Boxes Set Construction Instructions, Undated | |||||||||
| 19 | 39 | The Great Cross Country Race, Everyman Players: Poster Plan with Instructions, Undated | |||||||||
| 19 | 40 | The Great Cross Country Race, University of New Hampshire Theatre for Children: Program, Correspondence, and Cast Lists, 1968 October | |||||||||
| 19 | 41 | The Great Cross Country Race, University of New Hampshire Theatre for Children: Floor Plan, Set Renderings, and Elevations, Undated | |||||||||
| 19 | 42 | The Great Cross Country Race: Makeup Workshop and Costume Rental, 1978-1979 | |||||||||
| 19 | 43 | The Great Cross Country Race, Kaufman County Community Theatre: Program, 1979 | |||||||||
| 19 | 44 | The Great Cross Country Race: Correspondence Regarding Rental of Costumes to Southwest Texas State University, 1979 | |||||||||
| Box | Folder | ||||||||||
| 142/OV2 | 2 | The Great Cross Country Race, University of New Hampshire Theatre for Youth: Set Elevations, 1968 (12" x 18"; Ink and Graphite on Paper) | |||||||||
| 142/OV2 | 7 | The Great Cross Country Race, Centenary College: Character Makeup and Wig Overview, Undated (10" x 14 1/2"; Ink on Paper) | |||||||||
| 142/OV2 | 7 | The Great Cross Country Race, Centenary College: Costume Process Drawings, Undated (18" x 12"; Graphite on Paper) | |||||||||
| 142/OV2 | 7 | The Great Cross Country Race, Centenary College: Mrs. Warren Makeup Chart, Undated (10" x 8"; Gouache on Board) | |||||||||
| 142/OV2 | 7 | The Great Cross Country Race, Centenary College: Assorted Character Makeup Charts, Undated (11" x 8 1/2"; Gouache on Photocopy) | |||||||||
| 142/OV2 | 7 | The Great Cross Country Race, Centenary College: Costume Renderings, Undated (10" x 14 1/2"; Ink on Board) | |||||||||
| 142/OV2 | 7 | The Great Cross Country Race, Centenary College: Makeup Renderings, Undated (10" x 14 1/2"; Ink on Board) | |||||||||
| 142/OV2 | 1 | The Great Cross Country Race: "Community Theater Play,"The Journal Star, 1971 October 11 | |||||||||
| Box | Folder | ||||||||||
| 95 | 1 | The Great Cross Country Race: "Everyman Players... Shake Forrest City with Great Race Production,"Forrest City Times Herald, 1971 October 29 | |||||||||
| Box | |||||||||||
| 142/OV2 | The Great Cross Country Race: Poster Plan with Instructions, Undated (Removed from Box 19, Folder 39) | ||||||||||
| 142/OV2 | 7 | The Great Cross Country Race, Centenary College: Mask Construction Instructions, Undated (Assorted Sizes; Ink on Paper) | |||||||||
| Box | Folder | ||||||||||
| [Golden Boy, Great God Brown, Green Grow the Lilacs]/OV2 | 1 | Great God Brown, Centenary College: Mask Pieces, 1967 (Ink and Colored Pencil on Paper) | |||||||||
| [Golden Boy, Great God Brown, Green Grow the Lilacs]/OV2 | 2 | Great God Brown, Centenary College: Workbook for Concepts and Plans for Masks, 1967 (12" x 18"; Ink on Paper) | |||||||||
| Box | Folder | ||||||||||
| 19 | 45 | Great God Brown, Centenary College: Program, 1967 February | |||||||||
| Drawer | Folder | ||||||||||
| 41 | 3 | Green Grow the Lilacs, Baylor University: Student Set Rendering, 1947 (10 3/4" x 19"; Gouache on Gray Paper) | |||||||||
| 41 | 3 | Green Grow the Lilacs, Baylor University: Student Set Rendering, 1947 (10 3/4" x 19 1/4"; Matted; Gouache on Gray Paper) | |||||||||
| Box | Folder | ||||||||||
| [Golden Boy, Great God Brown, Green Grow the Lilacs]/OV2 | 3 | Green Grow the Lilacs, Baylor University: Haystack Scene Student Set Rendering, 1947 (10" x 18 1/4"; Matted; Gouache on Paper) | |||||||||
| [Golden Boy, Great God Brown, Green Grow the Lilacs]/OV2 | 3 | Green Grow the Lilacs, Baylor University: Adult Eller's Living Room and Laurie's Bedroom Student Set Rendering, 1947 (11" x 17"; Gouache on Gray Paper) | |||||||||
| Box | Folder | ||||||||||
| 131/OV1 | 5 | Hedda Gabler, Georgetown College: Set Photograph, 1956 (Color) | |||||||||
| Box | Folder | ||||||||||
| 19 | 46 | Henry IV, Southern Methodist University (SMU): Program, Contact Sheet, and Rehearsal Schedules, 1990 February-March | |||||||||
| 19 | 47 | Henry IV, SMU: Research, Undated | |||||||||
| 19 | 48 | Henry IV, SMU: Handwritten Costume Notes, Undated (Typescript Copy) | |||||||||
| 19 | 49 | Henry IV, SMU: Budget Notes, Undated | |||||||||
| Box | Folder | ||||||||||
| 20 | 1 | Henry IV, SMU: Costume Chart and Property/Costume Shop Check-Out List, 1990 January | |||||||||
| 20 | 2 | Henry IV, SMU: Costume Notes and Plot, Undated | |||||||||
| 20 | 3 | Henry IV, SMU: Costume Renderings, Undated (Some with Fabric Swatches) | |||||||||
| 20 | 4 | Henry IV, SMU: Costume Measurement Charts, 1989 November | |||||||||
| 20 | 5 | Henry V, Centenary College: Program, 1966 May | |||||||||
| 20 | 6 | Henry V: Research, Undated | |||||||||
| Includes A Book of Armour. | |||||||||||
| 20 | 7 | Henry V: Prop Renderings with Handwritten Notes, Undated | |||||||||
| 20 | 8 | Henry V: Set Research, Undated | |||||||||
| 20 | 9 | Henry V: Set Renderings and Handwritten Notes, Undated | |||||||||
| 20 | 10 | Henry V: Set Model, Undated | |||||||||
| 20 | 11 | Henry V: Costume Notes, Undated | |||||||||
| 20 | 12 | Henry V: Costume Renderings with Handwritten Notes, General Characters, Undated | |||||||||
| 20 | 13 | Henry V: Costume Renderings with Handwritten Notes, English Characters, Undated | |||||||||
| 20 | 14 | Henry V: Costume Renderings with Handwritten Notes, French Characters, Undated | |||||||||
| Drawer | |||||||||||
| 41 | Henry V, Centenary College: Set and Costume Rendering Panels, 1966 (Panels Sized 40" x 7 1/2", 18" x 7 1/2", and 15" x 7 1/2"; Mounted on Continuous Fabric Scroll; Folds Along Panel Edges; Gouache on Board) | ||||||||||
| Box | Folder | ||||||||||
| 155/OV3 | 2 | Henry V, Centenary College: Set Elevations with Handwritten Notes, 1966 (14" x 16 1/2"; Graphite and Ink on Paper) | |||||||||
| 155/OV3 | 3 | Henry V, Centenary College: French Characters, 1966 (Removed from Box 20, Folder 14) | |||||||||
| Box | Folder | ||||||||||
| 20 | 15 | Henry V: Renderings for Men's Hats, Jewelry, and Belts, Undated | |||||||||
| 20 | 16 | Houston Christmas Pageant, First Baptist Church, 1980 December | |||||||||
| Box | Folder | ||||||||||
| 131/OV1 | 7 | John Henry, Georgetown College: Set Renderings, 1955 (11" x 17 3/4"; Gouache on Paper) | |||||||||
| 131/OV1 | 6 | John Henry, Georgetown College: Costume Renderings, 1955 (9" x 5 1/2"; Gouache on Paper) | |||||||||
| Renderings include the following characters: Lizzie, Captain, Bad Bill, and Hell Buster Harry. | |||||||||||
| Box | Folder | ||||||||||
| 20 | 17 | John Henry, Georgetown College's British Tour: Newspaper Articles, 1958 | |||||||||
| Drawer | Folder | ||||||||||
| 42 | 2 | Macbeth, Georgetown College: Costume and Set Renderings, 1954 | |||||||||
| Box | Folder | ||||||||||
| 20 | 18 | Macbeth, Asolo Touring Theatre: Mask and Costume Notes, 1979 (Typescript Copy with Scene Breakdown) | |||||||||
| Box | |||||||||||
| 133/OV1 | Macbeth, Asolo Touring Company: Costume and Mask Renderings, 1979 | ||||||||||
| Box | Folder | ||||||||||
| 134 | 1 | The Magic Garden, Georgetown College: Costume and Set Renderings and Poster draft, 1956 | |||||||||
| 134 | 2 | The Magic Garden, Georgetown College: Costume renderings, 1956 | |||||||||
| Box | Folder | ||||||||||
| 20 | 19 | Major Barbara, Centenary College: Set Model, 1963 | |||||||||
| 20 | 20 | Major Barbara: Set Renderings and Handwritten Notes, Undated | |||||||||
| Box | Folder | ||||||||||
| 134 | 3 | Major Barbara, Centenary College: Costume Renderings, 1963 | |||||||||
| 134 | 4 | Major Barbara, Centenary College: Set Renderings | |||||||||
| Box | Folder | ||||||||||
| 20 | 21 | Major Barbara: Costume Renderings and Handwritten Notes, Undated | |||||||||
| 20 | 22 | The Merry Wives of Windsor, Centenary College: Program, 1961 February | |||||||||
| Box | Folder | ||||||||||
| 131/OV1 | 6 | Merry Wives of Windsor, Georgetown College: Costume and Set Renderings, 1960-1961 | |||||||||
| Box | Folder | ||||||||||
| 20 | 23 | A Midsummer Night's Dream, Centenary College: Program, Newspaper Articles, 1963 March | |||||||||
| 20 | 24 | A Midsummer Night's Dream: Handwritten Notes on Design Approach for Play, Undated | |||||||||
| 20 | 25 | A Midsummer Night's Dream: Color Costume Renderings and Costume Plot, Undated | |||||||||
| 20 | 26 | A Midsummer Night's Dream: Set Renderings and Elevations, Undated | |||||||||
| MapCase | |||||||||||
| Design: Theatrical | A Midsummer Night's Dream, Centenary College: Costume Renderings, 1963 | ||||||||||
| Box | Folder | ||||||||||
| 155/OV3 | 6 | A Midsummer Night's Dream, Centenary College: Set Rendering, 1963 (14" x 16 3/4"; Graphite on Paper) | |||||||||
| 155/OV3 | 5 | A Midsummer Night's Dream, Centenary College: Costume Plot, 1963 (18" x 12"; Colored Pencil, Graphite, and Ink on Paper) | |||||||||
| MapCase | Folder | ||||||||||
| Design: Theatrical | 3 | A Midsummer Night's Dream, Centenary College: Costume Renderings, Set Renderings, and Set Elevation, 1963 | |||||||||
| Box | Folder | ||||||||||
| 155/OV3 | 4 | A Midsummer Night's Dream: Newspaper Articles, 1963 March 10-15 (Removed from Box 20, Folder 23) | |||||||||
| Box | Folder | ||||||||||
| 20 | 27 | Miracles, Belmont College, Outdoor Theatre Production: Program, Brochures, Audition Flyer, Newspaper Articles, and Correspondence, 1978 Summer | |||||||||
| 20 | 28 | Miracles: Design Notes, 1977 (Typescript copy) | |||||||||
| 20 | 29 | Miracles: Costume Renderings and Handwritten Notes, Undated | |||||||||
| 20 | 30 | Miracles: Prop List, Undated | |||||||||
| 20 | 32 | Miracles: Expenses, 1978 | |||||||||
| 20 | 31 | Miracles: Tennessee Arts Commission Grant Proposal, 1977 May 20 | |||||||||
| Drawer | Folder | ||||||||||
| 45 | 1 | Miracles, Belmont College, Nashville, Tennessee: Costume Renderings, 1978 | |||||||||
| Box | Folder | ||||||||||
| 140/OV1 | 6 | Miracles: Newspaper Articles, 1978 (Removed from Box 20, Folder 27) | |||||||||
| Box | Folder | ||||||||||
| 155/OV3 | 7 | The Miser, Centenary College: Costume and Set Renderings and Photographs, circa 1960 | |||||||||
| Box | Folder | ||||||||||
| 21 | 1 | Much Ado About Nothing, Centenary College: Notes about Costumes, Casting, and Sets, circa 1960 | |||||||||
| 21 | 2 | Much Ado About Nothing: Published Script with Cuts, Undated | |||||||||
| 21 | 3 | Much Ado About Nothing: Set Renderings, Undated | |||||||||
| Drawer | Folder | ||||||||||
| 45 | 3 | Much Ado About Nothing, Centenary College: Costume and Set Renderings and Set Elevations, 1968 | |||||||||
| Box | |||||||||||
| 135/OV1 | Much Ado About Nothing, Centenary College: Costume Renderings Mounted on Cloth, 1968 | ||||||||||
| Box | Folder | ||||||||||
| 21 | 4 | Much Ado About Nothing: Hat and Mask Renderings and Handwritten Notes, Undated | |||||||||
| 21 | 5 | Murder in the Cathedral, Centenary College: Program, 1960 November | |||||||||
| 21 | 6 | Murder in the Cathedral: Research, Undated | |||||||||
| Box | Folder | ||||||||||
| 156/OV3 | 1 | Murder in the Cathedral, Centenary College: Research, 1960 | |||||||||
| Box | Folder | ||||||||||
| [Golden Boy, Great God Brown, Green Grow the Lilacs]/OV2 | 6 | Golden Boy, Baylor University: Older Mr. Bonaparte Costume Rendering, 1946-1947 (9 3/4" x 6 1/2"; Matted; Ink and Watercolor on Paper) | |||||||||
| Box | Folder | ||||||||||
| 21 | 7 | Murder in the Cathedral: Set Renderings, 1956 | |||||||||
| Box | Folder | ||||||||||
| 156/OV3 | 2 | Murder in the Cathedral, Centenary College: Set Renderings, 1960 (4 Renderings Matted with Captions; 5 Costume Renderings 22 1/4" x 12 1/2", Gouache on Paper; 1 Costume Rendering 22 1/2" x 15", Gouache on Board; 1 Costume Overview 22" x 15", Gouache and Ink on Paper; 1 Set Rendering 11 1/4" x 20"; 1 Photograph with Mat 10" x 8") | |||||||||
| 156/OV3 | 3 | Murder in the Cathedral, Costume Renderings: Knights, Undated | |||||||||
| 156/OV3 | 4 | Murder in the Cathedral, Costume Renderings | |||||||||
| 156/OV3 | 5 | Murder in the Cathedral, Costume Renderings: Templars | |||||||||
| Box | Folder | ||||||||||
| 21 | 8 | Narcissus et Toad, Florida State University Dance Touring Theatre: Theatre Fliers and Correspondence, 1978 | |||||||||
| Box | Folder | ||||||||||
| 143/OV2 | 1 | Narcissus Et Toad: Costume Renderings with Handwritten Notes, Undated | |||||||||
| Box | Folder | ||||||||||
| 21 | 9 | Narcissus et Toad: Costume Renderings and Handwritten Notes, Undated | |||||||||
| 21 | 10 | The Night Before Christmas, The Dallas Metropolitan Ballet: Props and Makeup Renderings and Handwritten Notes, 1978 December | |||||||||
| Drawer | Folder | ||||||||||
| 51 | 2 | The Peace Gimmick, Centenary College: Set Renderings and Elevations, 1962 (4 Set Renderings Matted Together, 3 1/2" x 7 3/4", Ink and Watercolor on Paper; 5 Set Elevations 16" x 14"; 1 Elevation 23" x 14"; 1 Elevation 9" x 2", Graphite on Paper) | |||||||||
| Box | Folder | ||||||||||
| 21 | 11 | Peace Gimmick, Centenary College: Set Renderings, Handwritten Notes, and Research, 1962 | |||||||||
| 21 | 12 | Pilgrim's Progress, Everyman Players: Handwritten Notes Regarding Design Approach to the Play, 1970, 1973 | |||||||||
| 21 | 13 | Pilgrim's Progress: Musical Correlations, Notes, and Correspondence with Composer Johan Franco, 1969 | |||||||||
| 21 | 14 | Pilgrim's Progress: Character List with Renderings of Faces, Undated | |||||||||
| 21 | 15 | Pilgrim's Progress: Newspaper Articles and Fliers, 1973 | |||||||||
| 21 | 16 | Pilgrim's Progress: Costume Renderings and Handwritten Notes, Undated | |||||||||
| 21 | 17 | Pilgrim's Progress: Property Renderings and Handwritten Notes, Undated | |||||||||
| 21 | 18 | Pilgrim's Progress: Set Renderings, Handwritten Notes, and Letter from Set and Technical Adviser James Hull Miller, 1969 | |||||||||
| 21 | 19 | Pilgrim's Progress, Everyman Players, First Baptist Church of Shreveport, Louisiana: Flyer, Program, Advertisement, and List of Phone Numbers, 1970 February 15-17 | |||||||||
| Box | Folder | ||||||||||
| 157/OV3 | 1-4 | Pilgrim's Progress, Everyman Players: Costume and Set Renderings, 1973 (18" x 23 1/2"; Gouache on Paper) | |||||||||
| 157/OV3 | 5 | Pilgrim's Progress, Everyman Players: Press release poster | |||||||||
| 157/OV3 | 6 | Pilgrim's Progress, Everyman Players, Broadway Baptist Church of Fort Worth, Texas: Poster, 1973 February 11-15 | |||||||||
| Drawer | Folder | ||||||||||
| 51 | 3 | Pilgrim's Progress, Everyman Players: Set and Prop Elevations, 1973 (9 Elevations 24" x 18"; 1 Elevation 18 1/2" x 11 1/2"; Graphite on Paper) | |||||||||
| 51 | 5 | The Prisoner, Centenary College: Set Rendering, circa 1960 (13" x 25 1/2"; Ink and Gouache on Paper) | |||||||||
| Box | Folder | ||||||||||
| 21 | 21 | Private Lives, New Arts Theatre: Program, 1977 January | |||||||||
| 21 | 22 | Private Lives: Makeup Renderings, Undated | |||||||||
| 21 | 23 | Quilters, Stage #1, Dallas: Newspaper Article and Contact Sheet, 1983 December-1984 January | |||||||||
| Consultant for costume and quilt design. | |||||||||||
| 21 | 24 | Quilters: Handwritten Notes and Expenses, 1983 September | |||||||||
| 21 | 25 | Quilters: Quilt Square Patterns and Material Swatches, Undated | |||||||||
| 21 | 26 | Reynard the Fox: "Kentucky Lake's Funny Fox,"The Courier-Journal Magazine, 1965 July 25 | |||||||||
| 21 | 26 | Reynard the Fox, Everyman Players: Newspaper Articles and Review, 1962, 1964-1965 | |||||||||
| 21 | 27 | Reynard the Fox: Correspondence with Publisher (Sara Spencer), 1960-1961 | |||||||||
| 21 | 28 | Reynard the Fox: Costume Renderings and Handwritten Notes, Undated | |||||||||
| 21 | 29 | Reynard the Fox: Costume Measurement Charts, Undated | |||||||||
| 21 | 30 | Reynard the Fox: Makeup Renderings and Instructions for Applying Makeup, Undated | |||||||||
| 21 | 31 | Reynard the Fox: Makeup and Costume Instructions and Drawings for Published Anchorage Press Script with Revision Pages, Undated (Original Typescript) | |||||||||
| 21 | 32 | Reynard the Fox: Set Renderings and Handwritten Notes, Undated | |||||||||
| 21 | 33 | Reynard the Fox: Prop List, Undated | |||||||||
| 21 | 34 | The Rivalry, Centenary College: Program, 1961 March | |||||||||
| MapCase | Folder | ||||||||||
| Design: Theatrical | 2 | Reynard the Fox, Centenary College: Lion Poster, Model for Lion in Reynard, 1962 (36" x 24") | |||||||||
| Box | Folder | ||||||||||
| 157/OV3 | 7 | Reynard the Fox: Reynard Costume and Makeup Photographs and Allen Shaffer Photograph, Undated (Black and White) | |||||||||
| 157/OV3 | 8 | Reynard the Fox, Centenary College: Costume, Makeup and Set Renderings, 1962 | |||||||||
| 157/OV3 | 9 | Reynard the Fox: "Foxy Hero Flies High,"The Nashville Tennessean, 1964 September 20 | |||||||||
| 157/OV3 | 10 | The Rivalry, Centenary College: Costume Renderings and Photograph, 1961 (4 Costume Renderings with Mat, 14 1/2" x 19", 14 3/4" x 10 1/4", Ink and Watercolor on Paper; Costume Photograph Mounted on Board, 10" x 8") | |||||||||
| Box | Folder | ||||||||||
| 21 | 35 | The Rivalry: Costume Handwritten Notes and Costume Chart for Mrs. Douglas, Undated (Includes Fabric Swatches) | |||||||||
| 21 | 36 | Romans by Saint Paul, Everyman Players, 1963, 1964, 1966, 1968-1971, 1977-1980 (Typescript Mimeo) | |||||||||
| 21 | 37 | Romans by Saint Paul: Blocking Notes, Undated | |||||||||
| 21 | 38 | Romans by Saint Paul: Publicity Flyer, Undated | |||||||||
| 21 | 39 | Romans by Saint Paul, Marjorie Lyons Playhouse: Program, 1964 | |||||||||
| 21 | 40 | Romans by Saint Paul: Articles, 1964, 1971 | |||||||||
| 21 | 41 | Romans by Saint Paul: Research, 1958, Undated | |||||||||
| 21 | 42 | Romans by Saint Paul: Makeup Charts and Notes, Undated | |||||||||
| MapCase | Folder | ||||||||||
| Design: Theatrical | 4 | Romans by St. Paul, Everyman Players: Makeup and Costume Renderings and Photographs, 1963 October (3 Mounted Makeup Renderings, 8" x 5 1/2", Ink and Colored Pencil on Photocopy; 14 Renderings with Notes, Graphite and Crayon on Paper; 1 Matted Costume Photograph with Quote, 13" x 10"; 2 Color Photographs Mounted Together, 8" x 10") | |||||||||
| Box | Folder | ||||||||||
| 131/OV1 | 8 | Romans by St. Paul, Everyman Players: Photograph, 1963 | |||||||||
| Box | Folder | ||||||||||
| 22 | 1 | Royal Hunt of the Sun, Memphis State University: Program, Newspaper Articles, Contract, and Poster, 1981 February-March | |||||||||
| 22 | 2 | Royal Hunt of the Sun: Research, Undated | |||||||||
| 22 | 3 | Royal Hunt of the Sun: Correspondence and Notes from Cast and Crew, 1980-1981 | |||||||||
| 22 | 4 | Royal Hunt of the Sun: Scene Breakdown with Prop List, Undated | |||||||||
| 22 | 5 | Royal Hunt of the Sun: Prop Renderings, Including Inca Designs and Masks, Undated | |||||||||
| 22 | 6 | Royal Hunt of the Sun: Paper Patterns for Design Elements, Undated | |||||||||
| 22 | 7 | Royal Hunt of the Sun: Costume Renderings and Handwritten Notes, Undated | |||||||||
| 22 | 8 | Royal Hunt of the Sun: Jewelry and Headress Renderings, Undated | |||||||||
| 22 | 9 | Royal Hunt of the Sun: Notebook with Handwritten Notes about Designs, Undated | |||||||||
| Box | Folder | ||||||||||
| 144/OV2 | 1 | Royal Hunt of the Sun, Memphis State University: Costume and Set Renderings, 1981 (16 Costume Renderings, 18" x 12", Ink, Gouache and Colored Pencil on Black Board; Set Renderings, Graphite on Paper; 1 Floor Plan, 11" x 11 1/2", Graphite on Paper; 1 Costume Rendering, 15" x 7", Colored Pencil on Black Paper) | |||||||||
| Box | Folder | ||||||||||
| 22 | 10 | Royal Hunt of the Sun: Hair and Makeup Notes, Undated | |||||||||
| Box | Folder | ||||||||||
| 144/OV2 | 13 | Royal Hunt of the Sun, Memphis State University: Poster, Undated | |||||||||
| 144/OV2 | 14 | Royal Hunt of the Sun, Memphis State University: "Big-Budget Spectacle Rates Top Designer,"Helmsman, 1981 February 17 | |||||||||
| 144/OV2 | 15 | Royal Hunt of the Sun Newspaper Article: "More for the Little Theatre,"The Commercial Appeal, 1981 February 15 | |||||||||
| 144/OV2 | Royal Hunt of the Sun: Newspaper Articles and Poster, 1981 (Removed from Box 22, Folder 1) | ||||||||||
| Box | Folder | ||||||||||
| 22 | 11 | Sly Fox, Dallas Theater Center: Newspaper Articles and Program, 1980 March-April | |||||||||
| 22 | 12 | Sly Fox: Published Playscript with Some Annotations, Undated | |||||||||
| 22 | 13 | Sly Fox: Costume Notes, Undated | |||||||||
| 22 | 14 | Sly Fox: Expenses, 1980 April 5 | |||||||||
| Box | |||||||||||
| 136/OV1 | Sly Fox, Dallas Theatre Center: Costume renderings, fabric swatches, and costume plots, 1980 (16" x 12"; Pastel and Ink on Paper) | ||||||||||
| Box | Folder | ||||||||||
| 22 | 15 | Taming of the Shrew, Centenary College: Costume Renderings and Handwritten Notes, circa 1960 | |||||||||
| Box | |||||||||||
| 160/OV3 | The Taming of the Shrew, Centenary College: Costume Renderings, circa 1960 (14 1/2" x 23 1/4"; Ink and Gouache on Paper) | ||||||||||
| Meant to be view sequentially. | |||||||||||
| Box | Folder | ||||||||||
| 22 | 16 | Taming of the Shrew: Costume Thumbnail Sketch, Undated | |||||||||
| 22 | 17 | Taming of the Shrew, Florida State University: Program, 1976 | |||||||||
| 22 | 18 | Taming of the Shrew: Correspondence, 1975-1976 | |||||||||
| 22 | 19 | Taming of the Shrew: Set Renderings, Stock Inventory, and Handwritten Notes, Undated | |||||||||
| 22 | 20 | Taming of the Shrew: Set and Property Renderings and Handwritten Notes, Undated | |||||||||
| 22 | 21 | Taming of the Shrew: Costume Renderings and Handwritten Notes, Undated (Includes Fabric Swatches) | |||||||||
| Box | |||||||||||
| 161/OV1 | The Taming of the Shrew, Florida State University: Costume Renderings, 1979 (30 Renderings, 16" x 7", Ink and Gouache on Paper with Graphite Notations; 6 Renderings Matted Together with Fabric Swatches, Ink and Gouache on Board) | ||||||||||
| Box | |||||||||||
| 162/OV1 | The Taming of the Shrew, Florida State University: Costume Renderings | ||||||||||
| Drawer | Folder | ||||||||||
| 54 | 4 | The Taming of the Shrew, Florida State University: Set Renderings, 1979 (18" x 24", Blueprint; 1 Theatre Cross Section, 25" x 24", Blueprint) | |||||||||
| Box | Folder | ||||||||||
| 22 | 22 | Tartuffe, Horse Cave Theatre: Program, 1978 June | |||||||||
| Irene is listed as Design Consultant. | |||||||||||
| 22 | 23 | The Tempest, Everyman Players: Newspaper Article, 1972 | |||||||||
| 22 | 24 | The Tempest, Everyman Players: Research, Undated | |||||||||
| 22 | 25 | The Tempest, Everyman Players: Set Renderings and Handwritten Notes, Undated | |||||||||
| 22 | 26 | The Tempest, Everyman Players: Set Elevations, Undated | |||||||||
| 22 | 27 | The Tempest, Everyman Players: Costume Renderings and Handwritten Notes, 1972 | |||||||||
| 22 | 28 | The Tempest, Everyman Players: Costume Charts, Handwritten Notes, and Fabric Swatches, Undated | |||||||||
| 22 | 30 | The Tempest, Everyman Players: Expenses, 1972 | |||||||||
| 22 | 31 | The Tempest, Nashville Children's Theatre: Program, Newspaper Articles, and Reviews, 1991 September-October | |||||||||
| Box | Folder | ||||||||||
| 146/OV2 | 1 | The Tempest, Nashville Children's Theatre: Costume Renderings, 1991 | |||||||||
| 146/OV2 | 2 | The Tempest, Individual Costume Renderings, circa 1960 (Overview, 8" x 10", Ink and Mixed Media on Paper; Renderings, 11" x 8") | |||||||||
| 146/OV2 | 3 | The Tempest, Everyman Players: Set Elevations, 1972 (17" x 4"; Graphite on Paper) | |||||||||
| 146/OV2 | 4 | The Tempest, Costume charts and set renderings, circa 1960 (Gouache on Paper) | |||||||||
| 146/OV2 | 5 | Papercut collage artwork of Tempest characters | |||||||||
| Box | Folder | ||||||||||
| 22 | 32 | The Tempest, Nashville Children's Theatre: Correspondence, Expenses, and Handwritten Notes, 1990-1991 | |||||||||
| Box | Folder | ||||||||||
| 23 | 1 | The Towers of the Brazos, Baylor University: Brochure and Program, 1982 February | |||||||||
| 23 | 2 | The Towers of the Brazos: Stationary and Folder, Undated | |||||||||
| 23 | 3 | The Towers of the Brazos: Newspaper and Magazine Articles, 1980-1982 | |||||||||
| 23 | 4 | Towers Over Texas by Orlin Corey, 1980 (Typescript Copy with Production Notes) | |||||||||
| This piece was later titled The Towers of the Brazos. | |||||||||||
| 23 | 5 | The Towers of the Brazos: List of Actors by Actor Number, Undated | |||||||||
| 23 | 6 | The Towers of the Brazos: Sequence and Character Breakdown, Undated | |||||||||
| 23 | 7 | The Towers of the Brazos: Rehearsal Schedules and Contact Sheets, 1981-1982 | |||||||||
| 23 | 8 | The Towers of the Brazos: Preliminary Properties List and Handwritten Notes, Undated | |||||||||
| 23 | 9 | The Towers of the Brazos: Prop List with Handwritten Notes, Undated | |||||||||
| 23 | 10 | The Towers of the Brazos: Set Renderings, Elevations, and Construction Plans, 1981 | |||||||||
| 23 | 11 | The Towers of the Brazos: Supply Sources, Undated | |||||||||
| 23 | 12 | The Towers of the Brazos: Flyloft Plot, Patch Schedule, Circuit Schedule, and Seating Chart, Undated | |||||||||
| 23 | 13 | The Towers of the Brazos: Projections, Correspondence, and Notes, Undated | |||||||||
| 23 | 14 | The Towers of the Brazos: Projection Design Plots, Undated | |||||||||
| Box | Folder | ||||||||||
| 159/OV3 | 2 | The Towers of the Brazos: Projection and design plot renderings, Undated | |||||||||
| 159/OV3 | 1 | The Towers of the Brazos: "Search for the Past: Quest for Period Props for 'Towers' Becomes Trek through Times,"Waco Tribune-Herald, 1982 January 31 | |||||||||
| Box | Folder | ||||||||||
| 23 | 15 | The Towers of the Brazos: Projection Renderings, Undated | |||||||||
| 23 | 16 | Twelfth Night, University of Arkansas: Cast List and Costume Design Notes, 1983 | |||||||||
| Box | |||||||||||
| 147/OV2 | Twelfth Night, University of Arkansas: costume designs, costume charts with fabric swatches, 1983 | ||||||||||
| Box | Folder | ||||||||||
| 23 | 17 | Twelve Days of Christmas, First Baptist Church, Houston, Texas: Costume Renderings and Handwritten Notes, 1981 December | |||||||||
| 23 | 18 | Under Milkwood, Centenary College: Notes Regarding Design Concept, 1967 | |||||||||
| 23 | 19 | Under Milkwood: Research, 1966 | |||||||||
| 23 | 20 | Under Milkwood: Scene Breakdown and Character Analyses, Undated | |||||||||
| 23 | 21 | Under Milkwood: Costume and Property List, Undated | |||||||||
| 23 | 22 | Under Milkwood: Costume Renderings and Handwritten Notes, Undated | |||||||||
| 23 | 23 | Under Milkwood: Set Renderings and Handwritten Notes, 1966 | |||||||||
| Box | Folder | ||||||||||
| 159/OV3 | 3 | Under Milkwood: Set Renderings, Undated | |||||||||
| Box | Folder | ||||||||||
| 23 | 24 | Waiting For Godot, Georgetown College: Article, 1957 December | |||||||||
| 23 | 25 | Waiting For Godot: Set Renderings, Undated | |||||||||
| 23 | 26 | Waiting For Godot: Costume Renderings, Undated | |||||||||
| Box | Folder | ||||||||||
| 143/OV2 | 2 | Waiting for Godot, Centenary College: Set photograph | |||||||||
| Box | Folder | ||||||||||
| 23 | 27 | The Wake of Jamey Foster, Theatre Three: Program, 1984 | |||||||||
| The likeness of Jamey Foster by Irene Corey and Nick Dally. | |||||||||||
| 23 | 28 | Widow's Walk: Research, Scene Breakdowns,and Character Analyses, Undated | |||||||||
| 23 | 29 | Widow's Walk: Set Renderings, Undated | |||||||||
| 23 | 30 | Wiley And The Hairy Man, Everyman Players: Flyer and Flyer Design Rendering, 1979 | |||||||||
| 23 | 31 | Wiley And The Hairy Man: Publisher's Script with Handwritten Notes, 1979 | |||||||||
| 23 | 32 | Wiley And The Hairy Man: Study Guide, Undated | |||||||||
| 23 | 33 | Wiley And The Hairy Man: Set and Costume Renderings and Handwritten Notes, 1979 | |||||||||
| Box | |||||||||||
| 138/OV1 | Wiley And The Hairy Man: Set and Costume Renderings | ||||||||||
| Box | Folder | ||||||||||
| 23 | 34 | Wiley And The Hairy Man: Expenses, 1979 | |||||||||
| 23 | 35 | Wind In The Willows, ESIPA (Empire State Institute For The Performing Arts): Correspondence, Toad Makeup Renderings, and Costume Renderings, 1984 | |||||||||
| 23 | 36 | Wind In The Willows, Dayton Playhouse: Correspondence and Handwritten Notes, 1987 December | |||||||||
| 23 | 37 | Wind In The Willows, Dayton Playhouse: Mask Renderings, 1987 | |||||||||
| 23 | 38 | Wind In The Willows, Dayton Playhouse: Published Script with Some Annotations, Undated | |||||||||
| 23 | 39 | The Winter's Tale, Centenary College: Costume Chart and Handwritten Notes, 1962 | |||||||||
| 23 | 40 | The Winter's Tale: Flyer and Newspaper Articles, 1962 | |||||||||
| 23 | 41 | The Winter's Tale: Set Renderings and Notes, Undated | |||||||||
| Box | Folder | ||||||||||
| 159/OV3 | 4 | The Winter's Tale, Centenary College: Fabric swatches for costumes, 1982 | |||||||||
| 159/OV3 | 5 | Winterset, Baylor University student project: Set designs, 1947 | |||||||||
| Box | Folder | ||||||||||
| 23 | 42 | Yerma, Centenary College: Publicity Letter and Notes Regarding the Artistic Concept, 1966 | |||||||||
| 23 | 43 | Yerma: Set Renderings and Handwritten Notes, Undated | |||||||||
| 23 | 44 | Yerma: Costume Chart, Undated | |||||||||
| Box | Folder | ||||||||||
| 131/OV1 | 9 | Yerma, Centenary College: Set designs, costumes sketches, and costume chart, 1966 | |||||||||
| Box | Folder | ||||||||||
| 23 | 45 | Unidentified Women's Period Costume Sketch, Undated | |||||||||
| 23 | 46 | Unidentified Sketches of Tile-Roofed Houses on Hills, Undated (Pencil) | |||||||||
| Possibly Spanish in origin. | |||||||||||
| Box | Folder | ||||||||||
| 131/OV1 | 1 | Unidentified Sketch of Church Interior, Undated (Color; Gouache on Paper) | |||||||||
| Box | Folder | ||||||||||
| 24 | 1 | Siege! The Battle of Vicksburg, Vicksburg Historical Park: Correspondence, 1975 | |||||||||
| 24 | 2 | Siege! The Battle of Vicksburg: Research, Best Photos Of The Civil War by Hirst Dillon Milhollen and James Ralph Johnson, Fawcett Publications, 1965 | |||||||||
| 24 | 3 | Siege! The Battle of Vicksburg: Research, Civil War Handbook by William H. Price, Prince Lithograph Co., 1961 | |||||||||
| 24 | 4 | Siege! The Battle of Vicksburg: Research, The Common Soldier Of The Civil War by Bell I. Wiley, Civil War Times Illustrated, 1973 July | |||||||||
| 24 | 5 | Siege! The Battle of Vicksburg: Research, Struggles for Vicksburg: The Battles & Siege That Decided the Civil War, Civil War Times Illustrated, 1967 July | |||||||||
| 24 | 6 | Siege! The Battle of Vicksburg: Research, Three Civil War Articles, National Geographic, 1961 April | |||||||||
| 24 | 7 | Siege! The Battle of Vicksburg: Research, Vicksburg: National Military Park, Mississippi by William C. Everhart, Government Printing Office, 1961 | |||||||||
| 24 | 8 | Siege! The Battle of Vicksburg: Research, Vicksburg On Your Own: An Illustrated Guide to the Battlefield, Battlefield Guide Publishers, 1971 | |||||||||
| 24 | 9 | Siege! The Battle of Vicksburg: Research, "A Woman's Diary of the Siege of Vicksburg", 1975 | |||||||||
| 24 | 10 | Siege! The Battle of Vicksburg by Robert Canzoneri, Undated (Play typescript) | |||||||||
| 24 | 11 | Siege! The Battle of Vicksburg, Undated (Play Typescript with Revisions) | |||||||||
| 24 | 12 | Siege! The Battle of Vicksburg: Production Proposal, Undated | |||||||||
| 24 | 13 | Siege! The Battle of Vicksburg: Outdoor Drama Research, 1975 | |||||||||
| 24 | 14 | Siege! The Battle of Vicksburg: Logo Design Sketches, circa 1975 | |||||||||
| 24 | 15 | Siege! The Battle of Vicksburg: Costume and Prop Design, Handwritten Notes, and Sketches, Undated | |||||||||
| 24 | 16 | Siege! The Battle of Vicksburg: Expenses, 1974-1975 | |||||||||
| Box | Folder | ||||||||||
| 143/OV2 | 3-10 | The Zeal of Thy House, Georgetown College: Costume renderings, 1956 | |||||||||
| Sub-Series B: Makeup Charts | |||||||||||
| Box | Folder | ||||||||||
| 25 | 1 | Blank Face Masters, Undated | |||||||||
| 25 | 2 | Makeup Charts for Faceted Faces, Undated | |||||||||
| 25 | 3 | Contour Charts, Undated | |||||||||
| 25 | 4 | Make-Up Morgue Categories Sheet, Undated | |||||||||
| 25 | 5 | How to Plot an Animal Makeup Chart with Examples, Undated | |||||||||
| 25 | 6 | Makeup Chart for a Butterfly, Undated | |||||||||
| 25 | 7 | Makeup Charts for Woman's Day from Reynard the Fox and The Tempest, Undated | |||||||||
| 25 | 8 | "Looking Good": Directions for Correcting Facial Features, Undated | |||||||||
| 25 | 9 | Mikado Makeup, Undated | |||||||||
| 25 | 10 | Realistic and Stylized Makeup Charts, Undated | |||||||||
| Includes examples and research. | |||||||||||
| Sub-Series C: Theatrical Design Photographs | |||||||||||
| Box | Folder | ||||||||||
| 26 | 1 | Unidentified Mask, Puppet, Makeup, and Prop, Undated (Negatives) | |||||||||
| 26 | 2 | Alice in Wonderland, Dallas Theatre Center: Costume Photographs, 1981 (Color) | |||||||||
| 26 | 3 | The Book of Job, Everyman Players, Pine Mountain State Park: Rehearsal and Production Photographs, 1963 Summer (Black and White) | |||||||||
| 26 | 4 | The Book of Job, Everyman Players, Pine Mountain State Park: Production Photographs, 1963 Summer (Black and White) | |||||||||
| 26 | 5 | The Book of Job, Everyman Players, Chile: Tour and Filming Photographs, 1970 May (Black and White) | |||||||||
| 26 | 6 | The Book of Job, Everyman Players: Makeup Photographs, Undated (Black and White) | |||||||||
| 26 | 7 | The Boyfriend: Costume Photographs, Undated (Black and White) | |||||||||
| 26 | 8 | The Butterfly, Everyman Players: Costume Photographs, 1978-1979 (Dry-Mounted; Black and White) | |||||||||
| Photographs by Beth Odle. | |||||||||||
| 26 | 9 | The Butterfly, Everyman Players: Costume Contact Sheets, 1978-1979 (Black and White) | |||||||||
| 26 | 10 | The Butterfly, Everyman Players: Costume Contact Sheet and Negatives, 1978-1979 (Black and White) | |||||||||
| 26 | 11 | The Butterfly, Everyman Players: Production Photographs and Negatives, 1978-1979 (Black and White) | |||||||||
| 26 | 12 | The Butterfly, Everyman Players: Spider Costume Photographs, 1978-1979 (Black and white, color) | |||||||||
| 26 | 13 | The Butterfly, Everyman Players: Lightning Bug Costume Photographs, 1978-1979 (Black and White) | |||||||||
| 26 | 14 | The Butterfly, Everyman Players: Auntie Beetle Costume Photographs, 1978-1979 (Black and White) | |||||||||
| 26 | 15 | The Butterfly, Everyman Players: Grasshopper Costume Photographs, 1978-1979 (Black and White) | |||||||||
| 26 | 16 | The Butterfly, Everyman Players: Honey Bee Costume Photographs, 1978-1979 (Black and White) | |||||||||
| 26 | 17 | The Butterfly, Everyman Players: Butterfly Costume Photographs, 1978-1979 (Black and White) | |||||||||
| 26 | 18 | The Butterfly, Everyman Players: Fly Costume Photographs, 1978-1979 (Black and White) | |||||||||
| 26 | 19 | The Butterfly and The Tempest: Contact Sheet and Negatives with Working Drawings and Negatives, 1972, 1978-1979 | |||||||||
| 26 | 20 | The Crucible: Costume Photographs and Negative, Undated (Black and White and Color) | |||||||||
| 26 | 21 | The Crucible: Set Photographs, Undated (Black and White) | |||||||||
| 26 | 22 | The Crucible: Production Photographs, Undated (Dry Mounted; Black and White) | |||||||||
| 26 | 23 | Dark of the Moon: Research and Photographs, Undated | |||||||||
| 26 | 24 | Don Quixote: Makeup Photographs and Negatives and Supplies Note, Undated | |||||||||
| 26 | 25 | Don Quixote: Production Photographs and Negative, Undated (Color) | |||||||||
| 26 | 26 | Don Quixote: Horse Construction and Production Photographs and Negative, 1965 (Black and White and Color) | |||||||||
| 26 | 27 | Electra: Set Photographs, 1971 (Black and White and Color) | |||||||||
| 26 | 28 | Electra: Makeup Photographs, Undated (Black and White) | |||||||||
| 26 | 29 | The Great Cross Country Race, Everyman Players: Photographs, Undated | |||||||||
| 26 | 30 | Great God Brown: Mask Patterns and Photographs, Undated (Black and White and Color) | |||||||||
| 26 | 31 | Henry V: Photograph, Undated (Black and White) | |||||||||
| 26 | 32 | Macbeth, Georgetown College: Set Photograph, 1954 | |||||||||
| 26 | 33 | Macbeth, Asolo Touring Theatre: Mask Photographs, 1979 | |||||||||
| 26 | 34 | Major Barbara, Centenary College: Costume Photographs and Negative, 1963 (Black and White and Color) | |||||||||
| Box | Folder | ||||||||||
| 27 | 1 | Merry Wives of Windsor: Falstaff Costume Rendering and Photographs, 1961 (Black and White and Color) | |||||||||
| 27 | 2 | A Midsummer Night's Dream: Costume Photographs and Negatives, 1963 (Black and White and Color) | |||||||||
| 27 | 3 | A Midsummer Night's Dream: Makeup Photographs, 1963 (Black and White) | |||||||||
| 27 | 4 | A Midsummer Night's Dream: Set Photographs, 1963 (Black and White) | |||||||||
| 27 | 5 | Miracles, Medieval Passion Play, Nashville, Tennessee: Costume Photographs, 1978 (Black and White and Color) | |||||||||
| 27 | 6 | The Miser, Centenary College: Costume Photographs, 1960 (Black and White) | |||||||||
| 27 | 7 | The Miser, Centenary College: Makeup Photographs, 1960 (Black and White) | |||||||||
| 27 | 8 | The Miser, Centenary College: Set Photograph and Negative, 1960 (Black and White and Color) | |||||||||
| 27 | 9 | The Miser, Centenary College: Reception Photographs, 1960 (Black and White) | |||||||||
| 27 | 10 | Murder in the Cathedral: Set Photographs and Negatives, 1960 (Black and White and Color) | |||||||||
| 27 | 11 | Murder in the Cathedral: Costume Photographs and Negatives, 1960 (Black and White and Color) | |||||||||
| 27 | 12 | Murder in the Cathedral: Makeup Photographs and Negatives, 1960 (Black and White and Color) | |||||||||
| 27 | 13 | Narcissus et Toad: Costume Photographs, 1978 (Black and White) | |||||||||
| 27 | 14 | Peter Pan, University of Tennessee: Costume Photographs and Letter, 1987 (Color) | |||||||||
| Irene Corey provided advice on costumes. | |||||||||||
| 27 | 15 | Pilgrim's Progress, Everyman Players: Costume Photographs, 1970 (Black and White) | |||||||||
| 27 | 16 | Pilgrim's Progress, Everyman Players: Costume and Puppet Photographs, Renderings, and Negatives, 1970 (Black and White) | |||||||||
| 27 | 17 | Pilgrim's Progress, Everyman Players: Production Photographs, 1970 (Black and White) | |||||||||
| 27 | 18 | Pilgrim's Progress, Everyman Players: Publicity Photographs, 1970 (Black and White) | |||||||||
| 27 | 19 | Pilgrim's Progress, Everyman Players: Cast Celebration Photographs and Opening Night Photograph, 1970 (Black and White and Color) | |||||||||
| 27 | 20 | The Prisoner, Centenary College: Production and Set Photographs, circa 1960 (Black and White) | |||||||||
| 27 | 21 | Reynard the Fox, Everyman Players: Costume and Makeup Photographs and Photograph of Allen Shaffer, Undated (Black and White) | |||||||||
| 27 | 22 | Reynard the Fox, Centenary College: Photographs with Irene Corey and One of the Characters, 1962 (Black and White) | |||||||||
| 27 | 23 | Reynard the Fox: Photographs with Count Jean D'Ursel, Charge D'Affaires of the Belgian Embassy, 1965 August (Black and White) | |||||||||
| 27 | 24 | The Rivalry, Centenary College: Costume, Makeup, and Production Photographs, 1961 (Black and White) | |||||||||
| 27 | 25 | Romans by St. Paul: Photograph of Hal Proske, Undated (Black and White) | |||||||||
| 27 | 26 | Royal Hunt of the Sun, Memphis State University: Costume Photographs, 1981 (Color) | |||||||||
| 27 | 27 | Royal Hunt of the Sun, Memphis State University: Production Photographs, 1981 (Color) | |||||||||
| 27 | 28 | Royal Hunt of the Sun, Memphis State University: Makeup Instruction Photographs, 1981 (Black and White) | |||||||||
| 27 | 29 | Royal Hunt of the Sun, Memphis State University: Set Construction Contact Sheet and Photographs, 1981 (Black and White and Color) | |||||||||
| 27 | 30 | Sly Fox, Dallas Theater Center: Costume Negatives, 1980 (Black and White) | |||||||||
| Box | Folder | ||||||||||
| 28 | 1 | Taming of the Shrew, Centenary College: Production Photographs and Negatives, circa 1960 (Black and White and Color) | |||||||||
| 28 | 2 | The Tempest, Georgetown College: Costume Photographs and Rendering, 1957 (Black and White and Color) | |||||||||
| 28 | 3 | The Tempest, Everyman Players: Set Photographs, 1972 (Black and White and Color) | |||||||||
| 28 | 4 | The Tempest, Everyman Players: Ariel Makeup Photographs, 1972 (Black and White) | |||||||||
| 28 | 5 | The Tempest, Nashville Children's Theatre: Reception and Research Photographs, 1991 (Color) | |||||||||
| 28 | 6 | The Towers of the Brazos, Baylor University: Makeup Photographs, 1982 (Color) | |||||||||
| 28 | 7 | Twelve Days of Christmas, First Baptist Church, Houston, Texas: Production Photographs, 1981 (Color) | |||||||||
| 28 | 8 | Twelve Days of Christmas, First Baptist Church, Houston, Texas: Costume Photographs, 1981 (Color) | |||||||||
| 28 | 9 | Under Milkwood, Centenary College: Production Photograph and Negative, 1960 (Black and White and Color) | |||||||||
| 28 | 10 | Waiting for Godot, Georgetown College: Makeup Photographs, 1957 (Black and White) | |||||||||
| 28 | 11 | Wiley and the Hairy Man, Georgetown College: Production Photographs, 1957 (Black and White) | |||||||||
| 28 | 12 | Wiley and the Hairy Man, Everyman Players: Chorus Mask Photographs and Negatives, 1979 (Black and White and Color) | |||||||||
| 28 | 13 | Wiley and the Hairy Man, Everyman Players: Irene Corey with Puppets, 1979 (Black and White) | |||||||||
| 28 | 14 | Winter's Tale, Centenary College: Costume Renderings and Production Photograph and Costume Rendering Negative, 1962 (Black and white, color) | |||||||||
| 28 | 15 | Winter's Tale, Centenary College: Set Photograph and Negative, 1962 (Black and White and Color) | |||||||||
| 28 | 16 | Winter's Tale, Centenary College: Makeup Negative, 1962 (Color) | |||||||||
| 28 | 17 | Yerma, Centenary College: Costume Photograph, 1966 (Black and White) | |||||||||
| 28 | 18 | Zeal of Thy House: Costume Negatives, Undated (Color) | |||||||||
| 28 | 19 | Thai Dancers, Bunraku Puppet, Don Quixote, The Crucible, The Miser, and Unidentified, Undated | |||||||||
| Sub-Series D: Film | |||||||||||
| Box | Folder | ||||||||||
| 29 | 1 | "The Actor's Face as a Canvas," Nebraska Educational Television Council for Higher Education Film, 1973 | |||||||||
| Features Irene Corey and assisted by David Kinglsey. | |||||||||||
| 29 | 2 | Brimstone Films Projects List, Undated | |||||||||
| 29 | 3 | The Passage, 1987 (Typescript with Handwritten Costume Notes) | |||||||||
| 29 | 4 | The Passage: Research on the General Look of the Movie, 1987 | |||||||||
| 29 | 5 | The Passage: Scene/Set Breakdown, 1987 | |||||||||
| 29 | 6 | The Passage: Settings and Scene List by Location, 1987 | |||||||||
| 29 | 7 | The Passage: Costumes, Including Character List and Scene Breakdown, 1987 | |||||||||
| 29 | 8 | The Passage: Seasonal Breakdown for Scenes, 1987 | |||||||||
| 29 | 9 | The Passage: Handwritten Notes on Budget, Makeup, and Costumes, 1987 | |||||||||
| 29 | 10 | The Passage: Crew List, 1987 | |||||||||
| Irene Corey is listed as production designer. | |||||||||||
| 29 | 11 | The Passage: Contact Information, 1987 | |||||||||
| 29 | 12 | The Passage: Oneline Schedule with Maps, 1987 | |||||||||
| 29 | 13 | The Passage: Production Office Memos, 1987 | |||||||||
| 29 | 14 | The Passage: Day Planner, 1987 April-May | |||||||||
| 29 | 15 | The Passage: Research on the Town, 1987 | |||||||||
| 29 | 16 | The Passage: Research for Whiskey Still, 1987 | |||||||||
| 29 | 17 | The Passage: Research for Covered Bridge, 1987 | |||||||||
| 29 | 18 | The Passage: Research for Monroe House, 1987 | |||||||||
| 29 | 19 | The Passage: Research for the Bonner House, 1987 | |||||||||
| 29 | 20 | The Passage: Research for the Train Station, 1987 | |||||||||
| 29 | 21 | The Passage: Research for Movie Props, 1987 | |||||||||
| 29 | 22 | The Passage: Arnette Hoffman Wardrobe Kit Lists and Correspondence, 1987 | |||||||||
| 29 | 23 | The Passage: Female Sketch, 1987 | |||||||||
| 29 | 24 | The Passage: Research for Male Costumes from the 1920s and 1930s, 1987 | |||||||||
| 29 | 25 | The Passage: Research for Women's Costumes, 1987 | |||||||||
| 29 | 26 | The Passage: Research for Children's Costumes, 1987 | |||||||||
| 29 | 27 | The Passage: Research on Hair Styles, 1987 | |||||||||
| Box | Folder | ||||||||||
| 30 | 1 | The Passage: Costume Research for Maids and Waiters, 1987 | |||||||||
| 30 | 2 | The Passage: Research for Loggers, 1987 | |||||||||
| 30 | 3 | The Passage: Costumes, Loggers, 1987 | |||||||||
| 30 | 4 | The Passage: Research for Jesse, 1987 | |||||||||
| 30 | 5 | The Passage: Costumes, Jesse, 1987 | |||||||||
| 30 | 6 | The Passage: Costumes, Wendall Hitch, 1987 | |||||||||
| 30 | 7 | The Passage: Research for Bonner Costumes, 1987 | |||||||||
| 30 | 8 | The Passage: Research, Matthew Bonner, 1987 | |||||||||
| 30 | 9 | The Passage: Costumes, Matthew Bonner, 1987 | |||||||||
| 30 | 10 | The Passage: Costume Research, Mrs. Bonner, 1987 | |||||||||
| 30 | 11 | The Passage: Costumes, Rachel Bonner, 1987 | |||||||||
| 30 | 12 | The Passage: Costumes for Mrs. Bonner, 1987 | |||||||||
| 30 | 13 | The Passage: Research for Annie Bonner, 1987 | |||||||||
| 30 | 14 | The Passage: Costumes, Annie Mae Bonner, 1987 | |||||||||
| 30 | 15 | The Passage: Research for Grandpa Monroe, 1987 | |||||||||
| 30 | 16 | The Passage: Costumes, Grandpa Monroe, 1987 | |||||||||
| 30 | 17 | The Passage: Costumes, Moses Longfellow Jackson, 1987 | |||||||||
| 30 | 18 | The Passage: Costumes, Reverend Morris, 1987 | |||||||||
| 30 | 19 | The Passage: Costumes, Hank, 1987 | |||||||||
| 30 | 20 | The Passage: Costumes, Rev. Gibbs, 1987 | |||||||||
| 30 | 21 | The Passage: Costumes, Moses, 1987 | |||||||||
| 30 | 22 | The Passage: Costumes, Mrs. Morris, 1987 | |||||||||
| 30 | 23 | The Passage: Costumes, Train Men, 1987 | |||||||||
| 30 | 24 | The Passage: Costume Research, Doctors, 1987 | |||||||||
| 30 | 25 | The Passage: Costumes, Doctors, 1987 | |||||||||
| 30 | 26 | The Passage: Eugene Mitchell, 1987 | |||||||||
| 30 | 27 | The Passage: Costumes, Rev. Gibbs, 1987 | |||||||||
| 30 | 28 | The Passage: Costumes, Extras, 1987 | |||||||||
| 30 | 29 | The Passage: Expenses, 1987 | |||||||||
| Box | Folder | ||||||||||
| 140/OV1 | 4 | The Passage, Film: Newsclippings, 1987-1988 | |||||||||
| Box | Folder | ||||||||||
| 30 | 30 | The Passage: Newsclippings about Filming and Premiere, 1987 | |||||||||
| Sub-Series E: Film Design Photographs | |||||||||||
| Box | Folder | ||||||||||
| 31 | 1 | The Passage: Filming Photographs, 1987 (Black and White and Color) | |||||||||
| 31 | 2 | The Passage: Irene Corey Photographs, 1987 (Color) | |||||||||
| 31 | 3 | The Passage: Town Research Photographs, 1987 (Black and White and Color) | |||||||||
| 31 | 4 | Burning Oil Wells in Kilgore, Texas and Article about Volcanoes, circa 1980 | |||||||||
| Found with other materials about The Passage. | |||||||||||
| Sub-Series F: Television | |||||||||||
| Box | Folder | ||||||||||
| 32 | 1 | Set Design, Dallas Cowboys Shoot, Brimstone, Undated | |||||||||
| 32 | 2 | Hare's Hollow, Children's Television Pilot: Correspondence, 1973 | |||||||||
| 32 | 3 | Hare's Hollow: First Script, 1973 (Typescript) | |||||||||
| 32 | 4 | Hare's Hollow, Children's Television Pilot, Undated (Typescript Copy with Some Revisions) | |||||||||
| 32 | 5 | Pupples, Inc.: Business Cards, 1973 | |||||||||
| 32 | 6 | Pupples, Inc: Financial Records, 1973-1974 | |||||||||
| 32 | 7 | Pupples, Inc: Legal Agreements and Correspondence, 1973-1976 | |||||||||
| 32 | 8 | Pupples: Puppet Sketches and Handwritten Notes, circa 1973 | |||||||||
| 32 | 9 | Pupples, TV Pilot: Negatives, Contact Sheets, and Photographs, Undated (Black and White) | |||||||||
| Box | |||||||||||
| 158/OV3 | Pupples: "David's Pupples Have Arrived!"The Tennessean, 1973 April 6 | ||||||||||
| Box | Folder | ||||||||||
| 32 | 10 | Pupples: Newspaper Article, 1973 April 6 | |||||||||
| Box | Folder | ||||||||||
| 158/OV3 | 2 | Pupples, TV Pilot, WSM Nashville: Puppet Renderings, 1973 (24" x 18"; Gouache on Paper) | |||||||||
| Box | Folder | ||||||||||
| 32 | 11 | Weeping Statue of Justice, Political Spot for Ron Doughty and Associates, 1976 | |||||||||
| 32 | 12 | Correspondence Regarding Television Puppet Projects, 1974, 1978 | |||||||||
| 32 | 13 | Make-Up and Angel Wings, Golden Richards Shoot, Brimstone, 1978 September | |||||||||
| 32 | 14 | Unicorn Costume Design, Caboodle, KLRN-TV, 1978 | |||||||||
| Box | Folder | ||||||||||
| 140/OV1 | 7 | Caboodle Unicorn Research and Sketches, Undated | |||||||||
| Box | Folder | ||||||||||
| 32 | 15 | Make-Up, Miracle Ford Shoot, Brimstone, 1978 December | |||||||||
| 32 | 16 | Lion and Scarecrow Makeup and Costumes, Toyota Commercial, Brimstone, 1979 May | |||||||||
| 32 | 17 | Talking Tree Puppets, Miller Outdoor Theatre Commercial, 1981 | |||||||||
| Sub-Series G: Commercial | |||||||||||
| Box | Folder | ||||||||||
| 151/OV3 | 3 | Christmas card designs by Irene | |||||||||
| Box | Folder | ||||||||||
| 33 | 1 | Buckeye Mascot Design, Ohio State University, Undated | |||||||||
| Drawer | Folder | ||||||||||
| 39 | 4 | Debutant Ball: Ground Plans, 1953 (Assorted Sizes; Blueprint) | |||||||||
| Box | Folder | ||||||||||
| 33 | 2 | Debutant Ball: Set Renderings and Cutting Chart, Undated | |||||||||
| 33 | 3 | Lyric Ball: Set Renderings, Undated | |||||||||
| 33 | 4 | Lyric Ball: Room Measurements, Undated | |||||||||
| 33 | 5 | Lyric Ball: Estimated Decoration Cost by Room, Undated | |||||||||
| Box | Folder | ||||||||||
| 151/OV3 | 11 | Lyric Ball Set Rendering, Undated | |||||||||
| Box | Folder | ||||||||||
| 33 | 6 | Lyric Ball: Window Decorator Supplies, Undated | |||||||||
| 33 | 7 | "Our Ugly Bug Ball" Invitation Design, Undated | |||||||||
| 33 | 8 | Skip-A-Boo, Dean Walker, Undated | |||||||||
| 33 | 9 | Coat of Arms Design, 1957 | |||||||||
| 33 | 10 | Bunny Costume, International Brotherhood of Magicians Convention, 1963 July | |||||||||
| 33 | 11 | Le Bal Lyrique: Program, 1967 | |||||||||
| 33 | 12 | Le Bal Lyrique: Property and Set Renderings and Handwritten Notes, 1967 | |||||||||
| Box | Folder | ||||||||||
| 151/OV3 | 12 | Le Bal Lyrique: Ground plans and poster, 1967 | |||||||||
| Box | Folder | ||||||||||
| 33 | 13 | Le Bal Lyrique: Correspondence, 1967 | |||||||||
| 33 | 14 | Le Bal Lyrique: Financial, 1967 | |||||||||
| 33 | 15 | Le Bal Lyrique: Officers and Committees, 1967 | |||||||||
| 33 | 16 | Le Bal Lyrique: Newspaper Clipping, 1967 September 10 | |||||||||
| Box | Folder | ||||||||||
| 140/OV1 | 3 | Lyric Ball: "Le Bal Lyrique,"The Women's Times, 1967 September 10 | |||||||||
| Box | Folder | ||||||||||
| 33 | 17 | Termite Costume for Terminix, 1974, 1976 | |||||||||
| 33 | 18 | Christmas Décor, Carillon Plaza, 1975 | |||||||||
| 33 | 19 | Future Homemakers of America (FHA): Six Brochures Designed by Irene Corey and John Barr, 1975 | |||||||||
| 33 | 20 | Future Homemakers of America Brochure Renderings, 1975 | |||||||||
| 33 | 21 | Future Homemakers of America Brochure Correspondence and Notes, 1974-1975 | |||||||||
| Box | Folder | ||||||||||
| 140/OV1 | 12 | Future Homemakers of America, Color Booklet Design, circa 1975 | |||||||||
| Box | Folder | ||||||||||
| 33 | 22 | LLove (Dallas Love Field Terminal) Reopening: Program and Newspaper Articles, 1975 November 17 | |||||||||
| 33 | 23 | LLove Project: Set Rendering, 1975 | |||||||||
| 33 | 24 | LLove Project: Rejected Costume Renderings, 1975 | |||||||||
| 33 | 25 | LLove Project: Costume Renderings, 1975 | |||||||||
| 33 | 26 | LLove Project: LLove Bird Mask Patterns, Negatives and Renderings, 1975 | |||||||||
| 33 | 27 | LLove Project: Lightning Bug, 1977 | |||||||||
| Irene and John Barr design with LED chase lights | |||||||||||
| Box | Folder | ||||||||||
| 151/OV3 | 6 | LLove Bird Mask Patterns, Undated | |||||||||
| 151/OV3 | 6 | LLove Designs, Fabric, circa 1975 | |||||||||
| Box | Folder | ||||||||||
| 33 | 28 | Carousel Project, Busch Gardens: Correspondence and Sketches, 1975 | |||||||||
| 33 | 29 | Carousel Project, Busch Gardens: Research, 1975 | |||||||||
| 33 | 30 | Carousel Project, Busch Gardens: Research Slides, 1975 | |||||||||
| 33 | 31 | Carousel Project, Busch Gardens: Circus Programs, 1950, 1967 | |||||||||
| Box | Folder | ||||||||||
| 140/OV1 | 9 | Busch Gardens Carousel Research: Horse Sketches, Undated (Graphite on Paper) | |||||||||
| 140/OV1 | 10 | Busch Gardens Carousel Research: Magazine Articles, 1963, 1966 | |||||||||
| Box | Folder | ||||||||||
| 151/OV3 | 8 | Crystal Charity Ball Ground Plan, 1976 May | |||||||||
| Box | Folder | ||||||||||
| 33 | 32 | New Orleans Museum Project: Research Articles and Brochures, 1976-1977 | |||||||||
| 33 | 33 | New Orleans Museum Project: Financial and Correspondence, 1977 | |||||||||
| 33 | 34 | New Orleans Museum Project: Handwritten Notes on Themes, Trivia, and History, circa 1977 | |||||||||
| 33 | 35 | New Orleans Museum Project: Video and Audio Logs for Attractions, 1977 | |||||||||
| Box | Folder | ||||||||||
| 34 | 1 | Anchorage Press Conference Booth Design, 1977 | |||||||||
| 34 | 2 | Christmas Design, Texas American Bank, 1977 | |||||||||
| 34 | 3 | Day Lily Costume Designs, Dallas 77, 1977 | |||||||||
| Box | Folder | ||||||||||
| 140/OV1 | 5 | Day Lily Costume Designs: Fabric, Dallas 77, 1977 | |||||||||
| Box | Folder | ||||||||||
| 34 | 4 | Rockwell Costumes, David Gibson Company, 1977 | |||||||||
| 34 | 5 | Tin Man and Yellow Brick Road Display, Zale Building, 1977 | |||||||||
| 34 | 6 | Junior League Charity Ball: Set Designs, 1977 February | |||||||||
| 34 | 7 | Hobb Costumes, Six Flags Show Production, 1978 | |||||||||
| 34 | 8 | Make-Up, Blackstone Magic Show Tour, 1979-1980 | |||||||||
| 34 | 9 | Pink Cloud Costume, Houston Power and Light, 1979 | |||||||||
| 34 | 10 | Costumes, Six Flags Show Productions, 1979 | |||||||||
| 34 | 11 | Sneaky Snake Puppet, Six Flags, Dallas: Puppet Renderings and Photographs, 1979 | |||||||||
| 34 | 12 | Sneaky Snake Puppet, Six Flags, Dallas: Photographs of Sneaky Snake and Irene, 1979 | |||||||||
| 34 | 13 | Hy Nooner, Armadillo Puppet, Six Flags, Dallas: Renderings and Photographs, 1979 | |||||||||
| Box | Folder | ||||||||||
| 140/OV1 | 1 | Sneaky Snake puppet and Hy Nooner Armadillo puppet for Six Flags over Texas, Dallas: Renderings and photographs, 1979 | |||||||||
| Box | Folder | ||||||||||
| 34 | 14 | Banner, ITT Continental Bakery, 1979 | |||||||||
| 34 | 15 | Dallas Museum of Natural History, Puppet Project, 1979 July | |||||||||
| 34 | 16 | Christmas Ornaments and Purse Designs, Decorating Craft Ideas, 1979-1980 | |||||||||
| 34 | 17 | Puppetropolis Trademark: Legal Correspondence, 1979-1980 | |||||||||
| 34 | 18 | Dresser Bag and Sacks, David H. Gibson Company, 1980 | |||||||||
| Box | Folder | ||||||||||
| 151/OV3 | 9 | Dresser Bag and Sacks, David H. Gibson Company: Unit B Plans, 1980 | |||||||||
| Box | Folder | ||||||||||
| 34 | 19 | Yorick's Cabaret Restaurant Buffet Design, 1980 July-September | |||||||||
| Box | Folder | ||||||||||
| 140/OV1 | 11 | Yorick's Cabaret Restaurant: Color Floor Plan, Undated | |||||||||
| Box | Folder | ||||||||||
| 34 | 20 | Vacuum Cleaner Robot Display, Southwest Manufacturers and Distributors, 1980 | |||||||||
| Box | Folder | ||||||||||
| 151/OV3 | 10 | Vacuum Cleaner Robot Design, Southwest Manufacturers and Distributors, 1980 | |||||||||
| Box | Folder | ||||||||||
| 34 | 21 | Neiman Marcus Fortnight Gala: Greek God Statues, 1982 October | |||||||||
| 34 | 22 | Zales Costume and Jewelry Exhibit, 1984 | |||||||||
| 34 | 23 | Sea Creature Hats, Preservation of the Animal World Society Ball, 1984 | |||||||||
| 34 | 24 | Carrot and Gater Embryo Photographs, 1984 | |||||||||
| 34 | 25 | Poster and Mask Design, World Festival of Theatre for Young Audiences, Presented by ASSITEJ/USA, Louisiana World's Fair, New Orleans, 1984 June | |||||||||
| Box | Folder | ||||||||||
| 35 | 1 | Texas Ranger Hall of Fame Displays Design: Project Outline, 1975 | |||||||||
| 35 | 2 | Texas Rangers Museum: Research, 1975 | |||||||||
| 35 | 3 | Texas Rangers Museum: Research, "The Ranger Mystique,"Houston Chronicle, and Texas Magazine, 1969 February 9 | |||||||||
| Box | Folder | ||||||||||
| 151/OV3 | 4 | Texas Rangers Museum: "The Ranger's Mystique,"Houston Chronicle, 1969 February 9 | |||||||||
| 151/OV3 | 4 | Texas Rangers Museum: "Memories of Big Country", Undated | |||||||||
| 151/OV3 | 4 | Texas Rangers Museum: Diorama Blueprints, 1975 | |||||||||
| 151/OV3 | 4 | Texas Rangers Museum: First Ranger Sketch, Undated | |||||||||
| Box | Folder | ||||||||||
| 35 | 4 | Texas Rangers Museum in Waco, Peacemaker Display Transparencies, Undated | |||||||||
| 35 | 5 | Texas Rangers Museum: Handwritten Notes, 1975 | |||||||||
| 35 | 6 | Texas Rangers Museum: Correspondence, 1975 | |||||||||
| 35 | 7 | Texas Rangers Museum: Financial Records, 1975 | |||||||||
| 35 | 8 | Texas Rangers Museum: Costume Pattern and Measurement Sheet, 1975 | |||||||||
| Box | Folder | ||||||||||
| 151/OV3 | 5 | Texas Rangers Costume Pattern, Undated | |||||||||
| Box | Folder | ||||||||||
| 35 | 9 | Texas Rangers Museum: Fabric Swatches, 1975 | |||||||||
| 35 | 10 | Texas Rangers Museum: Stephen Austin Research, 1975 | |||||||||
| 35 | 11 | Texas Rangers Museum: Stephen Austin Costume Rendering, 1975 | |||||||||
| 35 | 12 | Texas Rangers Museum: First Ranger Research, 1975 | |||||||||
| 35 | 13 | Texas Rangers Museum: First Ranger Costume Rendering and Handwritten Notes, 1975 | |||||||||
| 35 | 14 | Texas Rangers Museum: Jack Hayes Research, 1975 | |||||||||
| 35 | 15 | Texas Rangers Museum: Jack Hayes Costume Rendering and Handwritten Notes, 1975 | |||||||||
| 35 | 16 | Texas Rangers Museum: Fence Wars 1880s, Research, 1975 | |||||||||
| 35 | 17 | Texas Rangers Museum: Fence Wars 1880s, Costume Rendering and Handwritten Notes, 1975 | |||||||||
| 35 | 20 | Texas Rangers Museum: Modern Ranger Photographs, 1975 | |||||||||
| 35 | 19 | Texas Rangers Museum: Modern Ranger Handwritten Notes, 1975 | |||||||||
| 35 | 18 | Texas Rangers Museum: Modern Ranger, 1975 | |||||||||
| Sub-Series H: Expectations | |||||||||||
| Expectations: Creators of the Unusual was a collaboration between John Barr, Irene Corey, and Susan Fox. | |||||||||||
| Box | Folder | ||||||||||
| 140/OV1 | 8 | Expectations Letterhead Original Designs, Undated | |||||||||
| Box | Folder | ||||||||||
| 36 | 1 | Expectations: Company Letterhead and Organizational Structure, Undated | |||||||||
| 36 | 2 | Creativity Workshop, 1976 | |||||||||
| 36 | 3 | Diamond Shamrock Quiz Show Designs, 1976 | |||||||||
| Box | Folder | ||||||||||
| 151/OV3 | 13 | Expectations: Diamond Shamrock Quiz Show Designs, 1976 | |||||||||
| Box | Folder | ||||||||||
| 36 | 4 | Lightning Bug Development, Handwritten Notes and Correspondence, 1977-1978 | |||||||||
| 36 | 5 | Lightning Bug Negatives, 1977 | |||||||||
| 36 | 6 | Lightning Bug Publicity, 1977 | |||||||||
| 36 | 7 | Lightning Bug Sales Materials, 1977 | |||||||||
| Sub-Series I: Irene Corey Design Associates | |||||||||||
| Box | Folder | ||||||||||
| 37 | 1 | Brochure, Undated | |||||||||
| 37 | 2 | Flyers with Photographs of Costume Designs, Undated | |||||||||
| 37 | 3 | Promotional Flyer with Crawgator Costume Photograph, Undated | |||||||||
| Box | Folder | ||||||||||
| 151/OV3 | 1 | Crawgator costume renderings | |||||||||
| Box | Folder | ||||||||||
| 37 | 4 | Promotional Flyer with Turkey Costume Photograph, Undated | |||||||||
| 37 | 5 | Photographs of Irene Corey Design Associates Shop, Undated | |||||||||
| Taken by Child Drama Collection Curator Katherine Krzys. | |||||||||||
| 37 | 6 | Photographs of Barney with Construction Crew, Undated | |||||||||
| 37 | 7 | Photographs of B.J. and Baby Bop, Undated | |||||||||
| 37 | 8 | Photographs of Barney and Irene, 1994 | |||||||||
| 37 | 9 | Irene Corey with Owl and Dog Puppets, Brimstone Project, Undated | |||||||||
| 37 | 10 | Hershey's Golden Almond Candybar Costume Photograph, Undated | |||||||||
| 37 | 11 | Vacuform Mask Photographs, Undated | |||||||||
| 37 | 12 | Angel Wings Publicity with Renderings, Undated | |||||||||
| 37 | 13 | Angel Wings Photograph, Whitmark News & Views, 1984 March | |||||||||
| 37 | 14 | Spaclings Designs and Contract, 1984 | |||||||||
| 37 | 15 | Irene Corey Design Associates Correspondence and Contracts, 1984-1985 | |||||||||
| 37 | 16 | Rock 'n Roll Puppet Designs and Research for "Meet the Rockabyes", 1988 August | |||||||||
| 37 | 17 | Park Cities Baptist Church Christmas Pageant Beard Designs, 1988 December | |||||||||
| 37 | 18 | Irene Corey Design Associates Article, The Baylor Line, 1990 November | |||||||||
| 37 | 19 | Threads and Quilt Design Renderings, 1991 June | |||||||||
| 37 | 20 | Armadillo Mascot Costume for Movie Necessary Roughness, circa 1991 | |||||||||
| Series V: Publications by Corey | |||||||||||
| Sub-Series A: Articles and Other Writings | |||||||||||
| Box | Folder | ||||||||||
| 38 | 1 | Poems by Irene Lockridge, Age Eleven, Union School, Fifth Grade, circa 1935 | |||||||||
| 38 | 2 | The Magic Garden: A Play in Two Acts for Children, Undated (Typescript Copy) | |||||||||
| 38 | 3 | The Color-Conscious Conscience, A Play by Irene Corey, in New One-Act Plays Published by the Department of Drama, Baylor University, 1948 | |||||||||
| 38 | 4 | Irene Corey Etching Entitled "Medley" in Stylus, University of Kentucky, 1959 Fall | |||||||||
| 38 | 5 | Christmas Cards Designed by Irene Corey, 1960s | |||||||||
| 38 | 6 | "Romans by St. Paul" by Orlin Corey and Irene Corey, Catholic Theatre, 1964 January-February | |||||||||
| 38 | 7 | "To Make a Mask" by Irene Corey, Theatre Crafts, 1969 May-June | |||||||||
| 38 | 8 | "To Make a Mask" Article, Research, Drafts, and Correspondence, 1968 | |||||||||
| Box | Folder | ||||||||||
| 94/OV3 | 4 | "To Make a Mask" Fabric, Undated | |||||||||
| Box | Folder | ||||||||||
| 38 | 9 | "Iron-On Applique with 'Ply-On Film'" by Irene Corey, Paramount News, Alcone Company, 1970 January | |||||||||
| 38 | 10 | "Stylized Animal Make-Up for the Stage," A Filmstrip by Irene Corey, 1971 (Narration Typescripts) | |||||||||
| Based on characters from the play The Great Cross Country Race. | |||||||||||
| 38 | 11 | "To Mask Is To Unmask" by Irene Corey, Mime Journal, 1975 | |||||||||
| 38 | 12 | Creative Arts Baseline, 1975 June (Field Test Copy) | |||||||||
| Designed by Irene Corey, John Barr, and Suzy Cox for the Dallas Independent School District. | |||||||||||
| 38 | 13 | "... First You Find the Animal!" by Irene Corey, Dramatics, 1976 January-February | |||||||||
| 38 | 14 | "... First You Find the Animal!" Article, Research, Typescripts, and Artwork, circa 1975 | |||||||||
| 38 | 15 | "... First You Find the Animal!" Article and Correspondence, 1973-1976 | |||||||||
| 38 | 16 | Robin Goodfellow, Anchorage Press Publication, 1977 | |||||||||
| Front cover created by Irene Corey. | |||||||||||
| 38 | 17 | "The Old Men from a Highly Ramified Tree" by Robert Canzoneri, The Ohio Journal, 1977 Spring | |||||||||
| Illustrations by Irene Corey. | |||||||||||
| 38 | 18 | "Shop Experiments with Miniature Lighting Devices and Fabric Lamination" by Irene Corey, Theatre Crafts, 1977 May-June | |||||||||
| 38 | 19 | "Fabric Lamination with Ply-On Film Directions", Theatre Crafts, 1977 May-June | |||||||||
| 38 | 20 | "Halloween Greasepaint!", Woman's Day, 1977 October 18 | |||||||||
| 38 | 21 | Woman's Day Articles: Correspondence, Expenses, Notes, and Renderings, 1977-1979 | |||||||||
| 38 | 22 | "Take a Dog - Not Just Any Dog" by Irene Corey, I. E. Clark, Publisher Play Catalogue, 1978 | |||||||||
| 38 | 23 | "Take a Dog" Article Correspondence, 1977 (Typescript) | |||||||||
| 38 | 24 | "Pretty and Practical Kitchens,"Woman's Day, 1978 June 14 | |||||||||
| Includes a photograph of Irene Corey's kitchen. | |||||||||||
| Box | Folder | ||||||||||
| 39 | 1 | "Great Ideas for Stretching Storage Space", Woman's Day, 1979 April 3 | |||||||||
| Includes a photograph of Irene Corey's home. | |||||||||||
| 39 | 2 | "Decorating with Junkyard Doors", Woman's Day, 1979 July 17 | |||||||||
| Includes an article about Irene Corey's home. | |||||||||||
| 39 | 3 | Excerpts from The Mask of Reality ("La Mascara de la Realidad"), XVI Boletin Iberoamericano de Teatro para la Infancia y la Juventud, 1980 March | |||||||||
| 39 | 4 | Theatre: The Dynamics of the Art by Brian Hansen, 1990 | |||||||||
| Second edition. Illustrations by Irene Corey. | |||||||||||
| 39 | 5 | Letter to Editor Regarding the Shakespeare Festival of Dallas, Dallas Times Herald, 1990 June 23 | |||||||||
| Sub-Series B: The Mask of Reality | |||||||||||
| Box | Folder | ||||||||||
| 40 | 1 | The Mask of Reality: First Outline, 1959 (Typescript) | |||||||||
| 40 | 2 | The Mask of Reality: Handwritten Notes, Undated | |||||||||
| 40 | 3 | The Mask of Reality: Correspondence with Publisher Sara Spencer of Anchorage Press, 1967 | |||||||||
| 40 | 4 | The Mask of Reality: Correspondence Regarding Permissions, 1967-1968 | |||||||||
| 40 | 5 | The Mask of Reality, 1968 (Galley Without Illustrations; Introduction) | |||||||||
| 40 | 6 | The Mask of Reality, 1968 (Galley Without Illustrations; Chapter 1 with Handwritten Notes) | |||||||||
| 40 | 7 | The Mask of Reality, 1968 (Galley Without Illustrations; Chapters 2-4 with Handwritten Notes) | |||||||||
| 40 | 8 | The Mask of Reality, 1968 (Galley Without Illustrations; Chapter 5 with Handwritten Notes) | |||||||||
| 40 | 9 | The Mask of Reality, 1968 (First Proof) | |||||||||
| 40 | 10 | The Mask of Reality, 1968 (First Proof with Handwritten Revisions by Irene Corey) | |||||||||
| 40 | 11 | The Mask of Reality, 1968 (First Proof with Handwritten Revisions by Unknown Person) | |||||||||
| 40 | 12 | The Mask of Reality, Undated (Cover Layout Proof) | |||||||||
| 40 | 13 | The Mask of Reality, 1968 (Loose Pages of Proof; Some Illustrations Cut Out) | |||||||||
| 40 | 14 | The Mask of Reality, 1968 (Galley Pages, 29, 59, 61 Approval Pages) | |||||||||
| 40 | 15 | The Mask of Reality, 1968 (Proof with Incorporated Revisions) | |||||||||
| 40 | 16 | The Mask of Reality: Anchorage Press Publicity and Brochures, circa 1968 | |||||||||
| 40 | 17 | The Mask of Reality: Correspondence, 1968-1970 | |||||||||
| 40 | 18 | The Mask of Reality: Book Signings, 1969 | |||||||||
| Box | Folder | ||||||||||
| 93/OV1 | 7 | The Mask of Reality Reviews: "Costuming is First Love of Mrs. Louella Stewart,"The Natchitoches Times, 1972 February 20 | |||||||||
| Box | Folder | ||||||||||
| 40 | 19 | The Mask of Reality: Book Reviews, 1969-1970, 1983 | |||||||||
| 40 | 20 | The Mask of Reality: Print Mentions of Book, 1979 | |||||||||
| Sub-Series C: The Face is a Canvas | |||||||||||
| Box | Folder | ||||||||||
| 41 | 1 | Handwritten and Typed Notes Regarding Book, Undated | |||||||||
| 41 | 2 | Correspondence with Various Publishers, 1978-1982 | |||||||||
| 41 | 3 | Correspondence with Publisher Wadsworth, 1979-1981 | |||||||||
| 41 | 4 | Correspondence Regarding Overlays and Spiral Binding, 1979-1980 | |||||||||
| 41 | 5 | Book Prospectus, 1980 | |||||||||
| 41 | 6 | Outline of Book Sent to Wadsworth Publishing Company and Response, 1980 | |||||||||
| 41 | 7 | Correspondence with Publisher Harper and Row, 1981 | |||||||||
| 41 | 8 | Brief Description of Book Sent with Letters in Next Folder, 1981 | |||||||||
| 41 | 9 | Correspondence Regarding Letters of Support for the Project, 1981 | |||||||||
| 41 | 10 | Correspondence with Publisher Prentice-Hall and Corey Handwritten Notes, 1981-1984 | |||||||||
| 41 | 11 | Prentice-Hall Contract and Correspondence, 1981-1982 | |||||||||
| 41 | 12 | Receipts for Book Expenses, 1983 | |||||||||
| 41 | 13 | Travel Expenses, 1985 | |||||||||
| 41 | 14 | Manuscript Acceptance Form, 1985 August 20 | |||||||||
| 41 | 15 | Simon & Schuster Author's Questionnaire, 1986 April | |||||||||
| 41 | 16 | Author's Questionnaire, Prentice-Hall Inc., 1987 | |||||||||
| 41 | 17 | Contract Release from Prentice-Hall, 1987 | |||||||||
| 41 | 18 | Correspondence to and from Publishing House Dodd, Mead and Company, 1987-1988 | |||||||||
| 41 | 19 | Dodd, Mead and Company Publication Agreement, 1987 July 13 | |||||||||
| 41 | 20 | Correspondence Regarding Permissions Change from Prentice-Hall to Dodd Mead Publishers, 1987-1988 | |||||||||
| 41 | 21 | Dodd, Mead and Company Author's Questionnaire, 1988 February 1 | |||||||||
| 41 | 22 | Dodd, Mead and Company Cancellation of Contract, 1988 April | |||||||||
| 41 | 23 | To Do Lists, 1988-1989 | |||||||||
| 41 | 24 | Anchorage Press Correspondence, 1988-1991 | |||||||||
| 41 | 25 | Author's Agreement with Anchorage Press, 1989 April 18 | |||||||||
| 41 | 26 | Book Signing for The Face is a Canvas, 1991 April | |||||||||
| Box | Folder | ||||||||||
| 42 | 1 | Correspondence with Irene Corey Regarding Publication of Book, 1983-1991 | |||||||||
| 42 | 2 | Correspondence with Leon Brauner, 1988-1991 | |||||||||
| 42 | 3 | Correspondence with Oscar Brockett, 1989-1991 | |||||||||
| 42 | 4 | Correspondence from George Bryan, 1989-1992 | |||||||||
| 42 | 5 | Correspondence to Herb Camburn, 1988 | |||||||||
| 42 | 6 | Correspondence to and from Nancy Ebsen, 1987-1988 | |||||||||
| 42 | 7 | Correspondence to Betty Edwards, 1988 | |||||||||
| 42 | 8 | Correspondence from Joy Emery, 1988 April 13 | |||||||||
| 42 | 9 | Correspondence to and from Winona Fletcher, 1988-1989 | |||||||||
| 42 | 10 | Correspondence from Clara Hieronymus, 1990 | |||||||||
| 42 | 11 | Correspondence from Sylvia Hillyard, 1988 | |||||||||
| 42 | 12 | Correspondence from Lopez and Schultz, 1990 July 10 | |||||||||
| 42 | 13 | Correspondence from Bill Lorenzen, 1988 | |||||||||
| 42 | 14 | Correspondence to Paul Reinhardt, 1988 August 27 | |||||||||
| 42 | 15 | Don Stowell Article and Contact Information, 1990 | |||||||||
| Includes handwritten letter to Irene Corey. | |||||||||||
| 42 | 16 | Correspondence from Susan Tsu, 1992 | |||||||||
| 42 | 17 | Correspondence to and from Cathy Webb, 1988 | |||||||||
| 42 | 18 | Correspondence from Freddy Wittop, 1990 | |||||||||
| 42 | 19 | Correspondence to Bill Zucchero, 1988 | |||||||||
| 42 | 20 | Correspondence, 1989-1990 | |||||||||
| 42 | 21 | Makeup Correspondence to and from Irene Corey, 1983-1987 | |||||||||
| 42 | 22 | Stein Makeup Company Correspondence, 1984-1989 | |||||||||
| 42 | 23 | Correspondence and Catalog from Makeup Company Mehron, 1984-1990 | |||||||||
| Box | Folder | ||||||||||
| 43 | 1-3 | Notecards with Notes for Bibliography, Text, and Photos, Undated | |||||||||
| Box | Folder | ||||||||||
| 44 | 1 | Costume Research: Texas Fashion Collection from North Texas State, 1990 | |||||||||
| 44 | 2 | Beauty Newspaper Clippings, 1981, 1985 | |||||||||
| 44 | 3 | Dallas Public Library, Undated | |||||||||
| 44 | 4 | Lyndon B. Johnson Library, 1982 | |||||||||
| 44 | 5 | The Art & Technology of Makeup Exhibition, 1981 June 12 - 1981 July 5 | |||||||||
| 44 | 6 | Kryolan Makeup Color Charts and Correspondence, 1984-1989 | |||||||||
| 44 | 7 | Makeup Charts and Sources, 1989 | |||||||||
| 44 | 8 | Chapter Two - Getting Ready: Copies of Photographs and Sketches, Undated | |||||||||
| 44 | 9 | Chapter Three - Learning How: Copies of Photographs and Sketches, Undated | |||||||||
| 44 | 10 | Chapter Four - Understanding Form: Copies of Photographs and Sketches, Undated | |||||||||
| 44 | 11 | Chapter Five - Discovering Your Skull and Facial Muscles: Copies of Photographs and Sketches, Undated | |||||||||
| 44 | 12 | Chapter Six: Copies of Photographs and Sketches, Undated | |||||||||
| 44 | 13 | Chapter Seven: Copies of Photographs and Sketches and Notes on Layout, Undated | |||||||||
| 44 | 14 | Chapter Eight: Copies of Photographs and Sketches and Notes on Layout, Undated | |||||||||
| 44 | 15 | Chapter Nine: Copies of Photographs and Sketches and Notes on Layout, Undated | |||||||||
| 44 | 16 | Chapter Ten - Capturing Periods, Undated | |||||||||
| 44 | 17 | Chapter Ten - Capturing Periods: Fifteenth Century Women's Makeup, Undated | |||||||||
| 44 | 18 | Chapter Ten - Capturing Periods: Egyptian, Undated | |||||||||
| 44 | 19 | Chapter Ten - Capturing Periods: Greek, Undated | |||||||||
| 44 | 20 | Chapter Ten - Capturing Periods: Makeup Organization, Undated | |||||||||
| 44 | 21 | Chapter Ten - Capturing Periods: Henry VIII, Undated | |||||||||
| 44 | 22 | Chapter Ten - Capturing Periods: Elizabeth I, Undated | |||||||||
| 44 | 23 | Chapter Ten - Capturing Periods: Restoration Men, 1982, Undated | |||||||||
| 44 | 24 | Chapter Ten - Capturing Periods: Eighteenth Century Woman, Undated | |||||||||
| 44 | 25 | Chapter Ten - Capturing Periods: 1850's Men: Abraham Lincoln, Undated | |||||||||
| 44 | 26 | Chapter Ten - Capturing Periods: Gibson Girl, 1880, Undated | |||||||||
| 44 | 27 | Chapter Ten - Capturing Periods: 1970's, 1971-1979 | |||||||||
| 44 | 28 | Chapter Ten - Capturing Periods: 1980's, 1980-1983 | |||||||||
| 44 | 29 | Chapter Ten - Capturing Periods: Copies of Photographs and Sketches, Undated | |||||||||
| 44 | 30 | Chapter Eleven - Patterning: Copies of Photographs and Sketches, Undated | |||||||||
| 44 | 31 | Chapter Twelve - Styling From Nature: Copies of Photographs and Sketches, Undated | |||||||||
| 44 | 32 | Research for Proposed Chapter Fourteen - Fantasizing, Undated | |||||||||
| 44 | 33 | Nora Waugh Notes on Costuming, Undated | |||||||||
| Box | Folder | ||||||||||
| 45 | 1 | Permission Check List and Picture Identification, 1990 | |||||||||
| 45 | 2 | Permissions for Use of Photographs: American Museum of Natural History, New York, 1982 | |||||||||
| 45 | 3 | Permissions for Use of Photographs: Dallas Museum of Fine Arts, 1983 | |||||||||
| 45 | 4 | Permissions for Use of Photographs: Dallas Natural History Museum, Undated | |||||||||
| 45 | 5 | Permissions for Use of Photographs: Dallas Zoo, Undated | |||||||||
| 45 | 6 | Permissions for Use of Photographs: Doris Ulmann, 1983 | |||||||||
| 45 | 7 | Permissions for Use of Photographs: Library of Congress, Prints and Photographs Division, 1982-1983 | |||||||||
| 45 | 8 | Permissions for Use of Photographs: Mattie Garnett Odle, 1982 | |||||||||
| 45 | 9 | Permissions for Use of Photographs: Museum of Modern Art and Simon and Schuster, 1982-1985 | |||||||||
| 45 | 10 | Correspondence for Permissions for Use of Photographs: Modern Museum of Art, 1983, 1992 | |||||||||
| 45 | 11 | Permissions for Use of Photographs: Modern Museum of Art, 1983, 1985, 1989 | |||||||||
| 45 | 12 | Permissions for Use of Photographs: National Archives, 1982 | |||||||||
| 45 | 13 | Permissions for Use of Photographs: National Gallery of Art, 1983 | |||||||||
| 45 | 14 | Permissions for Use of Photographs: National Portrait Gallery, 1982 | |||||||||
| 45 | 15 | Permissions for Use of Photographs: New York Photograph Sources, 1982 | |||||||||
| 45 | 16 | Smithsonian Natural History Museum Photograph Reproduction and Permission Correspondence and Information, 1982-1983 | |||||||||
| 45 | 17 | Photographs and Permission Release for Treemont Photographs, 1979 | |||||||||
| 45 | 18 | Permissions for Use of Photographs: United Press International, 1983, 1989-1990 | |||||||||
| 45 | 19 | Museum Permissions, 1982-1990 | |||||||||
| 45 | 20 | Addresses of Everyman Players Needed for Permissions, 1982 | |||||||||
| 45 | 21 | Photograph and Model Release Forms, 1982-1983 | |||||||||
| Box | Folder | ||||||||||
| 46 | 1 | Photographer Release Forms, 1982-1983 | |||||||||
| 46 | 2 | Correspondence Regarding Footnote Permission, 1983 October 21 | |||||||||
| 46 | 3 | Correspondence Regarding Permission to Use Photographs, 1982-1989 | |||||||||
| 46 | 4 | Permissions for Use of Photographs: Multiple Enquiries, 1982-1983 | |||||||||
| 46 | 5 | Photo Reproduction Dispute, 1992 | |||||||||
| Box | Folder | ||||||||||
| 47 | 1 | Layout and Photographs for Covers and Spine, Undated | |||||||||
| 47 | 2 | Original Art, Camera Ready for Inclusion in Book, Undated | |||||||||
| 47 | 3 | Preprint Photographs: Chapter 1, Undated | |||||||||
| 47 | 4 | Preprint Photographs: Chapter 2, Undated | |||||||||
| 47 | 5 | Preprint Photographs: Chapter 3, Undated | |||||||||
| 47 | 6 | Preprint Photographs: Chapter 4, Undated | |||||||||
| 47 | 7 | Preprint Photographs: Chapter 5, Undated | |||||||||
| 47 | 8 | Preprint Photographs: Chapter 6, Undated | |||||||||
| 47 | 9 | Preprint Photographs: Chapter 7, Undated | |||||||||
| 47 | 10 | Preprint Photographs: Chapter 8, Undated | |||||||||
| 47 | 11 | Preprint Photographs: Chapter 9, Undated | |||||||||
| Box | Folder | ||||||||||
| 48 | 1 | Preprint Photographs: Chapter 10, Egyptian, Undated | |||||||||
| 48 | 2 | Preprint Photographs: Chapter 10, Greek, Undated | |||||||||
| 48 | 3 | Preprint Photographs: Chapter 10, Renaissance, Undated | |||||||||
| 48 | 4 | Preprint Photographs: Chapter 10, Tudor Man, Undated | |||||||||
| 48 | 5 | Preprint Photographs: Chapter 10, Elizabethan, Undated | |||||||||
| 48 | 6 | Preprint Photographs: Chapter 10, Restoration Men, Undated | |||||||||
| 48 | 7 | Preprint Photographs: Chapter 10, Eighteenth Century Woman, Undated | |||||||||
| 48 | 8 | Preprint Photographs: Chapter 10, 1850's Men, Undated | |||||||||
| 48 | 9 | Preprint Photographs: Chapter 10, Turn of the Century, The Gibson Girl, Undated | |||||||||
| 48 | 10 | Preprint Photographs: Chapter 10, 1920's, Undated | |||||||||
| 48 | 11 | Preprint Photographs: Chapter 10, 1930's, Undated | |||||||||
| 48 | 12 | Preprint Photographs: Chapter 10, 1940's, Undated | |||||||||
| 48 | 13 | Preprint Photographs: Chapter 10, 1950's, Undated | |||||||||
| 48 | 14 | Preprint Photographs: Chapter 10, 1960's, Undated | |||||||||
| 48 | 15 | Preprint Photographs: Chapter 10, 1970's, Undated | |||||||||
| 48 | 16 | Preprint Photographs: Chapter 10, 1980's, Undated | |||||||||
| 48 | 17 | Preprint Photographs: Chapter 10, Applying Facial Hair, Undated | |||||||||
| 48 | 18 | Preprint Photographs: Chapter 11, Patterning, Undated | |||||||||
| 48 | 19 | Preprint Photographs: Chapter 11, Photograph from Everyman Players Production of The Tempest, Undated | |||||||||
| 48 | 20 | Preprint Photographs: Chapter 12, Styling from Nature, Undated | |||||||||
| 48 | 21 | Preprint Photographs: Chapter 13, Styling from Art Forms, Undated | |||||||||
| 48 | 22 | Photocopies of Photographs and Images from Chapter 13: Styling from Art Forms, Undated | |||||||||
| 48 | 23 | Preprint Photographs: End Piece and Bio Photo, Undated | |||||||||
| 48 | 24 | Original Art, Camera Ready: Chapters 1-9, Undated | |||||||||
| 48 | 25 | Original Art, Camera Ready: Chapters 10-12, Undated | |||||||||
| 48 | 26 | Photocopies of Sketches and Photographs, Undated | |||||||||
| 48 | 27 | Book Photos: Doug Milner Negatives and Contact Sheets, 1988 May | |||||||||
| Box | Folder | ||||||||||
| 49 | 1 | Slides 1-1 - 1-11 Chapter 1, 1988 August | |||||||||
| 49 | 2 | Slides 2-1 - 2-3 Chapter 2: Getting Ready, 1988 July | |||||||||
| 49 | 3 | Slides 2-18 - 2-23c Chapter 2, 1988 July | |||||||||
| 49 | 4 | Slides 2-24 - 2-28a Chapter 2, 1988 July - 1988 August | |||||||||
| 49 | 5 | Slides 2-25a - 2-35 Chapter 2, 1988 August | |||||||||
| 49 | 6 | Slides 2-37b - 2-41 Chapter 2, 1988 August | |||||||||
| 49 | 7 | Slides 2-41 - 2-47 Chapter 2, 1988 August | |||||||||
| 49 | 8 | Slides 3-10 - 3-30 Chapter 3: Learning How, 1988 August | |||||||||
| 49 | 9 | Slides 4-2a - 4-9 Chapter 4: Understanding Form, 1988 August | |||||||||
| 49 | 10 | Slides 5-3b - 5-5b Chapter 5: Discovering Your Skull, 1988 August | |||||||||
| 49 | 11 | Slides 6-2a - 611 Chapter 6, 1988 August | |||||||||
| 49 | 12 | Slides 7-5 - 7-20 Chapter 7: Getting Older, 1988 August | |||||||||
| 49 | 13 | Slides 7-21b - 7-39 Chapter 7, 1988 August | |||||||||
| 49 | 14 | Slides 7-41 - 7-42 Chapter 7, 1988 August | |||||||||
| 49 | 15 | Slides 8-5 - 8-14 Chapter 8, 1988 August | |||||||||
| 49 | 16 | Slides 8-41 - 8-48b Chapter 8, 1988 August | |||||||||
| 49 | 17 | Slides 9-1b - 9-12c Chapter 9: Styling From Photos, 1988 August | |||||||||
| 49 | 18 | Slides 10-1 - 10-23 Chapter 10: Capturing Periods - Egyptian/Greek/15th Century Woman, 1988 August | |||||||||
| 49 | 19 | Slides 10-24 - 10-45 Chapter 10: Capturing Periods - Henry VIII/Elizabeth I/Restoration Men/18th Century Woman, 1988 August | |||||||||
| 49 | 20 | Slides 10-46 - 10-49 Chapter 10: Capturing Periods - Lincoln, 1988 August | |||||||||
| 49 | 21 | Slides 10-50 - 10-63 Chapter 10: Capturing Periods - 1850 Man/Gibson Girl/20's Woman/20's Man, 1988 August | |||||||||
| 49 | 22 | Slides 10-64 - 10-78 Chapter 10: Capturing Periods - 30's Woman/30's Mom/40's Woman/40's Mom, 1988 August | |||||||||
| 49 | 23 | Slides 10-79 - 10-91 Chapter 10: Capturing Periods - 60's Mom, 1988 August | |||||||||
| 49 | 24 | Slides 10-94 - 10-107c Chapter 10, 1988 August | |||||||||
| 49 | 25 | Slides 10-108 - 10-110 Chapter 10, 1988 August | |||||||||
| 49 | 26 | Slides 11-3 - 11-10 Chapter 11: Patterning, 1988 August | |||||||||
| 49 | 27 | Slides 11-22 - 11-30 Chapter 11, 1988 August | |||||||||
| 49 | 28 | Slides 12-25 - 12-34 Chapter 12, 1980 April, 1988 August | |||||||||
| 49 | 29 | Slides 12-37 - 12-49 Chapter 12, 1988 August | |||||||||
| 49 | 30 | Slides 13-4 - 13-12 Chapter 13, 1988 August | |||||||||
| 49 | 31 | Slides 29-36 Unidentified Chapters, 1988 July | |||||||||
| 49 | 32 | Book Cover Slide, Undated | |||||||||
| Box | Folder | ||||||||||
| 50 | 1 | Sketches and Makeup Charts, Undated | |||||||||
| 50 | 2 | Photographs of Models and a List of Identifications, Undated | |||||||||
| 50 | 3 | Correspondence, Negatives, and Photographs from Photographer Bruce Wilson, 1982-1983 | |||||||||
| 50 | 4 | Negatives, Contact Sheet, and Photographs with Handwritten Notes for Book Placement, Undated | |||||||||
| 50 | 5 | Negatives and Color Plates for Chapter 10, 1988 | |||||||||
| 50 | 6 | Negatives and Contact Sheets for Drape, Egg, Nick, Pansy, Jill Dog, and Nick Pig Contours, Undated | |||||||||
| 50 | 7 | Negatives and Photographs of Nick, Fat Face, Skinny Face and John Barr in his Yearbook, Undated | |||||||||
| 50 | 8 | Negatives of Hispanic Jesus Ramirez and Before Oriental, Undated | |||||||||
| 50 | 9 | Negatives and Contact Sheet for Sly Fox Research and Renderings, Undated | |||||||||
| 50 | 10 | Negatives and Contact Sheet for Arrow Shirtman, Kabuki, Prospero, Chinese Opera and Ariel, Undated | |||||||||
| 50 | 11 | Negatives and Contact Sheet for Devil Mask by Linc Hobson, Undated | |||||||||
| 50 | 12 | Negatives and Slides for Armadillo Makeup, Bark Mask, and Form (Tree), 1978-1979 | |||||||||
| 50 | 13 | Negatives and Contact Sheet for Milicent, Black Makeup, Beeson's House, Dozen, Oriental, Undated | |||||||||
| 50 | 14 | Photographs of Wiley and the Hairy Man and Statue of Justice, 1979 | |||||||||
| 50 | 15 | Negatives, Contact Sheet, and Slide of Orchids, Owls, and Dallas Museum of Natural History, Undated | |||||||||
| 50 | 16 | Negatives and Contact Sheet of Suzanne Fat/Skinny, Undated | |||||||||
| 50 | 17 | Negatives and Slides for Makeup, Animal Makeup, and Form (Tree), Undated | |||||||||
| 50 | 18 | Color Plate Identification, 1989 | |||||||||
| 50 | 19-20 | Rejected Photographs, Undated | |||||||||
| Box | Folder | ||||||||||
| 51 | 1 | Index Terms, Undated | |||||||||
| 51 | 2 | The Face is a Canvas Bibliography, Undated | |||||||||
| 51 | 3 | Draft of "References" with Revisions, Undated | |||||||||
| 51 | 4 | Blank Basic Face Charts, Undated | |||||||||
| 51 | 5 | Footnotes, Undated | |||||||||
| 51 | 6 | Notes Regarding Color Plates and Picture Identifications, Undated | |||||||||
| 51 | 7 | Notes on Photographs Used in the Book, Undated | |||||||||
| 51 | 8 | Photographers, Undated | |||||||||
| 51 | 9 | Revisions in Photographs and Charts, Undated | |||||||||
| 51 | 10 | Photocopies of Chapter 1 Photographs, Undated | |||||||||
| 51 | 11 | Uncut Chapter 2: Getting Ready, Undated | |||||||||
| 51 | 12 | Photo Layout for Chapter 7, Undated | |||||||||
| 51 | 13 | Hair Photographs of Nick and Jill for Chapter 10, Undated | |||||||||
| 51 | 14 | Typescript with Revisions and Illustrations for Chapter 10, Undated | |||||||||
| 51 | 15 | Photographs: Egyptian, Chapter 10, Undated | |||||||||
| 51 | 16 | Photographs: Greek, Chapter 10, Undated | |||||||||
| 51 | 17 | Photographs: 15th Century Woman, Chapter 10, Undated | |||||||||
| 51 | 18 | Photograph: Henry VIII, Chapter 10, Undated | |||||||||
| 51 | 19 | Photographs: Queen Elizabeth I, Chapter 10, Undated | |||||||||
| 51 | 20 | Illustration Layout: Restoration, Chapter 10, Undated | |||||||||
| 51 | 21 | Photograph and Illustration Layout: 18th Century, Chapter 10, Undated | |||||||||
| 51 | 22 | Illustration Layout: Lincoln, Chapter 10, Undated | |||||||||
| 51 | 23 | Illustration Layout: Gibson Girl, Chapter 10, Undated | |||||||||
| 51 | 24 | Layout for Photographs: 1920's, Chapter 10, Undated | |||||||||
| 51 | 25 | Illustration Layout: 1930's Women, Chapter 10, Undated | |||||||||
| 51 | 26 | Illustration Layout: 1940's Women, Chapter 10, Undated | |||||||||
| 51 | 27 | Photographs: 1950, Chapter 10, Undated | |||||||||
| 51 | 28 | Illustration and Layout: 1960, Chapter 10, Undated | |||||||||
| 51 | 29 | Photographs: 1970's, Chapter 10, Undated | |||||||||
| 51 | 30 | Illustration Layout and Photographs: 1980, Chapter 10, Undated | |||||||||
| 51 | 31 | Photographs and Sketches: Chapter 12 Extras, Undated | |||||||||
| 51 | 32 | Chapter 12: "Making a Chart for a Squirrel", Undated | |||||||||
| 51 | 33 | Typescript with Revisions, Undated (Pages 155-156) | |||||||||
| 51 | 34 | Personal Reviews of Books from which Quotes were Chosen for Back Cover of Published Text, 1982-1983, 1985, 1989 | |||||||||
| 51 | 35 | Copy for the Back of the Book, Undated | |||||||||
| 51 | 36 | The Face is a Canvas Flyers, 1990 | |||||||||
| 51 | 37 | Press Releases and Publicity, 1989 | |||||||||
| 51 | 38 | Book Orders, 1991 | |||||||||
| 51 | 39 | Book Reviews, 1991-1992 | |||||||||
| 51 | 40 | Reprints and Complimentary Copies, 1983, 1990-1991 | |||||||||
| 51 | 41 | The Face is a Canvas Makeup Workshop Flyers, Undated | |||||||||
| 51 | 42 | Makeup Workshop Request Response Fliers, Undated | |||||||||
| Box | Folder | ||||||||||
| 52 | 1 | Photographs and Layout: First Version, Undated | |||||||||
| 52 | 2 | Edited Manuscript, 1985 | |||||||||
| Includes correspondence from Prentice-Hall. | |||||||||||
| 52 | 3 | Irene Corey's Responses to Publisher's Edits, 1983-1985 | |||||||||
| 52 | 4 | Typescript Copy of Text with Revisions, Undated | |||||||||
| 52 | 5 | Typescript Copy: Introduction - Chapter 5, Undated | |||||||||
| 52 | 6 | Typescript Copy: Chapters 6-10, Undated | |||||||||
| 52 | 7 | Typescript Copy: Chapters 11-13, Undated | |||||||||
| 52 | 8 | Bound Typescript Copy: Introduction and Chapters 1, 9, and 11-13, Undated | |||||||||
| Box | Folder | ||||||||||
| 53 | 1 | Typescript with Revisions and Art List, Prentice-Hall Press Original, 1986 | |||||||||
| 53 | 2 | Typescript Copy with Revisions, Prentice-Hall Press Original, 1986 | |||||||||
| 53 | 3 | Typescripts with Revisions of the Book Captions, Undated | |||||||||
| 53 | 4 | Final Typescript Copy of Introduction, Forward, Table of Contents, Pages 1-6, and Makeup Color Correlation Chart, 1989 Nov 7 | |||||||||
| 53 | 5 | Typescript, Chapter 2: Removed for Dummy Excerpts, 1990 March 13 | |||||||||
| 53 | 6 | Galley with Revisions, Chapters 1-7 and Captions, 1990 April 10 | |||||||||
| Box | Folder | ||||||||||
| 93/OV1 | 8 | The Face is a Canvas: The Book of Job Review Articles, 1962-1964 | |||||||||
| 93/OV1 | 9 | The Face is a Canvas: Makeup Charts, Undated | |||||||||
| 93/OV1 | 10 | The Face is a Canvas: Chapter 10 "Capturing Periods, 1980s" Research, 1981-1985 | |||||||||
| 93/OV1 | 11 | The Face is a Canvas: Uncut Chapter 2 "Getting Ready", Undated | |||||||||
| Box | Folder | ||||||||||
| 53 | 7 | Galley with Revisions, 1990 | |||||||||
| Box | Folder | ||||||||||
| 93/OV1 | 12 | The Face is a Canvas: Face Sketches, Undated | |||||||||
| Box | Folder | ||||||||||
| 94/OV3 | 5 | The Face is a Canvas: Color Plates, Undated | |||||||||
| Box | Folder | ||||||||||
| 93/OV1 | 13 | The Face is a Canvas: Blank Face Charts, Undated | |||||||||
| Box | Folder | ||||||||||
| 53 | 8 | Color Photo and Illustration Proofs, 1990 | |||||||||
| Sub-Series D: Learning about Learning Books | |||||||||||
| Box | Folder | ||||||||||
| 54 | 1 | Character Suggestion Pads, Undated | |||||||||
| 54 | 2 | Extra Special One-of-a-Kind Valentines, 1976 | |||||||||
| 54 | 3 | I Create My World, 1977 | |||||||||
| Written and designed by Susan McAtee. | |||||||||||
| 54 | 4 | The Interview Game, Undated | |||||||||
| 54 | 5 | Me, 1973 | |||||||||
| Box | Folder | ||||||||||
| [Publications and Reference Material]/OV3 | 2 | Me, 1973 | |||||||||
| Box | Folder | ||||||||||
| 55 | 1 | Friends, Expectations (Irene Corey and John Barr), 1973 | |||||||||
| 55 | 2 | Me You: A Book for Growing to Know One Another, 1975 | |||||||||
| Written by Julia Jarrell, designed by Susie McAtee and Expectations (Irene Corey and John Barr). | |||||||||||
| Box | Folder | ||||||||||
| [Publications and Reference Material]/OV3 | 4 | The Me Book Kit, 1973 | |||||||||
| [Publications and Reference Material]/OV3 | 3 | The Me and My World Investigation Book, 1972 | |||||||||
| [Publications and Reference Material]/OV3 | 1 | Future/Past, Written by Julia Jarrell and Jay Bruner, 1972 | |||||||||
| Box | Folder | ||||||||||
| 54 | 6 | 1. Myself, Undated | |||||||||
| 54 | 7 | People Watching, 1972 | |||||||||
| 54 | 8 | Roles, 1972 | |||||||||
| Box | Folder | ||||||||||
| [Publications and Reference Material]/OV3 | 5 | Roles, 1972 | |||||||||
| Box | Folder | ||||||||||
| 54 | 9 | Telephones, 1972 | |||||||||
| Written by Helen Martinsen, designed by Susie Monday. | |||||||||||
| 54 | 10 | A Visit to a Court of Law, 1972 | |||||||||
| Written by ChaCha Ximenes, designed by Kentha. | |||||||||||
| 54 | 11 | What Do You Hear?, Undated | |||||||||
| 54 | 12 | What Do You Say About Yourself?, Undated | |||||||||
| 54 | 13 | Yo, 1972 | |||||||||
| 54 | 14 | Unidentified Pages, Undated | |||||||||
| 54 | 15 | Independent Claws Flyer, Undated | |||||||||
| 54 | 16 | Learning About Learning Display Unit: Correspondence, Sketches and Handwritten Notes, 1979 May - 1976 June | |||||||||
| 54 | 17 | The Puzzle Kit, Undated | |||||||||
| 54 | 18 | Learning About Learning Handwritten Notes and Sketches, Undated | |||||||||
| 54 | 19 | Learning About Learning Brochures and Workshop Flyers, 1975, 1980 | |||||||||
| Box | Folder | ||||||||||
| 94/OV3 | 6 | Learning About Learning: Brochures and Workshop Fliers, 1976 | |||||||||
| Box | Folder | ||||||||||
| 54 | 20 | Learning About Learning Article: "Another Way to Learn,"American Education, 1981 May | |||||||||
| 54 | 21 | Extraordinary Imagination Invention Convention Invitation, Undated | |||||||||
| Box | Folder | ||||||||||
| 91 | 1 | The Extraordinary Imagination Invention Convention Invitation, circa 1970 | |||||||||
| Series VI: Reference Materials | |||||||||||
| Sub-Series A: General with Notes | |||||||||||
| Box | Folder | ||||||||||
| 56 | 1 | Addresses, Some Past Sponsors of Everyman Players, Undated | |||||||||
| Box | Folder | ||||||||||
| 139/OV1 | 61 | Advisors' Guide to Costuming Programs in the United States, Partial Chart, Undated | |||||||||
| Box | Folder | ||||||||||
| 56 | 2 | Advisor's Guide to Costuming Programs in the United States, 1979 | |||||||||
| 56 | 3 | Articles by William Allen on a Variety of Subjects, 1972, 1981 | |||||||||
| 56 | 4 | Basic Costuming for the Biblical Play, Undated | |||||||||
| 56 | 5 | "Bibliography of Flat Pattern Sources", 1983 | |||||||||
| 56 | 6 | Blocking Hats, 1976-1978 | |||||||||
| 56 | 7 | Bob Kelly Makeup and Cosmetics Brochures, 1998 | |||||||||
| 56 | 8 | The Bratislava Cookbook: Recipes for Creating Imitations of Metal, Patent Leather, Leather, and Fabric Elaboration, 1977 | |||||||||
| 56 | 9 | Broadswords - Stagecraft How To, 1961 October | |||||||||
| 56 | 10 | Children's Literature Bibliography, Articles, and Handwritten Notes, 1982 | |||||||||
| 56 | 11 | Clara Hieronymus: Articles by and About Her, 1981 | |||||||||
| 56 | 12 | Costume Shop Supply Catalogues, 1981 | |||||||||
| 56 | 13 | "Creating Textured Fabrics" Session by Jeanne Davidson, USITT Costume Institute: Notes and Fabric Samples, 1978 | |||||||||
| 56 | 14 | Creative and Mental Growth by Viktor Lowenfeld and W. Lambert Brittian: Typed Chapter Notes, Undated | |||||||||
| 56 | 15 | Creativity and Art Education Typed Notes and Brochures, 1954, 1958 | |||||||||
| 56 | 16 | Dress Form Catalog, 1983 | |||||||||
| 56 | 17 | Dry Mounting Process How To, Undated | |||||||||
| Box | Folder | ||||||||||
| 139/OV1 | 57 | "Fables in Dance", Undated | |||||||||
| Box | Folder | ||||||||||
| 56 | 18 | Fiber Reactive Dyes, Presented by Marsha Leboeus, USITT Costume Commission Symposium, 1978 August | |||||||||
| 56 | 19 | Fish Costume and Makeup Notes, Undated | |||||||||
| 56 | 20 | Glues: List of Vendors, 1977 September | |||||||||
| 56 | 21 | "A Guide to Makeup for the Stage" by Richard Johnson and Robert Seaver, 1955 | |||||||||
| 56 | 22 | Handwritten Directions to Stores and Other Addresses, Undated | |||||||||
| 56 | 23 | Hinges for Flats, Undated | |||||||||
| 56 | 24 | Humanities Research Center, The University of Texas at Austin Brochures and Notes, 1978 | |||||||||
| 56 | 25 | "Introduction to Health Hazards in Theater Crafts", 1980 | |||||||||
| 56 | 26 | Jewelry Suppliers Catalogues and Design Handwritten Notes, 1972-1974 | |||||||||
| 56 | 27 | Kryolan USA Quarterly Newsletter, 1983-1984 (Volume 1, Number 1 through Volume 2, Number 1) | |||||||||
| 56 | 28 | Lighting - Stagecraft How To, 1954 | |||||||||
| 56 | 29 | Liquid Plastics and Fiberglass - Castolite Company Catalogues, 1960, 1962 | |||||||||
| Box | Folder | ||||||||||
| 139/OV1 | 58 | "Macabre Makeovers,"The Dallas Morning News, 1982 October 30 | |||||||||
| Box | Folder | ||||||||||
| 56 | 31 | Makeup: Realistic/Aging with John and Susie as Models, 1974 | |||||||||
| 56 | 32 | Makeup Training Articles and Handwritten Notes, 1985 | |||||||||
| Box | Folder | ||||||||||
| 139/OV1 | 59 | Mask Research, Undated | |||||||||
| Box | Folder | ||||||||||
| 56 | 33 | Mask Photographs and Research, 1971 | |||||||||
| 56 | 34 | Measurement Chart Masters, Undated | |||||||||
| 56 | 35 | Mime Journal, 1974 (Number One) | |||||||||
| 56 | 36 | Modern Art in the Making by Bernard Myers, Undated (Typed Chapter Notes) | |||||||||
| 56 | 37 | Moneymen and the Artist, Undated | |||||||||
| 56 | 38 | Nashville Academy Theatre Publicity, 1980 | |||||||||
| 56 | 39 | NCA (National Costumers Association) Newsletter, 1974-1975, 1978 | |||||||||
| 56 | 40 | NETC Design & Technology Exchange Newsletters, 1979 February-1979 October | |||||||||
| 56 | 41 | Nicolas de Staël, Arthur Tooth and Sons, Exhibit Catalogue and Articles, 1956 | |||||||||
| Box | Folder | ||||||||||
| 57 | 1 | Pattern Companies List, 1974 | |||||||||
| 57 | 2 | Patterns of History 1835-1896 Brochure, Undated | |||||||||
| 57 | 3 | Persona: The Newsletter of Masked Theatre, 1979 | |||||||||
| 57 | 4 | Portable Makeup Mirror Articles, 1981, 1991 | |||||||||
| 57 | 5 | Puppet Ideas, 1975, 1979-1981 | |||||||||
| 57 | 6 | Puppeteer Eric Bass Handwritten Notes and Publicity, 1983 | |||||||||
| 57 | 7 | Puppets, University of New Mexico, David Velasquez, 1981-1982 | |||||||||
| 57 | 8 | "Rubber Fabrication For Costume", Undated | |||||||||
| 57 | 9 | Stanley Spencer Tate Gallery Exhibit Catalogue, 1955 | |||||||||
| 57 | 10 | Textile Paint Brochure, Undated | |||||||||
| 57 | 11 | "The Style Wheel of Furniture and Decoration," Devised by A. Allen Dizik, 1978 | |||||||||
| 57 | 12 | Theater Alumni and Friends of Paul Baker Addresses, Undated | |||||||||
| 57 | 13 | Theatre and Dance Articles, 1957-1958, 1960-1961 | |||||||||
| 57 | 14 | USITT Costuming Commission Correspondence, Undated | |||||||||
| 57 | 15 | USITT Costuming Commission Symposium Millinery, 1979 August 16-18 | |||||||||
| 57 | 16 | Notes from "Adapting Model Millinery and Historical Sources for the Stage," Presented by Janet Harper, USITT Costuming Commission Symposium, 1979 August 16-18 | |||||||||
| 57 | 17 | Notes from "Armor, Crowns and Masks from Celastic and Fiberglass," Presented by Frederick Nihda, USITT Costuming Commission Symposium, 1979 August 16-18 | |||||||||
| 57 | 18 | Notes from "Headdresses, Masks and Helmets Created with Styrofoam and Latex," Presented by Richard Tautkaus, USITT Costuming Commission Symposium, 1979 August 16-18 | |||||||||
| 57 | 19 | Notes from "Headdresses and Masks Constructed in Aerated Foam," Presented by David Manwaring, USITT Costuming Commission Symposium, 1979 August 16-18 | |||||||||
| 57 | 20 | Notes from "History and Aesthetics of Millinery for Fashion, Stage and Film," Presented by Gary Brower, USITT Costuming Commission Symposium, 1979 August 16-18 | |||||||||
| 57 | 21 | Notes from "Techniques of Model Millinery I," Presented by Lyn Carroll, USITT Costuming Commission Symposium, 1979 August 16-18 | |||||||||
| 57 | 22 | USITT Newsletters, 1978 November-December, 1980 March-April | |||||||||
| 57 | 23 | Valentine's Day, "Be My Valentine" Heart Construction Sketches, Undated | |||||||||
| 57 | 24 | Want Lists, 1974 July-August | |||||||||
| 57 | 25 | Wardrobe Chart Masters, Undated | |||||||||
| 57 | 27 | Wig Companies Publicity, 1987-1988 | |||||||||
| 57 | 26 | Wig Articles, 1976 January-June | |||||||||
| Box | Folder | ||||||||||
| 94/OV3 | 7 | Nashville Academy Theatre Calendar, 1979 September-1980 August | |||||||||
| Box | Folder | ||||||||||
| 93/OV1 | 14 | Map of Kentucky Sketch, Undated | |||||||||
| Box | Folder | ||||||||||
| 94/OV3 | 8 | General Research, Art History, Undated | |||||||||
| Box | Folder | ||||||||||
| 139/OV1 | 60 | Article about David Velasquez, "Fantasy Has Amazing Puppets,"New Mexico Daily Lobo, 1981 February 9 | |||||||||
| Sub-Series B: James Hull Miller | |||||||||||
| Box | Folder | ||||||||||
| 58 | 1 | Biographical Essays by James Hull Miller, Undated | |||||||||
| 58 | 2 | James Hull Miller Publication Fliers, Undated | |||||||||
| 58 | 3 | "A Brief History of Lensless Projection," by James Hull Miller, Undated | |||||||||
| 58 | 4 | An Architectural and Engineering Proposal for Open Stage Theatrical, The Design Concepts of James Hull Miller in Collaboration with Albert M. Koga, Consulting Engineer, Undated | |||||||||
| 58 | 5 | "Freestanding Scenery," HUB 121R, Additions and Corrections, Undated | |||||||||
| 58 | 6 | "Freestanding Scenery Training at the Arts Lab, Shreveport, Louisiana," Brochure with Photographs of Irene Corey Working in the Lab, Undated | |||||||||
| 58 | 7 | New Ideas That Save Time and Money: A Workshop for Teachers Who Direct Plays in Small Schools, Workshop Brochure, Undated | |||||||||
| 58 | 8 | Quick Concepts and Graphics for Open Stages, HUB Bulletin 140, Undated | |||||||||
| 58 | 9 | Hub Lighting Systems for Children's Theatres, 1960 | |||||||||
| 58 | 10 | Little Theatres from Modest Spaces, Based on the Design Practices of James Hull Miller, HUB Bulletin 107, 1962 | |||||||||
| 58 | 11 | For Everyman, A Theatre, by James Hull Miller, 1963 June | |||||||||
| 58 | 12 | Handwritten Notes Found Throughout Open Stage Technical Manual, 1964 | |||||||||
| 58 | 13 | Open Stage Technical Manual, by James Hull Miller, with Corey Annotations and Inserted Pages, 1964 | |||||||||
| 58 | 14 | A Manner of Arranging the Stage, by James Hull Miller, 1965 January-1965 February | |||||||||
| 58 | 15 | James Hull Miller and His Arts Laboratory Brochures, 1965 | |||||||||
| 58 | 16 | The Open Stage, Based on the Designs of James Hull Miller, HUB Bulletin 109, 1965 | |||||||||
| 58 | 17 | Stone Age Art in an IBM World, by James Hull Miller, 1966 | |||||||||
| 58 | 18 | A Scenic System for the Open Stage, by James Hull Miller, HUB Bulletin 136, 1967 May-June | |||||||||
| 58 | 19 | "A System of Background Projection," by James Hull Miller, with Corey Reynard the Fox Photographs and Dedication to the Coreys, Theatre U.S.A., 1967 October | |||||||||
| 58 | 20 | A System of Background Projection, by James Hull Miller, HUB Bulletin 137, 1967 October | |||||||||
| 58 | 21 | Sense Staging: The Results of 8 Years of Directing and Designing for the Open Stage, 1968 | |||||||||
| 58 | 22 | Freestanding Scenery, by James Hull Miller, HUB Bulletin 121, 1969 | |||||||||
| 58 | 23 | Small Auditoriums with Open Stages, Based on the Designs of James Hull Miller, HUB Bulletin 126, 1969 February | |||||||||
| 58 | 24 | Freestanding Scenery by James Hull Miller, HUB Bulletin 121, 1969 | |||||||||
| Includes a letter from Ken Holamon to Miller dated August 22, 1969 and a handwritten note by Irene Corey. | |||||||||||
| 58 | 25 | Correspondence between Irene Corey and James Hull Miller, 1977 | |||||||||
| Includes hand-drawn drawings by Corey. | |||||||||||
| 58 | 26 | Notes on Designing Small Presentational Spaces for Lecture, Concert, and Drama, by James Hull Miller, circa 1977 | |||||||||
| 58 | 27 | "The Speculative Phenomenalist or A Layman's Metaphysic" by James Hull Miller, 1978 | |||||||||
| 58 | 28 | Staging in the Style of Store Window Display, by James Hull Miller, 1978 | |||||||||
| Box | Folder | ||||||||||
| 139/OV1 | 62 | Miller, James Hull, 1980 September 7 | |||||||||
| Box | Folder | ||||||||||
| 58 | 29 | A Metaphysical Autobiography by James Hull Miller, 1981 | |||||||||
| 58 | 30 | "Making Theatres from Rooms," Based on the Design Concepts of James Hull Miller in Collaboration with Albert M. Koga, HUB INC Bulletin, 1982 | |||||||||
| Box | Folder | ||||||||||
| 94/OV3 | 9 | James Hull Miller Handwritten Notes, 1964 | |||||||||
| Found in Open Stage Technical Manual. | |||||||||||
| Box | Folder | ||||||||||
| 58 | 31 | James Hull Miller Pictures, 1986 | |||||||||
| Sub-Series C: Annotated Books | |||||||||||
| Box | Folder | ||||||||||
| 59 | 1 | Art Through the Ages: An Introduction to It's History & Significance, by Helen Gardner, Harcourt, Brace and Company, New York, 1936 | |||||||||
| 59 | 2 | European Painting and Sculpture, by Eric Newton, Penguin Books, Harmondsworth, 1942 | |||||||||
| 59 | 3 | History of World Art, by Everard Upjohn, Paul Wingert and Jane Mahler, Oxford University Press, New York, 1949 | |||||||||
| 59 | 4 | The Story of Modern Art, by Sheldon Cheney, the Viking Press, New York, 1950 | |||||||||
| Box | Folder | ||||||||||
| 60 | 1 | Art and Civilization, by Bernard Myers, McGraw-Hill Book Company, Inc., New York, 1957 | |||||||||
| 60 | 2 | Empty and Fall: The Language of Chinese Painting, by François Cheng, Translated by Michael H. Kolm, Shambala Publications Inc, Boston, 1994 | |||||||||
| Sub-Series D: Reference Books | |||||||||||
| Box | Folder | ||||||||||
| 61 | 1 | The Costume of the Ancients, by Thomas Hope, Chatto and Windus Picadilly, London, 1875 | |||||||||
| 61 | 2 | The Costume of the Ancients, by Thomas Hope, Chatto and Windus Picadilly, London, 1875 | |||||||||
| 61 | 3 | Medieval Costume in England & France: The 13th, 14th, and 15th Centuries, by Mary Houston, Adam & Charles Black, London, 1950 | |||||||||
| Box | Folder | ||||||||||
| 62 | 1 | The Glory of Romanesque Art, by Joseph Ganter and Marcel Pobé, The Vanguard Press, New York, 1956 | |||||||||
| 62 | 2 | The Great Centuries of Painting: Etruscan Painting, by Massimo Pallottino, Skira Inc, New York, 1952 | |||||||||
| 62 | 3 | Larousse Encyclopedia of Prehistoric & Ancient Art, Edited by René Huyghe, Prometheus Press, New York, 1957 | |||||||||
| 62 | 4 | "A Brief Guide to the Costume Court" at the Victoria and Albert Museum, 1962 | |||||||||
| Includes photographs and handwritten notes about clothing from 1600 to 1916. | |||||||||||
| 62 | 5 | Primitive Art, by Douglas Fraser, Doubleday & Company Inc, Garden City, 1962 | |||||||||
| Box | Folder | ||||||||||
| 63 | 1 | Quilts & Coverlets: A Contemporary Approach, by Jean Laury, Van Nostrand Reinhold Company, New York, 1970 | |||||||||
| 63 | 2 | Ravena, by Antonio Paolucci, Scala, Florence, 1970 | |||||||||
| 63 | 3 | People of Kau, by Leni Riefenstahl, Harper & Row, New York, 1976 | |||||||||
| 63 | 4 | Stage Design Throughout the World 1970-1975, by René Hainaux, Theatre Arts Book, New York, 1976 | |||||||||
| 63 | 5 | Georgia, Text by Charles Wharton, Charles H. Bending Graphic Arts Center Publishing Co, Portland, 1977 | |||||||||
| Box | Folder | ||||||||||
| 64 | 1 | Scenery for the Theatre: The Organization, Processes, Materials, and Techniques Used to Set the Stage, by Harold Burris-Meyer and Edward Cole, Little, Brown and Company, Boston, 1946 | |||||||||
| 64 | 2 | The English Interior: 1500-1900, by Ralph Dutton, B. T. Batsford Ltd, London, 1948 | |||||||||
| 64 | 3 | The Humanities: Applied Aesthetics, by Louise Dudley and Austin Faricy, McGraw-Hill Book Company Inc., New York, 1951 | |||||||||
| 64 | 4 | The Metropolitan Museum of Art Bulletin, New York, 1963 | |||||||||
| 64 | 5 | Contemporary Batik and Tie-Dye: Methods, Inspiration, Dyes, by Dona Meilach, Crown Publishers, New York, 1973 | |||||||||
| 64 | 6 | The Concise Guide to Patents, Trademarks and Copyrights, Edited by Soloman Schepps, Bell Publishing Company, New York, 1980 | |||||||||
| Box | Folder | ||||||||||
| 65 | 1 | Fortuny, 1980 | |||||||||
| 65 | 2 | Men: A Pictorial Archive from Nineteenth-Century Sources, Selected by Jim Harter, Dover Publications, New York, 1980 | |||||||||
| 65 | 3 | Theatre: The Dynamics of the Art, by Brian Hensen, Prentice-Hall, Englewood Cliffs, 1986 | |||||||||
| 65 | 4 | The Metropolitan Museum of Art Bulletin, New York, 1996 | |||||||||
| 65 | 5 | Art in Dress, by P. Clement Brown, 1922 | |||||||||
| Box | Folder | ||||||||||
| 66 | 1 | Ancient Greek, Roman and Byzantine Costume and Decoration, by Mary Houston, Adam & Charles Black, London, 1947 | |||||||||
| 66 | 2 | Dress in Mediaeval France, by Joan Evans, Oxford University Press, London, 1952 | |||||||||
| 66 | 3 | Handbook of English Costume in the Nineteenth Century, by C. Willet Cunnington and Phillis Cunningham, Faber and Faber Limited, London, 1959 | |||||||||
| Box | Folder | ||||||||||
| 67 | 1 | Theatre Scenecraft for the Backstage Technician and Artist, by Vern Adix, Children's Theatre Press, 1956 | |||||||||
| 67 | 2 | The Tale of the Tales: The Beatrix Potter Ballet, by Rumer Godden, Frederick Warne & Co Ltd, London, 1971 | |||||||||
| 67 | 3 | Laurel Creek, by Eve Spears, Georgetown College Press, Georgetown, 1972 | |||||||||
| 67 | 4 | Zen Ink Paintings, by Sylvan Barnet and William Burto, Robert G. Sawers Publishing, London, 1982 | |||||||||
| 67 | 5 | Varieties of Theatrical Art, by August Staub, Contributing Author Sylvia Hillyard, Contemporary Publishing Company, Raleigh, 1984 | |||||||||
| 67 | 6 | The Grass Creek Chronicle, by Pat Carr, Nightshade Press, 1993 | |||||||||
| Box | Folder | ||||||||||
| 68 | 1 | Sears Roebuck Catalog, circa 1932 (Pages 1-100) | |||||||||
| 68 | 2 | Sears Roebuck Catalog, circa 1932 (Pages 101-200) | |||||||||
| 68 | 3 | Sears Roebuck Catalog, circa 1932 (Pages 201-300) | |||||||||
| 68 | 4 | Sears Roebuck Catalog, circa 1932 (Pages 301-400) | |||||||||
| 68 | 5 | Sears Roebuck Catalog, circa 1932 (Pages 401-500) | |||||||||
| 68 | 6 | Sears Roebuck Catalog, circa 1932 (Pages 501-600) | |||||||||
| 68 | 7 | Sears Roebuck Catalog, circa 1932 (Pages 601-700) | |||||||||
| 68 | 8 | Sears Roebuck Catalog, circa 1932 (Pages 701-800) | |||||||||
| 68 | 9 | Sears Roebuck Catalog, circa 1932 (Pages 801-897) | |||||||||
| Sub-Series E: Items in Books | |||||||||||
| Box | Folder | ||||||||||
| 69 | 1 | Altman, Robert, 2006 May-June | |||||||||
| 69 | 2 | Apatow, Judd, 2007 May-June | |||||||||
| 69 | 3 | Art and Design of Vienna, 1986 | |||||||||
| Found in Vienesse Design and the Wiener Werkstatte. | |||||||||||
| 69 | 4 | Art in The Netherlands, 1958 | |||||||||
| 69 | 5 | The Art of Fashion: The Radical Sixties, 1991 February | |||||||||
| Found in The Sixties: Years of Hope, Days of Rage by Todd Gitlin. | |||||||||||
| 69 | 6 | Basic Necklines, Undated | |||||||||
| 69 | 7 | "Bringing Burlesque to Broadway: Sugar Babies,"Horizon, 1979 October | |||||||||
| 69 | 8 | Bushmaster Firearms Catalogue, 1995 | |||||||||
| 69 | 9 | Calvin Klein Underwear, 1983 | |||||||||
| Found in Dress and Undress. | |||||||||||
| 69 | 10 | Chekhov, Anton, The Heritage Club's Sandglass, Number II: 32, circa 1950s | |||||||||
| 69 | 11 | China's Administrative Divisions Map, Undated | |||||||||
| 69 | 12 | Corpus Christi [Texas] Photographs: 1934, 1987 August | |||||||||
| Found in Itinerant Photographer. | |||||||||||
| 69 | 13 | Costume and Makeup Bibliographies, Undated | |||||||||
| Found in Bibliography of Costume, a Dictionary Catalog of About Eight Thousand Books and Periodicals, compiled by Hilare and Meyer Hiler. | |||||||||||
| 69 | 14 | Desert Caftans, Undated | |||||||||
| Found in The Life of the Mountains. | |||||||||||
| 69 | 15 | Early American Costume, Undated | |||||||||
| Found in American Primitive at Peebles Art Library. | |||||||||||
| 69 | 16 | Elizabeth I Newspaper Photograph, Undated | |||||||||
| Found in The Elizabethans. | |||||||||||
| 69 | 17 | Fashion, 1985 | |||||||||
| 69 | 18 | Fellini, Federico, Undated | |||||||||
| 69 | 19 | French Hood Pattern, Undated | |||||||||
| Removed from Costume & Fashion Volume Three, The Tudors, Book II: 1547-1603. | |||||||||||
| 69 | 20 | Guest, Christopher, 2006 November-December | |||||||||
| 69 | 21 | Hippos, Raccoons and Endangered Species Animal Pictures, 1953 | |||||||||
| Found in The Life of the Mountain. | |||||||||||
| 69 | 22 | Ichiryūsai Hiroshige: The Fifty-Three Stations of the Tōkaidō, Exhibition Brochure, 1996 October | |||||||||
| Found in Hokusa: Life and Work. | |||||||||||
| 69 | 23 | "Icons of Modernism: Erté and the Theatre", 1991 | |||||||||
| Found in Erté's Theatrical Costumes in Full Color. | |||||||||||
| 69 | 24 | Loach, Ken, 2007 January-February | |||||||||
| 69 | 25 | Loos, Adolf, Undated | |||||||||
| 69 | 26 | Louisiana House Gardens, Undated | |||||||||
| Found in Ghosts Along the Mississippi: The Magic of the Old Houses of Louisiana. | |||||||||||
| 69 | 27 | Lunch Boxes, 1990 March | |||||||||
| Found in The Decorative Arts of the Forties and Fifties Austerity Binge. | |||||||||||
| 69 | 28 | Lynch, David, 2007 January-February | |||||||||
| 69 | 29 | Man as Art, Book Review by Andrew Strathern, Undated | |||||||||
| 69 | 30 | Mann, Anthony, 2007 May-June | |||||||||
| 69 | 31 | The Mantram of Unification [Poem], Undated | |||||||||
| 69 | 32 | Lee, Marvin, 2007 May-June | |||||||||
| 69 | 33 | Mask Photographs and Renderings, 1967, 1976-1983 | |||||||||
| Found in Masks & Magic. | |||||||||||
| 69 | 34 | Mobil Masterpiece Theatre Bookmark, Undated | |||||||||
| 69 | 35 | Movement Directions on Page Titled "Sound", Undated | |||||||||
| Found in Zen Painting by Casuistic Awake. | |||||||||||
| 69 | 36 | Museum Bogeyman-van Bennington Exhibitions, 1992 | |||||||||
| Found in From Panellisation to Cezanne: Master Drawings from the Museum Bogeyman-van Bennington. | |||||||||||
| 69 | 37 | Ne Robes and Masks, Exhibit Brochure, 1977 September | |||||||||
| Found in Japanese Costume and Textile Arts. | |||||||||||
| 69 | 38 | Paris-Berlin, Art Historical Exhibit, Centre Belabour, Undated | |||||||||
| Found in Alberto Albrecht's Berlin: A Scrapbook of the Twenties. | |||||||||||
| 69 | 39 | Pattern Drafting and Draping 130, Draft the Dress Bodice, Ruhr Yellow Page 2, Undated | |||||||||
| 69 | 40 | Photo Gallery of the Hampton Institute for "Negroes and American Indians", 1970 | |||||||||
| Found in Historic Dress in America. | |||||||||||
| 69 | 41 | Picasso, Pablo, 1996 October-1997 June | |||||||||
| Found in Picasso, The Recent Years, 1939-1946. | |||||||||||
| 69 | 42 | Pictures of Costumes from Various Eras, Undated | |||||||||
| With letter from Irene to the Metropolitan Museum of Art Costume Institute regarding New York City Historical costume collections. | |||||||||||
| 69 | 43 | Postcard from Joy to Irene, Undated | |||||||||
| Found in Into the Twenties: Style and Design 1909-1929. | |||||||||||
| 69 | 44 | Postcards with Moroccan Costumes, Undated | |||||||||
| 69 | 45 | Promenade Du Boulevard Du Temple by Jean François Bach des Fontaine, 1968 | |||||||||
| Found in Rook: Franchisee in XVIII Undertaker. | |||||||||||
| 69 | 46 | Quilting and Crochet, Undated | |||||||||
| Found in Lap Quilting with Georgia Bone steel. | |||||||||||
| 69 | 47 | Rags to Riches, Kansas State University Theatre for Young People Production Photograph, 1978 | |||||||||
| Found in Theatre, Children and Youth. | |||||||||||
| 69 | 48 | Religious Play Titles Published by the Religious Drama Society of Great Britain, Undated | |||||||||
| 69 | 49 | Scorsese, Martin, 2006 November-December | |||||||||
| 69 | 50 | Shakespeare, 1979 October | |||||||||
| 69 | 51 | Silk Women's Walking Dress, 1984 February | |||||||||
| Found in Eighteenth-Century French Fashion on Plates in Full Color. | |||||||||||
| 69 | 52 | Snakes, 1976 January 30 | |||||||||
| Found in Snakes of the American West. | |||||||||||
| 69 | 53 | Sporting Attire, 1987 | |||||||||
| Found in English Costume for Sports and Outdoor Recreation From the Sixteenth to the Nineteenth Centuries. | |||||||||||
| 69 | 54 | Unidentified Sketch: Final Design for "Front Gauze (Yellow Door)", Undated | |||||||||
| Found in Stage Design Throughout The World Since 1950. | |||||||||||
| Box | Folder | ||||||||||
| 94/OV3 | 10 | Unidentified Sketch: Final Design for "Front Gauze (Yellow Door)", Undated | |||||||||
| Found in Stage Design Throughout the World Since 1950. | |||||||||||
| Box | Folder | ||||||||||
| 69 | 55 | Unidentified Sketches of Women Playing Instruments, Undated | |||||||||
| Found in Art Nouveau: Revolution in Interior Design by Rosanna Glossolalia | |||||||||||
| 69 | 56 | Universal Petticoat, Undated | |||||||||
| 69 | 57 | Utrillo, Maurice, 1955 | |||||||||
| 69 | 58 | Your Cities: What They Tell about Your Politics, Vogue, 1979 September | |||||||||
| Series VII: Slides | |||||||||||
| Sub-Series A: Theatrical Design | |||||||||||
| Box | Slides | ||||||||||
| 69 | 0001-0001C | Alice in Wonderland, Dallas Theater Center, 1980 | |||||||||
| 69 | 0002-0003 | Flannelette, Undated | |||||||||
| 69 | 0004-0006 | Barney, 1993 June | |||||||||
| 69 | 0007-0018 | The Book of Job, Everyman Players, 1957, 1961, 1979 | |||||||||
| Slides contain costume renderings, research, and publications | |||||||||||
| 69 | 0019-0036 | The Book of Job, Everyman Players, 1957 | |||||||||
| Slides contain Job costume and makeup. | |||||||||||
| 69 | 0037-0047 | The Book of Job, Everyman Players, 1957 | |||||||||
| Slides contain Job costume and makeup. | |||||||||||
| 69 | 0048-0065 | The Book of Job, Everyman Players, 1957, 1961 | |||||||||
| Slides contain Female Chorus costumes and makeup. | |||||||||||
| 69 | 0066-0084 | The Book of Job, Everyman Players, 1957, 1961 | |||||||||
| Slides contain Job and Female Chorus costumes and makeup. | |||||||||||
| 69 | 0085-0100 | The Book of Job, Everyman Players, 1962 | |||||||||
| Slides contain Job and Male Chorus scenes from the production. | |||||||||||
| 69 | 0101-0120 | The Book of Job, Everyman Players, Pineville, Kentucky, 1967 | |||||||||
| Slides contain scenes from the production. | |||||||||||
| 69 | 0121-0132 | The Book of Job, Everyman Players, Pineville, Kentucky, 1967 | |||||||||
| Slides contain scenes from the production. | |||||||||||
| 69 | 0133-0148 | The Book of Job, Everyman Players, Pineville, Kentucky, 1968 | |||||||||
| Slides contain Pineville, Kentucky Ensemble. | |||||||||||
| 69 | 0149-0168 | The Book of Job, Everyman Players, Pineville, Kentucky, 1978 August | |||||||||
| 69 | 0169-0170 | Boyfriend, Undated | |||||||||
| 69 | 0171-0185 | The Butterfly, Everyman Players, 1978 | |||||||||
| Slides contain Butterfly construction, renderings, and research. | |||||||||||
| 69 | 0186-0204 | The Butterfly, Everyman Players, 1978 | |||||||||
| Slides contain Grasshopper construction, renderings, and research. | |||||||||||
| 69 | 0205-0223 | The Butterfly, Everyman Players, 1978 | |||||||||
| Slides contain Lightning Bug construction and renderings. | |||||||||||
| 69 | 0224-0233 | The Butterfly, Everyman Players, 1978 | |||||||||
| Slides contain Lightning Bug. | |||||||||||
| 69 | 0234-0250 | The Butterfly, Everyman Players, 1978 | |||||||||
| Slides contain Fly construction, renderings, and research. | |||||||||||
| 69 | 0250-0260 | The Butterfly, Everyman Players, 1978 | |||||||||
| Slides contain Fly costumes. | |||||||||||
| 69 | 0261-0278 | The Butterfly, Everyman Players, 1978 | |||||||||
| Slides contain Beetles costumes, renderings, and construction. | |||||||||||
| 69 | 0279-0295 | The Butterfly, Everyman Players, 1978 | |||||||||
| Slides contain Honeybee renderings, costume, and research. | |||||||||||
| 69 | 0296-0313 | The Butterfly, Everyman Players, 1978 | |||||||||
| Slides contain Honeybee during production and Spider research and renderings. | |||||||||||
| 69 | 0314-0333 | The Butterfly, Everyman Players, 1978 | |||||||||
| Slides contain Spider construction. | |||||||||||
| 69 | 0334-0345 | The Butterfly, Everyman Players, 1978 | |||||||||
| Slides contain Spider costume. | |||||||||||
| 69 | 0346-0364 | The Butterfly, Everyman Players, 1978 | |||||||||
| Slides contain Butterfly with Beetles and Butterfly with Grasshopper. | |||||||||||
| 69 | 0365-0384 | The Butterfly, Everyman Players, 1978 | |||||||||
| Slides contain various characters. | |||||||||||
| 69 | 0385-0404 | The Butterfly, Everyman Players, 1978 | |||||||||
| Slides contain Spider and Butterfly. | |||||||||||
| 69 | 0405-0424 | The Butterfly, Everyman Players, 1978 | |||||||||
| Slides contain production and set photographs. | |||||||||||
| 69 | 0425-0438 | The Butterfly, Everyman Players, 1978 | |||||||||
| Slides contain cast and one photograph of the entire company. | |||||||||||
| 69 | 0439-0450 | A Christmas Carol, Dallas Theatre Center, 1981 December | |||||||||
| 69 | 0451-0467 | Crucible, Centenary College, 1961 November | |||||||||
| 69 | 0468-0476 | Dirty Work at the Crossroads, Centenary College, 1962 | |||||||||
| 69 | 0477-0495 | Don Quixote, Centenary College, 1965 November | |||||||||
| Slides contain set, makeup, and research. | |||||||||||
| 69 | 0496-0513 | Don Quixote, Centenary College, 1965 November | |||||||||
| Slides contain costumes. | |||||||||||
| 69 | 0514-0516 | Don Quixote, Centenary College, 1965 November | |||||||||
| Slides contain production photographs. | |||||||||||
| 69 | 0517-0525 | Electra, Centenary College, 1964 | |||||||||
| Slides contain research and set. | |||||||||||
| 69 | 0526-0543 | Electra, Everyman Players, 1971 | |||||||||
| Slides contain scenes from the production. | |||||||||||
| 69 | 0544-0562 | Electra, Centenary College and Everyman Players, 1964, 1971 | |||||||||
| Slides contain scenes from the production. | |||||||||||
| 69 | 0563-0579 | Electra, Everyman Players, 1971 | |||||||||
| Slides contain scenes from the production. | |||||||||||
| 69 | 0580-0593 | Electra, Everyman Players, 1971 | |||||||||
| Slides contain scenes from the production. | |||||||||||
| 69 | 0595-0609 | Electra, Centenary College and Everyman Players, 1964, 1971 | |||||||||
| Slides contain makeup and costumes. | |||||||||||
| 69 | 0610-0623 | Electra, Centenary College and Everyman Players, 1964, 1971 | |||||||||
| Slides contain makeup and costumes. | |||||||||||
| 69 | 0624-0640 | Electra, Centenary College and Everyman Players, 1964, 1971 | |||||||||
| Slides contain makeup and costumes. | |||||||||||
| 69 | 0641-0656 | Electra, Centenary College and Everyman Players, 1964, 1971 | |||||||||
| Slides contain makeup and costumes. | |||||||||||
| 69 | 0657-0674 | Electra, Centenary College and Everyman Players, 1964, 1971 | |||||||||
| Slides contain makeup and costumes. | |||||||||||
| Box | Slides | ||||||||||
| 70 | 0675-0679 | Everyman, Georgetown College, 1953 | |||||||||
| 70 | 0680-0690 | Fantasticks, Dallas Summer Memorial, 1977 | |||||||||
| 70 | 0691-0705 | Ghosts, Centenary College, 1967 | |||||||||
| 70 | 0706-0725 | The Great Cross Country Race, Everyman Players, 1970 | |||||||||
| Slides contain Mr. Sloe makeup and research. | |||||||||||
| 70 | 0726-0745 | The Great Cross Country Race, Everyman Players, 1970 | |||||||||
| Slides contain Mr. Sloe makeup and costume. | |||||||||||
| 70 | 0746-0765 | The Great Cross Country Race, Everyman Players, 1970, 1972 | |||||||||
| Slides contain Mr. Sloe and Mr. Fleet makeup and costumes. | |||||||||||
| 70 | 0766-0784 | The Great Cross Country Race, Everyman Players, 1967, 1970 | |||||||||
| Slides contain Mr. Fleet costume and makeup. | |||||||||||
| 70 | 0785-0796 | The Great Cross Country Race, Everyman Players, 1970 | |||||||||
| Slides contain Mr. Fleet and Mr. Sloe. | |||||||||||
| 70 | 0797-0813 | The Great Cross Country Race, Everyman Players, 1967, 1970, 1973 | |||||||||
| Slides contain Mrs. Warren costume and makeup. | |||||||||||
| 70 | 0814-0833 | The Great Cross Country Race, Everyman Players, 1970, 1972 | |||||||||
| Slides contain Mr. Paddle makeup and costume. | |||||||||||
| 70 | 0834-0839 | The Great Cross Country Race, Everyman Players, 1970 | |||||||||
| Slides contain Mr. Paddle rehearsal. | |||||||||||
| 70 | 0840-0859 | The Great Cross Country Race, Everyman Players, 1970, 1972 | |||||||||
| Slides contain Mr. Basket makeup and costume. | |||||||||||
| 70 | 0860-0866 | The Great Cross Country Race, Everyman Players, 1970, 1973 | |||||||||
| Slides contain Mr. Basket. | |||||||||||
| 70 | 0867-0884 | The Great Cross Country Race, Everyman Players, 1967, 1972-1973 | |||||||||
| Slides contain Mr. Spinet costumes and makeup. | |||||||||||
| 70 | 0885-0903 | The Great Cross Country Race, Everyman Players, 1970-1971 | |||||||||
| Slides contain Mr. Sett costumes and makeup. | |||||||||||
| 70 | 0904-0910 | The Great Cross Country Race, Everyman Players, 1970 | |||||||||
| Slides contain Mr. Sett. | |||||||||||
| 70 | 0911-0930 | The Great Cross Country Race, Everyman Players, 1967, 1970, 1972-1973 | |||||||||
| Slides contain Mr. Brush costume and makeup. | |||||||||||
| 70 | 0931-0939 | The Great Cross Country Race, Everyman Players, 1970 | |||||||||
| Slides contain Mr. Brush. | |||||||||||
| 70 | 0940-0957 | The Great Cross Country Race, Everyman Players, 1968,1970, 1973 | |||||||||
| Slides contain scenes from the production including wigs, masks, and costumes. | |||||||||||
| 70 | 0958-0968 | The Great Cross Country Race, Everyman Players, 1970 | |||||||||
| Slides contain wigs, masks, and costumes from the production. | |||||||||||
| 70 | 0996-0981 | The Great Cross Country Race, Everyman Players, 1970, 1972 | |||||||||
| Slides contain costumes, wigs, and masks. | |||||||||||
| 70 | 0982-1001 | The Great Cross Country Race, Everyman Players, 1970 | |||||||||
| Slides contain scenes from the production. | |||||||||||
| 70 | 1002-1021 | The Great Cross Country Race, Everyman Players, 1970 | |||||||||
| Slides contain scenes from the production. | |||||||||||
| 70 | 1022-1034 | The Great Cross Country Race, Everyman Players, 1970 | |||||||||
| Slides contain scenes from the production. | |||||||||||
| 70 | 1035-1054 | The Great Cross Country Race, Everyman Players, 1970 | |||||||||
| Slides contain the audience at the production. | |||||||||||
| 70 | 1055-1059 | The Great Cross Country Race, Everyman Players, 1970, 1972 | |||||||||
| Slides contain audience and rehearsal. | |||||||||||
| 70 | 1060-1078 | The Great Cross Country Race, Everyman Players, 1967, 1970, 1972 | |||||||||
| Slides contain scenes and rehearsal. | |||||||||||
| 70 | 1079-1085 | The Great Cross Country Race, Everyman Players, 1967-1968, 1970 | |||||||||
| 70 | 1086-1104 | The Great Cross Country Race, Everyman Players, 1967-168, 1972 | |||||||||
| Slides contain scenes from the production. | |||||||||||
| 70 | 1105-1123 | The Great Cross Country Race, Everyman Players, 1967, 1972-1973 | |||||||||
| Slides contain scenes from the production. | |||||||||||
| 70 | 1124-1125 | The Great Cross Country Race, Everyman Players, 1967 | |||||||||
| Slides contain the set. | |||||||||||
| Box | Slides | ||||||||||
| 71 | 1126-1144 | The Great Cross Country Race, Everyman Players, 1971 | |||||||||
| Slides contain photographs from the 1971 tour. | |||||||||||
| 71 | 1145-1158 | The Great Cross Country Race, Everyman Players, 1971 | |||||||||
| Slides contain photographs from the 1971 tour. | |||||||||||
| 71 | 1159-1172 | The Great Cross Country Race, Everyman Players, 1971 | |||||||||
| Slides contain photographs from the 1971 tour. | |||||||||||
| 71 | 1173-1190 | The Great Cross Country Race, University of New Hampshire Theatre for Children, 1969 | |||||||||
| 71 | 1191-1210 | The Great Cross Country Race, University of New Hampshire Theatre for Children, 1969 | |||||||||
| 71 | 1211-1218 | The Great Cross Country Race, University of New Hampshire Theatre for Children, 1969 | |||||||||
| 71 | 1219-1237 | The Great Cross Country Race, Everyman Players, 1972 | |||||||||
| Slides contain scenes from the production. | |||||||||||
| 71 | 1238-1249B | The Great Cross Country Race, Everyman Players, 1972 | |||||||||
| Slides contain photographs from the 1972 tour. | |||||||||||
| 71 | 1250-1264 | Great God Brown, Centenary College, 1967 | |||||||||
| 71 | 1265-1266 | Cheddar Gabler, Georgetown College, 1958 | |||||||||
| 71 | 1267 | Hello Out There!, Centenary College, 1962 | |||||||||
| 71 | 1268-1281 | Henry V, Centenary College, 1966 | |||||||||
| Slides contain costumes and scenes from the production. | |||||||||||
| 71 | 1282-1297 | Henry V, Centenary College, 1966, 1968 | |||||||||
| Slides contain scenes from the production. | |||||||||||
| 71 | 1298-1299 | Jekyll and Hyde, Centenary College, 1965 | |||||||||
| 71 | 1300-1318 | Macbeth, Georgetown College, 1954 | |||||||||
| 71 | 1319-1338 | Macbeth, Asolo Theatre, 1979 | |||||||||
| Slides contain renderings. | |||||||||||
| 71 | 1339-1358 | Macbeth, Asolo Theatre, 1979 | |||||||||
| Slides contain renderings. | |||||||||||
| 71 | 1359-1364 | Macbeth, Asolo Theatre, 1979 | |||||||||
| Slides contain mask construction. | |||||||||||
| 71 | 1365-1367 | Magic Gordon, Georgetown College, 1957 | |||||||||
| Slides contain renderings. | |||||||||||
| 71 | 1368-1381 | Major Barbara, Centenary College, 1963 | |||||||||
| Slides contain renderings and costumes. | |||||||||||
| 71 | 1382-1389 | Major Barbara, Centenary College, 1963 | |||||||||
| Slides contain the set and scenes from the production. | |||||||||||
| 71 | 1390-1406 | Merry Wives of Windsor, Centenary College, 1961 | |||||||||
| Slides contain costumes. | |||||||||||
| 71 | 1407-1422 | Merry Wives of Windsor, Centenary College, 1961 | |||||||||
| Slides contain costumes, scenes, and set. | |||||||||||
| 71 | 1423-1438 | A Midsummer Night's Dream, Centenary College, 1963 | |||||||||
| Slides contain costumes. | |||||||||||
| 71 | 1439-1456 | A Midsummer Night's Dream, Centenary College, 1963 | |||||||||
| Slides contain costumes. | |||||||||||
| 71 | 1457-1472 | A Midsummer Night's Dream, Centenary College, 1963 | |||||||||
| Slides contain costumes. | |||||||||||
| 71 | 1473-1491 | A Midsummer Night's Dream, Centenary College, 1963 | |||||||||
| Slides contain costume, scene, and set. | |||||||||||
| 71 | 1492-1511 | Miracles, Belmont College, 1978 | |||||||||
| 71 | 1512-1527 | The Miser, Centenary College, 1961 | |||||||||
| Slides contain set, costumes, and makeup. | |||||||||||
| 71 | 1528-1544 | The Miser, Centenary College, 1961 | |||||||||
| Slides contain costumes and makeup. | |||||||||||
| 71 | 1545-1563 | Much Ado About Nothing, Centenary College, 1968 | |||||||||
| Slides contain sets, scenes, and costumes. | |||||||||||
| 71 | 1564-1581 | Much Ado About Nothing, Centenary College, 1968 | |||||||||
| Slides contain costumes. | |||||||||||
| 71 | 1582-1587 | Much Ado About Nothing, Centenary College, 1968 | |||||||||
| Slides contain costumes. | |||||||||||
| 71 | 1588-1602 | Murder in the Cathedral, Centenary College, 1960 | |||||||||
| Slides contain research and costumes. | |||||||||||
| 71 | 1603-1619 | Murder in the Cathedral, Centenary College, 1960 | |||||||||
| Slides contain costumes. | |||||||||||
| 71 | 1620-1631 | Murder in the Cathedral, Centenary College, 1960 | |||||||||
| Slides contain costumes and scenes. | |||||||||||
| 71 | 1632-1636 | The Peace Gimmick, Centenary College, 1962 | |||||||||
| Box | Slides | ||||||||||
| 72 | 1637-1654 | Pilgrim's Progress, Everyman Players, 1970, 1973 | |||||||||
| 72 | 1655-1673 | Pilgrim's Progress, Everyman Players, 1970, 1973 | |||||||||
| 72 | 1674-1690 | Pilgrim's Progress, Everyman Players, 1970, 1973 | |||||||||
| 72 | 1691-1710 | Pilgrim's Progress, Everyman Players, 1970, 1973 | |||||||||
| 72 | 1711-1726 | Pilgrim's Progress, Everyman Players, 1970, 1973 | |||||||||
| 72 | 1727-1743 | Pilgrim's Progress, Everyman Players, 1970, 1973 | |||||||||
| 72 | 1744-1758 | Pilgrim's Progress, Everyman Players, 1970 | |||||||||
| 72 | 1759-1777 | Pilgrim's Progress, Everyman Players, 1970, 1973 | |||||||||
| 72 | 1778-1797 | Pilgrim's Progress, Everyman Players, 1970, 1973 | |||||||||
| 72 | 1798-1816 | Pilgrim's Progress, Everyman Players, 1970, 1973 | |||||||||
| 72 | 1817-1831 | Pilgrim's Progress, Everyman Players, 1970-1973 | |||||||||
| 72 | 1832-1850 | Pilgrim's Progress, Everyman Players, 1970, 1973 | |||||||||
| 72 | 1851-1867 | Pilgrim's Progress, Everyman Players, 1970, 1973 | |||||||||
| 72 | 1868-1873 | Pilgrim's Progress, Everyman Players, 1970, 1973 | |||||||||
| 72 | 1874-1886 | The Prisoner, Centenary College, 1963 | |||||||||
| 72 | 1887-1892 | The Prodigal Son, Georgetown College, 1955 | |||||||||
| 72 | 1893-1911 | Reynard the Fox, Centenary College and Everyman Players, 1962, 1965 | |||||||||
| 72 | 1912-1930 | Reynard the Fox, Centenary College and Everyman Players, 1962, 1965 | |||||||||
| 72 | 1931-1950 | Reynard the Fox, Centenary College and Everyman Players, 1962, 1965 | |||||||||
| 72 | 1951-1955 | Reynard the Fox, Centenary College and Everyman Players, 1962 | |||||||||
| Slides contain scenes from the production. | |||||||||||
| 72 | 1956-1975 | The Rivalry, Centenary College, 1961 | |||||||||
| 72 | 1976-1986 | The Rivalry, Centenary College, 1961 | |||||||||
| 72 | 1987-2006 | Romans by Saint Paul, Everyman Players, 1963-1965, 1970 | |||||||||
| 72 | 2007-2026 | Romans by Saint Paul, Everyman Players, 1963, 1970, 1974 | |||||||||
| 72 | 2027-2045 | Romans by Saint Paul, Everyman Players, 1963, 1968-1969 | |||||||||
| 72 | 2046-2065 | Royal Hunt of the Sun, Memphis State University, 1981 | |||||||||
| Slides contain research. | |||||||||||
| 72 | 2066-2083 | Royal Hunt of the Sun, Memphis State University, 1981 | |||||||||
| Slides contain research and renderings. | |||||||||||
| 72 | 2084-2102 | Royal Hunt of the Sun, Memphis State University, 1981 | |||||||||
| Slides contain renderings and costumes. | |||||||||||
| 72 | 2103-2122 | Royal Hunt of the Sun, Memphis State University, 1981 | |||||||||
| Slides contain renderings and costumes. | |||||||||||
| 72 | 2123-2137 | Royal Hunt of the Sun, Memphis State University, 1981 | |||||||||
| 72 | 2138-2147 | Royal Hunt of the Sun, Memphis State University, 1981 | |||||||||
| Slides contain scenes from the production. | |||||||||||
| Box | Slides | ||||||||||
| 73 | 2148-2166 | Sly Fox, Dallas Theater Center, 1980 | |||||||||
| Slides contain costumes. | |||||||||||
| 73 | 2167-2179 | Sly Fox, Dallas Theater Center, 1980 | |||||||||
| Slides contain costumes. | |||||||||||
| 73 | 2180-2199 | Sly Fox, Dallas Theater Center, 1980 | |||||||||
| Slides contain costumes. | |||||||||||
| 73 | 2200-2216 | Sly Fox, Dallas Theater Center, 1980 | |||||||||
| Slides contain costumes. | |||||||||||
| 73 | 2217-2224 | Tartuffe, Horse Cave Theatre, 1955 | |||||||||
| 73 | 2225-2226 | Tom Sawyer, Centenary College, 1963 | |||||||||
| 73 | 2227-2246 | Taming of the Shrew, Florida State University, 1976 | |||||||||
| Slides contain costumes. | |||||||||||
| 73 | 2247-2266 | The Taming of the Shrew, Florida State University, 1976 | |||||||||
| Slides contain costumes. | |||||||||||
| 73 | 2267-2286 | The Taming of the Shrew, Florida State University, 1976 | |||||||||
| Slides contain costume renderings and photos. | |||||||||||
| 73 | 2287-2305 | The Taming of the Shrew, Florida State University, 1976 | |||||||||
| Slides contain costume renderings and photos. | |||||||||||
| 73 | 2306-2325 | The Taming of the Shrew, Florida State University, 1976 | |||||||||
| Slides include props and scenes from the production. | |||||||||||
| 73 | 2326-2336 | The Taming of the Shrew, Florida State University, 1976 | |||||||||
| Slides contain scenes from the production and backstage. | |||||||||||
| 73 | 2337-2353 | The Taming of the Shrew, Centenary College, 1964 | |||||||||
| 73 | 2354-2369 | The Taming of the Shrew, Centenary College, 1964 | |||||||||
| 73 | 2370-2389 | The Tempest, Georgetown College, 1957 | |||||||||
| Slides contain costumes. | |||||||||||
| 73 | 2380-2401 | The Tempest, Georgetown College, 1957 | |||||||||
| Slides contain costumes and scenes from the production. | |||||||||||
| 73 | 2402-2421 | The Tempest, Everyman Players, 1972 | |||||||||
| 73 | 2422-2427 | The Tempest, Everyman Players, 1972 | |||||||||
| 73 | 2428-2436 | The Tempest, Everyman Players, 1972 | |||||||||
| Slides contain coral research and assembly. | |||||||||||
| 73 | 2437-2450 | The Tempest, Everyman Players, 1972 | |||||||||
| Slides contain set and scenes from the production. | |||||||||||
| 73 | 2451-2470 | The Tempest, Everyman Players, 1972 | |||||||||
| 73 | 2471-2483 | The Tempest, Everyman Players, 1972 | |||||||||
| 73 | 2484-2497 | The Tempest, Everyman Players, 1972 | |||||||||
| Slides contain various prop and costume assembly. | |||||||||||
| 73 | 2498-2517 | The Tempest, Everyman Players, 1972 | |||||||||
| Slides contain Ariel makeup. | |||||||||||
| 73 | 2518-2521 | The Tempest, Everyman Players, 1972 | |||||||||
| 73 | 2522-2540 | The Tempest, Everyman Players, 1972 | |||||||||
| 73 | 2541-2555 | The Tempest, Everyman Players, 1972, 1975 | |||||||||
| Slides contain Prospero's head assembly. | |||||||||||
| 73 | 2556-2571 | The Tempest, Everyman Players, 1972 | |||||||||
| Slides contain Prospero. | |||||||||||
| 73 | 2572-2581 | The Tempest, Everyman Players, 1972 | |||||||||
| Slides contain Prospero. | |||||||||||
| Box | Slides | ||||||||||
| 74 | 2582-2601 | The Tempest, Everyman Players, 1972 | |||||||||
| Slides contain Miranda wig assembly. | |||||||||||
| 74 | 2602-2619 | The Tempest, Everyman Players, 1972 | |||||||||
| Slides contain Miranda makeup. | |||||||||||
| 74 | 2620-2639 | The Tempest, Everyman Players, 1972 | |||||||||
| Slides contain Harpy assembly. | |||||||||||
| 74 | 2640-2645 | The Tempest, Everyman Players, 1972 | |||||||||
| Slides contain Harpy. | |||||||||||
| 74 | 2646-2659 | The Tempest, Everyman Players, 1972 | |||||||||
| Slides contain Gonzalo makeup and wig. | |||||||||||
| 74 | 2660-2677 | The Tempest, Everyman Players, 1972 | |||||||||
| Slides contain Adrian and Alonso. | |||||||||||
| 74 | 2678-2696 | The Tempest, Everyman Players, 1972 | |||||||||
| Slides contain Sebastian makeup. | |||||||||||
| 74 | 2697-2715 | The Tempest, Everyman Players, 1972 | |||||||||
| 74 | 2716-2719 | The Tempest, Everyman Players, 1972 | |||||||||
| 74 | 2720-2739 | The Tempest, Everyman Players, 1972 | |||||||||
| Slides contain Caliban. | |||||||||||
| 74 | 2740-2755 | The Tempest, Everyman Players, 1972 | |||||||||
| 74 | 2756-2765 | The Tempest, Everyman Players, 1972 | |||||||||
| 74 | 2766-2785 | The Tempest, Everyman Players, 1972 | |||||||||
| Slides contain Ferdinand. | |||||||||||
| 74 | 2786-2804 | The Tempest, Everyman Players, 1972 | |||||||||
| Slides contain Prospero and Ariel. | |||||||||||
| 74 | 2805-2819 | The Tempest, Everyman Players, 1972 | |||||||||
| 74 | 2820-2838 | The Tempest, Everyman Players, 1972 | |||||||||
| 74 | 2839-2856 | The Tempest, Everyman Players, 1972 | |||||||||
| 74 | 2857-2876 | The Tempest, Everyman Players, 1972 | |||||||||
| 74 | 2877-2895 | The Tempest, Everyman Players, 1972 | |||||||||
| 74 | 2896-2913 | The Tempest, Everyman Players, 1972 | |||||||||
| 74 | 2914-2920 | The Tempest, Everyman Players, 1972 | |||||||||
| 74 | 2921-2939 | The Tempest, Everyman Players Tour, 1972 Summer | |||||||||
| 74 | 2940-2956 | The Tempest, Everyman Players Tour, 1972 Summer | |||||||||
| 74 | 2957-2970 | The Tempest, Everyman Players Tour, 1972 Summer | |||||||||
| 74 | 2971-2986 | The Tempest, Everyman Players Tour, 1972 Summer | |||||||||
| 74 | 2987-2996 | The Tempest, Everyman Players Tour, 1972 Summer | |||||||||
| 74 | 2997-3007 | The Tempest, Everyman Players Tour, 1972 Summer | |||||||||
| 74 | 3008-3026 | The Tempest, Everyman Players Tour Rehearsals, 1972 Summer | |||||||||
| 74 | 3027-3046 | The Tempest, Everyman Players Tour Rehearsals, 1972 Summer | |||||||||
| 74 | 3047-3065 | The Tempest, Everyman Players Tour Rehearsals, 1972 Summer | |||||||||
| 74 | 3066-3079 | The Tempest, Everyman Players Tour Rehearsals, 1972 Summer | |||||||||
| 74 | 3080-3092 | The Tempest, Everyman Players Tour Rehearsals, 1972 Summer | |||||||||
| Box | Slides | ||||||||||
| 75 | 3093-3112 | Towers of the Brazos, Baylor University, 1982 | |||||||||
| Slides contain projections. | |||||||||||
| 75 | 3113-3132 | Towers of the Brazos, Baylor University, 1982 | |||||||||
| Slides contain projections. | |||||||||||
| 75 | 3133-3142 | Towers of the Brazos, Baylor University, 1982 | |||||||||
| Slides contain projections. | |||||||||||
| 75 | 3143-3148 | Treasure Island, Centenary College, 1964 | |||||||||
| 75 | 3149-3158 | Twelfth Night, University of Arkansas, 1983 | |||||||||
| Slides contain Roger Gross. | |||||||||||
| 75 | 3159-3172 | Under Milkwood, Centenary College, 1967 | |||||||||
| 75 | 3173 | Siege! The Battle of Vicksburg, Vicksburg Historical Park, 1975 | |||||||||
| 75 | 3174-3187 | Waiting for Godot, Georgetown College, 1968 | |||||||||
| 75 | 3188-3201 | Widow's Walk, 1966 | |||||||||
| 75 | 3202-3219 | Wiley and the Hairy Man, Everyman Players, 1979 | |||||||||
| 75 | 3220-3239 | Wiley and the Hairy Man, Everyman Players, 1979 | |||||||||
| 75 | 3240-3245 | Wiley and the Hairy Man, Everyman Players, 1979 | |||||||||
| 75 | 3246-3260 | Wiley and the Hairy Man, Everyman Players, 1979 | |||||||||
| 75 | 3261-3275 | Wiley and the Hairy Man, Everyman Players, 1979 | |||||||||
| 75 | 3276-3291 | Wiley and the Hairy Man, Everyman Players, 1979 | |||||||||
| 75 | 3292-3307 | Wiley and the Hairy Man, Everyman Players, 1979 | |||||||||
| 75 | 3308-3316 | Wiley and the Hairy Man, Everyman Players, 1979 | |||||||||
| 75 | 3317-3324 | Wiley and the Hairy Man, Everyman Players, 1979 | |||||||||
| 75 | 3325-3337 | Wiley and the Hairy Man, Everyman Players, 1979 | |||||||||
| 75 | 3338-3347 | Wiley and the Hairy Man, Everyman Players, 1979 | |||||||||
| 75 | 3348-3362 | Winter's Tale, Centenary College, 1962 | |||||||||
| 75 | 3363-3374 | Winter's Tale, Centenary College, 1962 | |||||||||
| 75 | 3375-3383 | Behind the Yellow Door, Centenary College, 1960 | |||||||||
| 75 | 3384-3393 | Yerma, Centenary College, 1966 | |||||||||
| 75 | 3394-3408 | The Zeal of Thy House, Centenary College, 1965 | |||||||||
| 75 | 3409-3416 | The Zeal of Thy House, Centenary College, 1965 | |||||||||
| Sub-Series B: Lecture | |||||||||||
| Box | Folder | ||||||||||
| 76 | 1 | Art History: Costume Photos, Undated | |||||||||
| 76 | 2 | Art History: Costume Photos, Undated | |||||||||
| 76 | 3 | Art History: Costume Photos, Undated | |||||||||
| 76 | 4 | Animals, 1970-1971 | |||||||||
| 76 | 5 | Animals, 1969-1971, 1975 | |||||||||
| 76 | 6 | Animals, Insects, Art, and Flowers, 1970, 1978 | |||||||||
| 76 | 7 | Don Quixote, 1974 | |||||||||
| 76 | 8 | Don Quixote, Undated | |||||||||
| 76 | 9 | Don Quixote, Undated | |||||||||
| 76 | 10 | Flowers, 1979 | |||||||||
| 76 | 11 | The Book of Job: Directing, 1962, 1967, 1970 | |||||||||
| 76 | 12 | The Book of Job: Directing, 1970 | |||||||||
| 76 | 13 | The Book of Job: Directing, 1970 | |||||||||
| 76 | 14 | The Book of Job: Directing, 1970 | |||||||||
| 76 | 15 | Kabuki Lecture, 1981 | |||||||||
| 76 | 16 | Kabuki Lecture, 1981 | |||||||||
| 76 | 17 | Kabuki Lecture: 100 Years, W.C., Undated | |||||||||
| 76 | 18 | Kabuki Book Pictures, Undated | |||||||||
| 76 | 19 | Kabuki Pictures, Undated | |||||||||
| 76 | 20 | Kabuki Makeup, Undated | |||||||||
| 76 | 21 | Kabuki, 1981 | |||||||||
| 76 | 22 | Irene Corey's Makeup Class, 1978 | |||||||||
| 76 | 23 | Makeup Lecture, 1970 | |||||||||
| 76 | 24 | Makeup Teaching, 1988 August | |||||||||
| 76 | 25 | Makeup Teaching, 1988 August | |||||||||
| 76 | 26 | Makeup Lecture, 1970 | |||||||||
| 76 | 27 | Makeup Teaching: Nixon, Carter, Indian, 1988 August | |||||||||
| 76 | 28 | Pictures from Woman's Day Children's Halloween Makeup Article, 1979 October 22 | |||||||||
| 76 | 29 | Makeup Teaching: Magazine Faces, 1975 | |||||||||
| 76 | 30 | Makeup Lecture, 1970 | |||||||||
| 76 | 31 | Makeup Lecture, 1979 August | |||||||||
| 76 | 32 | Makeup Lecture, 1967, 1988 | |||||||||
| 76 | 33 | Makeup Lecture, 1970 | |||||||||
| 76 | 34 | Makeup Teaching, 1988 August | |||||||||
| 76 | 35 | Makeup Teaching: Magazine Faces, 1975 | |||||||||
| 76 | 36 | Makeup Lecture 3, 1970 | |||||||||
| 76 | 37 | Stylized Realism, Undated | |||||||||
| 76 | 38 | Making Masks: Making Boots, 1970-1973 | |||||||||
| 76 | 39 | Making Masks: Hose Mask, 1967, 1970-1973 | |||||||||
| Box | Folder | ||||||||||
| 77 | 1 | Originals of Stylized Makeup, Undated | |||||||||
| 77 | 2 | Originals of Stylized Makeup, 1970 | |||||||||
| 77 | 3 | Originals of Stylized Makeup, 1970-1971 | |||||||||
| 77 | 4 | Originals of Stylized Makeup, 1970 | |||||||||
| 77 | 5 | Originals of Stylized Makeup, 1970 | |||||||||
| 77 | 6 | Originals of Stylized Makeup, 1970, 1972 | |||||||||
| 77 | 7 | Originals of Stylized Makeup, 1970-1972 | |||||||||
| 77 | 8 | Originals of Stylized Makeup, 1970 | |||||||||
| 77 | 9 | Romans by Saint Paul: Directing, 1963, 1970 | |||||||||
| 77 | 10 | Romans by Saint Paul: Directing, 1963, 1970 | |||||||||
| 77 | 11 | Stylized Makeup, 1963, 1970, 1979 | |||||||||
| 77 | 12 | The Tempest, Everyman Players: Costume Design and Construction, 1972, 1974 | |||||||||
| 77 | 13 | The Tempest, Everyman Players: Costume Design and Construction, 1972, 1974 | |||||||||
| 77 | 14 | The Tempest, Everyman Players: Costume Design and Construction, 1970, 1972, 1974 | |||||||||
| 77 | 15 | The Tempest, Everyman Players: Costume Design and Construction, 1972, 1974 | |||||||||
| 77 | 16 | The Tempest, Everyman Players: Costume Design and Construction, 1972, 1972 | |||||||||
| 77 | 17 | The Tempest, Everyman Players: Costume Design and Construction, 1972, 1974 | |||||||||
| 77 | 18 | The Tempest, Everyman Players: Costume Design and Construction, 1972 | |||||||||
| 77 | 19 | The Tempest, Everyman Players: Costume Design and Construction, 1972 | |||||||||
| 77 | 20 | The Tempest, Everyman Players: Costume Design and Construction, 1970, 1972-1973 | |||||||||
| 77 | 21 | The Tempest, Everyman Players: Costume Design and Construction, 1972, 1974 | |||||||||
| 77 | 22 | The Tempest, Everyman Players: Costume Design and Construction, 1972, 1974 | |||||||||
| 77 | 23 | The Tempest, Everyman Players: Costume Design and Construction, 1972, 1974 | |||||||||
| 77 | 24 | The Tempest Tour, 1972 December | |||||||||
| 77 | 25 | The Tempest Tour, 1972 December | |||||||||
| 77 | 26 | The Tempest, 1972, 1974 | |||||||||
| 77 | 27 | The Tempest, 1972, 1974 | |||||||||
| 77 | 28 | Tempest Lecture, 1974 | |||||||||
| 77 | 29 | Tempest Lecture, 1972, 1974 | |||||||||
| 77 | 30 | Tempest Lecture, 1972, 1974 | |||||||||
| 77 | 31 | Tempest Lecture, 1972, 1974 | |||||||||
| 77 | 32 | Tempest Lecture, 1972, 1974 | |||||||||
| 77 | 33 | Tempest Lecture, 1972, 1974 | |||||||||
| 77 | 34 | Tempest Lecture, 1972, 1974 | |||||||||
| 77 | 35 | Tempest Lecture, 1972, 1974 | |||||||||
| Sub-Series C: Student Work | |||||||||||
| Box | Folder | ||||||||||
| 78 | 1 | Student Costume Design, 1976, 1979 | |||||||||
| 78 | 2 | Student Stylized Costume Design, 1976 April | |||||||||
| 78 | 3 | Student Set Designs, 1974, 1979 | |||||||||
| 78 | 4 | Student Stylizing from Photo (Susie John), 1974 October | |||||||||
| 78 | 5 | Student Stylized Makeup, 1978 | |||||||||
| 78 | 6 | Student Stylized Makeup, 1975, 1978-1979 | |||||||||
| 78 | 7 | Student Makeup: Animals, Pig, 1979 October | |||||||||
| 78 | 8 | Student Makeup: Animals, Miscellaneous, 1979 December | |||||||||
| 78 | 9 | Student Makeup: Animals, 1978-1979 | |||||||||
| 78 | 10 | Student Makeup: Animals, 1978-1979 | |||||||||
| 78 | 11 | Student Stylized Makeup: Art, 1979 | |||||||||
| 78 | 12 | Student Stylized Makeup: Flowers, 1979 | |||||||||
| 78 | 13 | Student Makeup, 1979 January | |||||||||
| 78 | 14 | Student Styling from Impressionists, 1979 Fall | |||||||||
| 78 | 15 | Student Styling from Impressionists, 1979 Fall | |||||||||
| 78 | 16 | Student Styling from Impressionists and Flowers, 1979 Fall | |||||||||
| 78 | 17 | Classes, 1979 Fall | |||||||||
| 78 | 18 | Student Makeup, 1980 | |||||||||
| 78 | 19 | Student Makeup, 1980 | |||||||||
| Sub-Series D: Other Subjects | |||||||||||
| Box | Folder | ||||||||||
| 79 | 1 | Irene and Llama (from Royal Hunt of the Sun), Undated | |||||||||
| These slides are under the Biographical subsection. | |||||||||||
| 79 | 2 | Marjorie Lyons Playhouse, Centenary College, 1961 July | |||||||||
| These slides are under the Biographical subsection. | |||||||||||
| 79 | 3 | Irene Corey's First Puppet Ever Made, Undated | |||||||||
| This slide is under the Biographical subsection. The puppet is a camel. | |||||||||||
| 79 | 4 | Quilt Made by Irene Corey, 1975 July | |||||||||
| These slides are under the Biographical subsection. | |||||||||||
| 79 | 5 | Picture of Orlin Corey, 1961 July | |||||||||
| This slide is under the Biographical subsection. | |||||||||||
| 79 | 6 | Cathedral Tours, 1958, 1964-1965 | |||||||||
| These slides are under the Cathedral Tours subsection. Slide sleeves F-6 through F-10 were originally housed with divider notes in a slide storage case. Included notes were written by an archival processor. This documentation came from analysis of the dates on the slides and information in the history of the Everyman Players. | |||||||||||
| 79 | 7 | Cathedral Tours, 1966 | |||||||||
| These slides are under the Cathedral Tours subsection. | |||||||||||
| 79 | 8 | Cathedral Tours, 1966 | |||||||||
| These slides are under the Cathedral Tours subsection. | |||||||||||
| 79 | 9 | Cathedral Tours, 1966 | |||||||||
| These slides are under the Cathedral Tours subsection. | |||||||||||
| 79 | 10 | Cathedral Tours, 1966-1967 | |||||||||
| These slides are under the Cathedral Tours subsection. | |||||||||||
| 79 | 11 | Make Up Film Strip Originals, 1970 | |||||||||
| These slides are under the Film Strip subsection. | |||||||||||
| 79 | 12 | Tortoise and the Hare Film Strip Originals, 1970 | |||||||||
| These slides are under the Film Strip subsection. | |||||||||||
| 79 | 13 | Job in Life Magazine, 1970 | |||||||||
| These slides are under the Irene Corey's Book of Job subsection. | |||||||||||
| 79 | 14 | Irene Corey's File: Job, 1961-1965 | |||||||||
| These slides are under the Irene Corey's Book of Job subsection. | |||||||||||
| 79 | 15 | Corey's File Slides: Job, 1965, 1970, 1978 | |||||||||
| These slides are under the Irene Corey's Book of Job subsection. | |||||||||||
| 79 | 16 | Art, 1970, 1974 | |||||||||
| These slides are under the Reference subsection. | |||||||||||
| 79 | 17 | Bunny (8) and Bark (2), 1970 | |||||||||
| These slides are under the Reference subsection. | |||||||||||
| 79 | 18 | Dark of the Moon at Indiana Central University (6) and Foam Construction (5), 1974, 1978, 1980 | |||||||||
| These slides are under the Reference subsection. | |||||||||||
| 79 | 19 | Makeup: Madam Butterfly (7) and A Midsummer Night's Dream: Bird (5), 1963, 1980 | |||||||||
| These slides are under the Reference subsection. | |||||||||||
| 79 | 20 | Nature Studies, 1970, 1975, 1978-1979 | |||||||||
| These slides are under the Reference subsection. | |||||||||||
| 79 | 21 | Makeup: Nixon, Undated | |||||||||
| These slides are under the Reference subsection. | |||||||||||
| 79 | 22 | Reifensthal Makeup (9) and Pig Makeup (3), Undated | |||||||||
| These slides are under the Reference subsection. | |||||||||||
| 79 | 23 | Rabbit Research, "Weld Wood", Undated | |||||||||
| These slides are under the Reference subsection. | |||||||||||
| 79 | 24 | The Tempest: Corey's Reference Files, 1970-1974 | |||||||||
| These slides are under the Reference subsection. | |||||||||||
| 79 | 25 | The Tempest and Miracles Lamination, 1974, 1978 | |||||||||
| These slides are under the Reference subsection. | |||||||||||
| 79 | 26 | The Tempest Research: Nashville, 1992 | |||||||||
| These slides are under the Reference subsection. | |||||||||||
| 79 | 27 | The Tempest, Nashville Children's Theatre, 1991 | |||||||||
| These slides are under the Reference subsection. | |||||||||||
| 79 | 28 | Production Slides for The Book of Job (5), Don Quixote (2), and The Great Cross Country Race (7), 1962, 1967, 1970 | |||||||||
| These slides are under the Reference subsection. | |||||||||||
| 79 | 29 | Hey Diddle Diddle, 1978-1979 | |||||||||
| These slides are under the Reference subsection. | |||||||||||
| 79 | 30 | Carousel #1, 1963-1964, 1968, 1970-1971 | |||||||||
| These slides are under the Carousel subsection. The slides from F-30 through F-39 were originally housed in carousels of Irene Corey's. The slides in the sleeves are in the same order as they were placed in the carousels. The slides from Carousel #1 and Carousel #2 were originally housed in a box with the following writing on the box: Side of the box - "Stylized/Play", Top of the box - "Tempest Prototypes", "Plus Selected 'Shrew FSU", "Corey SP Left 2" | |||||||||||
| 79 | 31 | Carousel #1, 1968-1973, 1992 | |||||||||
| These slides are under the Carousel subsection. | |||||||||||
| 79 | 32 | Carousel #1, 1972, 1974 | |||||||||
| These slides are under the Carousel subsection. | |||||||||||
| 79 | 33 | Carousel #2, 1970-1972 | |||||||||
| These slides are under the Carousel subsection. | |||||||||||
| 79 | 34 | Carousel #2, 1961, 1965, 1968, 1970 | |||||||||
| These slides are under the Carousel subsection. | |||||||||||
| 79 | 35 | Carousel #2, 1968, 1970, 1978 | |||||||||
| These slides are under the Carousel subsection. | |||||||||||
| 79 | 36 | Carousel #3, 1970, 1972, 1988 | |||||||||
| These slides are under the Carousel subsection. | |||||||||||
| 79 | 37 | Carousel #3, 1970, 1976, 1988 | |||||||||
| These slides are under the Carousel subsection. | |||||||||||
| 79 | 38 | Carousel #3, 1974-1975, 1988 | |||||||||
| These slides are under the Carousel subsection. | |||||||||||
| 79 | 39 | Carousel #3, Undated | |||||||||
| These slides are under the Carousel subsection. | |||||||||||
| 79 | 40 | Need to be Identified, 1962, 1966, 1968 | |||||||||
| These slides are under the Identified subsection. | |||||||||||
| Box | Folder | ||||||||||
| 80 | 1 | ICDA Projects, 1982-1991 | |||||||||
| These slides are under the Irene Corey Design Associates subsection. | |||||||||||
| 80 | 2 | ICDA Projects, 1980, 1985, 1993 | |||||||||
| These slides are under the Irene Corey Design Associates subsection. | |||||||||||
| 80 | 3 | ICDA Studio, 1985 | |||||||||
| These slides are under the Irene Corey Design Associates subsection. | |||||||||||
| 80 | 4 | Irene's Studio, 1986 September | |||||||||
| These slides are under the Irene Corey Design Associates subsection. | |||||||||||
| 80 | 5 | Brimstone Jobs: Production Pictures, 1979 May | |||||||||
| These slides are under the Non-Theatrical Design Projects subsection. | |||||||||||
| 80 | 6 | Natural History Project (7) and LLOVE Project Designs (4), 1976, 1979 | |||||||||
| These slides are under the Non-Theatrical Design Projects subsection. | |||||||||||
| 80 | 7 | Flower Mound and Sculpture, 1974 May | |||||||||
| These slides are under the Non-Theatrical Design Projects subsection. | |||||||||||
| 80 | 8 | Sea Creature Hats, 1984 | |||||||||
| These slides are under the Non-Theatrical Design Projects subsection. | |||||||||||
| 80 | 9 | Pupples, 1973 October | |||||||||
| These slides are under the Non-Theatrical Design Projects subsection. | |||||||||||
| 80 | 10 | Pupples, Undated | |||||||||
| These slides are under the Non-Theatrical Design Projects subsection. | |||||||||||
| 80 | 11 | Ecomonsters and Pupples, 1975 April | |||||||||
| These slides are under the Non-Theatrical Design Projects subsection. | |||||||||||
| 80 | 12 | Ecomonsters and Pupples, Undated | |||||||||
| These slides are under the Non-Theatrical Design Projects subsection. | |||||||||||
| 80 | 13 | Treadaway Opening, 1979 May | |||||||||
| These slides are under the Non-Theatrical Design Projects subsection. | |||||||||||
| Series VIII: Moving Images | |||||||||||
| Box | Folder | ||||||||||
| 82 | 1 | The Everyman Players Production of Reynard the Fox, 1965 June (Color with No Sound; Damaged Sprockets and Folds; 20mm Film) | |||||||||
| 82 | 2 | The Everyman Players Production of Reynard the Fox, 1965 June (Color with No Sound; Copy) | |||||||||
| 82 | 3 | Irene Corey Make-ups from Reynard the Fox & Book of Job, Undated (Color with Sound; Splices; 20mm Film) | |||||||||
| 82 | 4 | Irene Corey Make-ups from Reynard the Fox & Book of Job, Undated (Color with No Sound; Copy) | |||||||||
| 82 | 5 | Kentucky: Vacation Wonderland, circa 1960 (Color with Sound; 20mm Film) | |||||||||
| 82 | 6 | Kentucky: Vacation Wonderland, circa 1960 (Color with Sound; Copy) | |||||||||
| 82 | 7 | Puppets from Puppetropolis, Undated (Edit Master) | |||||||||
| 82 | 8 | Pupples: "Hare's Hollow", Undated | |||||||||
| 82 | 9 | Selected Women's Costume Patterns of the Period 1890-1900: Thesis for the Degree of M.A., Michigan State University, Albert W. Senter, Jr., 1959 | |||||||||
| Series IX: Oversize | |||||||||||
| Sub-Series A: Design Research Files, General | |||||||||||
| Box | Folder | ||||||||||
| 83 | 1 | Actors, 1954-1959, 1962-1963 | |||||||||
| Architecture, 1953-1954, 1966, 1969-1970 | |||||||||||
| Art History, Undated | |||||||||||
| Artists: Barnhart, Raymond, 1968 | |||||||||||
| Automobile Information, 1958, 1962-1963 | |||||||||||
| Body-Brain, 1971 October 1-22 | |||||||||||
| Bronzing and Plastic Mending, Undated | |||||||||||
| Cartoons, 1948-1950, 1955, 1960, 1965 | |||||||||||
| Children, 1946, 1952-1954, 1971 | |||||||||||
| Christmas Card Design 1, Undated | |||||||||||
| Christmas Card Design 2, 1947, 1950-1960, 1966 | |||||||||||
| Box | Folder | ||||||||||
| 84 | 1 | Designers, 1957, 1974 | |||||||||
| Directors, 1959, 1961 | |||||||||||
| Eggs - Decorated, 1958, 1966-1970 | |||||||||||
| Embroidery, 1956, 1963 | |||||||||||
| Fabric, 1962, 1986 | |||||||||||
| Film, 1947-1948 | |||||||||||
| Fish and Sea Creatures, 1952, 1960, 1965, 1970-1971, 1981 | |||||||||||
| Flower Arrangement, 1957-1959, 1964-1966 | |||||||||||
| Box | Folder | ||||||||||
| 80 | 9 | Fruits and Vegetables, 1960 | |||||||||
| 80 | 10 | Furniture, 1962 May 11 | |||||||||
| 80 | 11 | Gardening, 1948, 1952-1967 | |||||||||
| 80 | 12 | Gift Wrap Ideas, 1950-1951, 1957, 1974 | |||||||||
| 80 | 13 | Hands, 1952-1953 | |||||||||
| 80 | 14 | Hints from Heloise, 1963-1967 | |||||||||
| 80 | 15 | Holidays, Undated | |||||||||
| 80 | 16 | Household Hints: Stains, 1967 July | |||||||||
| 80 | 17 | How To's: Kitchen and Household Time Savers, 1950 August-1950 November | |||||||||
| Incredible News Stories, 1959, 1963 | |||||||||||
| Insects, Undated | |||||||||||
| Interior Decoration, 1959, 1967 | |||||||||||
| Interiors: Lighting, Undated | |||||||||||
| Landscapes: Foreign, Undated | |||||||||||
| Landscapes: General, 1947, 1951, 1954 | |||||||||||
| Maps, 1945, 1952-1953 | |||||||||||
| Masks, 1978-1979, 1982 | |||||||||||
| Miscellaneous, 1951-1957 | |||||||||||
| Movies, Undated | |||||||||||
| Box | Folder | ||||||||||
| 85 | 1 | Opera, 1957 | |||||||||
| Pen and Ink Technique, 1952 | |||||||||||
| People, 1952-1953, 1968 | |||||||||||
| Playwrights, 1953, 1957-1958, 1960 | |||||||||||
| Poetry, 1957-1958 | |||||||||||
| Puppets, 1951 | |||||||||||
| Recipes, 1951, 1954 | |||||||||||
| Space Age, Undated | |||||||||||
| Stamps, 1959, 1969-1975 | |||||||||||
| Sun, Undated | |||||||||||
| Table Settings: Center Piece, 1951, 1957-1959 | |||||||||||
| Taste Makers, Undated | |||||||||||
| Transportation, 1953-1959 | |||||||||||
| Travel: Austria, Undated | |||||||||||
| Travel: Greece, 1962 | |||||||||||
| Travel: India, 1963 | |||||||||||
| Travel: Information, 1967 | |||||||||||
| Travel: Japan, 1963 May | |||||||||||
| Travel: Mexico, Undated | |||||||||||
| Travel: Packing, Undated | |||||||||||
| Trees, 1962-1967, 1978 | |||||||||||
| Winter Frost, Undated | |||||||||||
| Box | Folder | ||||||||||
| 86 | 1 | Design Research Scrapbook, Undated | |||||||||
| Sub-Series B: How To Files | |||||||||||
| Box | Folder | ||||||||||
| 87 | 1 | Alice in Wonderland Dolls, 1965 November | |||||||||
| Aprons, 1952, 1957 | |||||||||||
| Batik, 1971, 1978 | |||||||||||
| Christmas Decorations, 1951-1959, 1965,1979 | |||||||||||
| Collage, 1957 December | |||||||||||
| Colors: Artists, 1973 | |||||||||||
| Crochet, 1970 | |||||||||||
| Decoupage, 1966 | |||||||||||
| "Drawing" Men to Christ, 1943 | |||||||||||
| Embroidery, 1957-1959, 1965-1967 | |||||||||||
| Enduring Colors for the Artist..., 1963 | |||||||||||
| Flowers: Artificial, 1959 | |||||||||||
| Flowers: Pressed, 1952 May | |||||||||||
| Furniture Accessories, 1966-1967 | |||||||||||
| Gifts: Children, 1958 | |||||||||||
| Gifts: Clothing, 1956 November | |||||||||||
| Gifts: General, 1951-1958 | |||||||||||
| Gifts: Teenage Girls, 1951 | |||||||||||
| How To: Corey Handwritten Drawings and Notes, Undated | |||||||||||
| How To: Leather, 1956 | |||||||||||
| How To: Mosaics, 1957-1958, 1963 | |||||||||||
| How To: Soldering, Undated | |||||||||||
| How to Do Ceramics, Undated | |||||||||||
| How to Make Crepe Paper Flowers, 1927 | |||||||||||
| How to Use Flannelgraph [Bible Story Lesson Plans], 1950 | |||||||||||
| Marbleized Paper, 1973-1974 | |||||||||||
| Matchstick Blinds, 1957 April | |||||||||||
| Miscellaneous, 1950-1961, 1966-1967 | |||||||||||
| Needlework: Quilts, 1953-1957, 1968-1970, 1975-1977, 1984 | |||||||||||
| Party Ideas, Undated | |||||||||||
| Picture Framings, 1957 December | |||||||||||
| Reverse Appliqué, 1966 May | |||||||||||
| Rugs, 1958 | |||||||||||
| Scarf Use, 1950-1952 | |||||||||||
| Shoe Covering, Undated | |||||||||||
| Strohsterne (Straw), Undated | |||||||||||
| Suggestions for the Application of Glass Mosaic, Undated | |||||||||||
| Tie Dyeing, 1970 September | |||||||||||
| Tole Tin Decorations, 1964 March 15 | |||||||||||
| Wigs, Undated | |||||||||||
| Yarn Painting, Undated | |||||||||||
| Sub-Series C: Artificial Research Files | |||||||||||
| Box | Folder | ||||||||||
| 88 | 1 | Basketry, 1924 | |||||||||
| Bazar Ideas, Undated | |||||||||||
| Best & Co. Christmas Catalog for Teenagers and Children, 1941 | |||||||||||
| Book Purchases, 1959 June 20 | |||||||||||
| Braque, Georges, 1956, 1997 | |||||||||||
| Brass Rubbing Equipment, 1968 January | |||||||||||
| Candles: Decoration, Undated | |||||||||||
| Casting: Waste Mold Method, Undated | |||||||||||
| Children's Activities, 1958 April | |||||||||||
| Clothing Refurbishing, 1951 November-1952 January | |||||||||||
| Commedia Del 'Arte, 1968 | |||||||||||
| Collar: Costume Pattern Drafts, 1981 Spring | |||||||||||
| "Costume Cues", 1952 | |||||||||||
| Costumes: Greek, Undated | |||||||||||
| Crafts, 1951, 1957 | |||||||||||
| Crepe Craft For Children, Fort Howard Paper Company, Undated | |||||||||||
| Crepe Paper Art, 1943 | |||||||||||
| Crochet, 1950 May | |||||||||||
| Dance Performances, 1976 January 29-February 1 | |||||||||||
| Drawing, 2001 May | |||||||||||
| Dried Leaves Art, 1956 August, 1960 January | |||||||||||
| Erte, 1980 February 10 | |||||||||||
| Fabric Hanging, 1957 October, 1979 June/July | |||||||||||
| Film: Special Effects, 1985 August-1986 May | |||||||||||
| Flowers: Paper, 1955 | |||||||||||
| Food for the Stage, Undated | |||||||||||
| Furniture: Refinishing, 1952 February-March, 1957 January | |||||||||||
| Glass Crafts, 1961 January 15 | |||||||||||
| Gloves, Undated | |||||||||||
| Hair, Undated | |||||||||||
| Hats and Head Coverings, 1932, 1953, 1956 | |||||||||||
| Indian Theatre Sets, Properties, and Masks, 1967 June | |||||||||||
| Jewelry, 1961 February 12, 1998 Winter | |||||||||||
| Kentucky Articles, 1984 December 17 | |||||||||||
| Kimbell Art Museum, 1969 | |||||||||||
| Kites, 1975 March | |||||||||||
| Box | Folder | ||||||||||
| 89 | 1 | Men's Clothing, 1932 | |||||||||
| Military Uniforms, Undated | |||||||||||
| Nail Polish, 1988 | |||||||||||
| Needlework, 1952, 1959-1960 | |||||||||||
| Photo Journalism: History, 1989 Fall | |||||||||||
| Planters, 1950 November, 1957 October | |||||||||||
| Potpourri, Undated | |||||||||||
| Properties, 1951 August 20 | |||||||||||
| Quotes, Undated | |||||||||||
| Renaissance Pleasure Fair, 1981 | |||||||||||
| Rugs, Undated | |||||||||||
| Screens: Decorative, 1957 June-1958 March | |||||||||||
| Shoes, Undated | |||||||||||
| Taniko Weaving, 1968 | |||||||||||
| Textile Painting, Undated | |||||||||||
| Tutus, Undated | |||||||||||
| Sub-Series I: Assorted Undocumented Materials | |||||||||||
| Box | Folder | ||||||||||
| 97 | 1 | Assorted Animal Negatives and Contact Sheet, Undated | |||||||||
| Includes a camel, armadillo, lion, mole, and chipmunk. | |||||||||||
| 97 | 2 | Assorted Exhibit Labels Created by Irene for Lobby and Museum Displays of her Costume and Set Renderings, Undated | |||||||||
| 97 | 3 | Christmas Tree and Stained Glass Pillow Negatives, Undated | |||||||||
| 97 | 4 | Interior and Exterior Building Slides, 1976 February | |||||||||
| 97 | 5 | The Nutcracker, The Dallas Ballet: Mouse Heads Photographs, Undated | |||||||||
| 97 | 6 | Raggedy Ann and Andy Large Dolls Project Photographs, Undated | |||||||||
| Includes photographs of Irene and her niece Suzanne Lockridge with dolls at Irene's Dallas home. | |||||||||||
| 97 | 7 | Suzanne Lockridge at 20 in Pineville, Kentucky, Undated | |||||||||
| 97 | 8 | "Today Was His Birthday", Undated (Typescript with Some Revisions) | |||||||||
| 97 | 9 | Unidentified Actors and Assorted Men Photographs, Undated | |||||||||
| Series X: Costumes | |||||||||||
| Sub-Series A: The Book of Job | |||||||||||
| Box | Item | ||||||||||
| 98 | 1 | The Book of Job: Job's Gloves, Belt, and Headpiece, Undated | |||||||||
| Box | Item | ||||||||||
| 99 | 1 | The Book of Job: Eliphaz Gloves, Undated | |||||||||
| Eliphaz is labeled as M-1; therefore, his gloves are labeled as MG-1. | |||||||||||
| Box | Item | ||||||||||
| 100 | 1 | The Book of Job: Zophar Gloves, Undated | |||||||||
| Zophar is labeled as M-3; therefore, his gloves are labeled as MG-3. | |||||||||||
| Box | Item | ||||||||||
| 101 | 1 | The Book of Job: Bildad Gloves, Undated | |||||||||
| Bildad is labeled as M-4; therefore, his gloves are labeled as MG-4. | |||||||||||
| Box | Item | ||||||||||
| 102 | 1 | The Book of Job: M-6 Gloves, Undated | |||||||||
| Box | Item | ||||||||||
| 103 | 1 | The Book of Job: Elihu Gloves, Undated | |||||||||
| Box | Item | ||||||||||
| 104 | 1 | The Book of Job: Rope Belts: P & I, Undated | |||||||||
| Box | Item | ||||||||||
| 105 | 1 | The Book of Job: Rope Belts: P & II, Undated | |||||||||
| Box | Item | ||||||||||
| 106 | 1-2 | The Book of Job: Eliphaz and Elihu Headpieces, Undated | |||||||||
| Eliphaz is M-1 and Elihu is M-2; therefore, their headpieces are labeled as MH1 and MH2. | |||||||||||
| Box | Item | ||||||||||
| 107 | 1-2 | The Book of Job: Zophar and Bildad Headpieces, Undated | |||||||||
| Zophar is M-3 and Bildad is M-4; therefore, their headpieces are labeled MH3 and MH4. | |||||||||||
| Box | Item | ||||||||||
| 108 | 1 | The Book of Job: MH5 Men's Headpiece, Undated | |||||||||
| Box | Item | ||||||||||
| 109 | 1 | The Book of Job: MH6 Men's Headpiece, Undated | |||||||||
| Box | Item | ||||||||||
| 110 | 1-5 | The Book of Job: MH5-MH9 Men's Headpieces, Undated | |||||||||
| Box | Item | ||||||||||
| 111 | 1-2 | The Book of Job: Women's Gloves #1 and #4, Undated | |||||||||
| Box | Item | ||||||||||
| 112 | 1-2 | The Book of Job: Women's Gloves #2 and #3, Undated | |||||||||
| Box | Item | ||||||||||
| 113 | 1-2 | The Book of Job: Women's Headpieces #1 and #4, Undated | |||||||||
| Box | Item | ||||||||||
| 114 | 1-2 | The Book of Job: Women's Headpieces #2 and #3, Undated | |||||||||
| Box | Item | ||||||||||
| 115 | 1-2 | The Book of Job: Women's Headpieces #5 and #6, Undated | |||||||||
| Box | Item | ||||||||||
| 116 | 1 | The Book of Job: Fabric Samples, Undated | |||||||||
| Rack | Item | ||||||||||
| 1 | 1 | The Book of Job: Job's Cape, Undated | |||||||||
| 1 | 2 | The Book of Job: Job's Tunic, Undated | |||||||||
| 1 | 3 | The Book of Job: Eliphaz's Tunic, Undated | |||||||||
| Eliphaz is labeled as M-1. | |||||||||||
| 1 | 4 | The Book of Job: Elihu's Tunic, Undated | |||||||||
| Elihu is labeled as M-2. | |||||||||||
| 1 | 5 | The Book of Job: Bildad's Tunic, Undated | |||||||||
| Bildad is labeled as M-3. | |||||||||||
| 1 | 6 | The Book of Job: Zophar's Tunic, Undated | |||||||||
| Zophar is labeled as M-4. | |||||||||||
| 1 | 7 | The Book of Job: Women's Costume #1, Undated | |||||||||
| 1 | 8 | The Book of Job: Women's Costume #2, Undated | |||||||||
| 1 | 9 | The Book of Job: Women's Costume #3, Undated | |||||||||
| 1 | 10 | The Book of Job: Women's Costume #4, Undated | |||||||||
| 1 | 11 | The Book of Job: Women's Costume #5, Undated | |||||||||
| 1 | 12 | The Book of Job: Women's Costume #6, Undated | |||||||||
| Sub-Series B: The Tempest | |||||||||||
| Box | Item | ||||||||||
| 117 | 1 | The Tempest: Prospero's Headpiece, 1972 | |||||||||
| Box | Item | ||||||||||
| 118 | 1 | The Tempest: Prospero's Wig, 1972 | |||||||||
| Box | Item | ||||||||||
| 119 | 1-2 | The Tempest: Ariel's Headpiece and Gloves, 1972 | |||||||||
| Box | Item | ||||||||||
| 120 | 1 | The Tempest: Miranda's Wig, 1972 | |||||||||
| Box | Item | ||||||||||
| 121 | 1-2 | The Tempest: Miranda's Necklace and Bodice, 1972 | |||||||||
| Box | Item | ||||||||||
| 122 | 1 | The Tempest: Leotard with Bodice, 1972 | |||||||||
| Box | Item | ||||||||||
| 123 | 1 | The Tempest: Cape Accessory, 1972 | |||||||||
| Box | Item | ||||||||||
| 124 | 1 | The Tempest: Prospero Makeup, 1972 | |||||||||
| Rack | Item | ||||||||||
| 1 | 13 | The Tempest: Purple Cape, 1972 | |||||||||
| 1 | 14 | The Tempest: Green Cape, 1972 | |||||||||
| 1 | 15 | The Tempest: Alonso's Cape, 1972 | |||||||||
| 1 | 16 | The Tempest: Prospero's Cape, 1972 | |||||||||
| 1 | 17 | The Tempest: Prospero's Tunic, 1972 | |||||||||
| Rack | Item | ||||||||||
| 2 | 10 | The Tempest: Red Cape, 1972 | |||||||||
| 2 | 11 | The Tempest: Tan Cape, 1972 | |||||||||
| 2 | 12 | The Tempest: Blue Cape, 1972 | |||||||||
| 2 | 13 | The Tempest: Pink Cape, 1972 | |||||||||
| Rack | Item | ||||||||||
| 3 | 2 | The Tempest: Lady's Dress, 1972 | |||||||||
| 3 | 3 | The Tempest: Black Collared Cape, 1972 | |||||||||
| Series XI: Masks | |||||||||||
| Box | Item | ||||||||||
| 124 | 2 | The Book of Job: Job Mask, Undated | |||||||||
| Box | Item | ||||||||||
| 125 | 1 | Great God Brown: Margaret Mask, 1967 | |||||||||
| Series XII: Props | |||||||||||
| Box | Item | ||||||||||
| 126 | 1 | The Tempest: Lady's Wand, 1972 | |||||||||
| Box | Item | ||||||||||
| 127 | 1 | The Tempest: Swords, 1972 | |||||||||
| Box | Item | ||||||||||
| 128 | 1 | The Tempest: Swords, 1972 | |||||||||
| Box | Item | ||||||||||
| 129 | 1 | Miscellaneous: Blue Stuffed Car, Undated | |||||||||
| It is speculated that John Barr possibly made the car. It is probably a child's toy or pincushion. | |||||||||||
| Series XIII: Personal Clothing | |||||||||||
| Rack | Item | ||||||||||
| 2 | 1 | Long Sleeve Patchwork Jean Jacket, Undated (Various Shades of Blue Jean) | |||||||||
| Made for Irene. John Barr possibly made this. | |||||||||||
| Box | Folder | ||||||||||
| 151/OV3 | 3 | Notes about Irene using leftover scraps from costumes to make a blouse for a show's opening | |||||||||